A Quote by Edward Hoagland

Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts. — © Edward Hoagland
Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.
It was kind of fun to make 'Cloudy,' which has such a stylized look, and then do 'LEGO,' which, while it's stylized, is also photo-real.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
When prose gets too stylized and out of control - and Stein is sometimes a good example - when you don't know what the hell is going on, then it's kind of boring.
The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.
My characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is what threatens stability and normalcy and yet it seems very much a part of being human - at least we are all a bit obsessive and compulsive. Aren't all humans driven by mad desires for one thing or another?
Novels have much more space than short stories, which gives you more leeway with the number of characters you can include. Even 'furniture' characters can be described and given speaking parts to develop background or atmosphere.
My dream is to be a character in a Wes Anderson movie. I just love how interesting and eclectic and stylized his characters are, and I would love to dive into that world.
When we put our trust in diplomacy, it is not because it is an inspiring or uplifting discourse or because it helps us see the common humanity in others. The stylized circumlocutions of diplomats can make them seem ridiculous or irrelevant: they never seem to be talking about what is really going on.
In most civil law systems there are no dissents. There is a single opinion for the court: it is unanimous; it is highly stylized; you can't tell which judge wrote it.
Reluctantly, I pulled out my necklace and showed it to them. Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first. A dog?" asked Zee, staring at my necklace. A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is "The Lamb of God."" Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep." I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb.
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
With '30 Minutes or Less,' there was a conscious decision on my part to make it a little less stylized. I wanted it to feel like an '80s action movie.
What I wear onstage is so stylized and bold.
I love movies where you can tell who's directed it even before the credits roll in, like Wes Anderson or Quentin Tarantino. People who make very stylized types of film.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
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