A Quote by Edgar Wright

I grew up on Marvel and, like, '2000 AD.' — © Edgar Wright
I grew up on Marvel and, like, '2000 AD.'
I was never a DC kid - I went through a phase from, like, 11 to 17 where I would try to buy as many Marvel titles as possible. And '2000 AD' was kind of the sort of sci-fi/punk of British comics.
I grew up reading '2000 AD' and the occasional Transformers and GI Joe comic, but when I could finance comics myself, I lasted only a little reading superheroes.
My biggest thing is that I would love in some form or fashion to return to the 'Marvel' universe, whether in television or a feature. I love the people at 'Marvel' and grew up reading the characters, and it was a real dream come true getting to play with the toys.
I grew up with six brothers, and I'm from Chicago, so princesses and Barbie dolls were not around the house. It was more like sports and comic books, so getting to work for Marvel is like my version of being able to be a princess.
I was never one of the cool kids who read '2000 AD.'
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I'm excited to be a part of the Marvel universe because I grew up with it.
I remember attending Toronto Comicon shortly after the release of Captain Marvel and seeing a five-year-old girl who'd come in a handmade Captain Marvel outfit with her hair moussed up - and I totally got the need for this book, for this hero. Someone who looks like her, and acts like her. So, in a way, Captain Marvel helped pave the road to the expanded role of female leads.
One should be able to say to our children: You are a marvel! You are unique. In all the world, there is no other child exactly like you. In the millions of years that have passed, there has never been another child like you! ... and when you grow up, can you harm another who is, like you, a marvel?
I grew up in Orlando, Florida, and I joined the debate team right around the time of the 2000 election.
I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich.
I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
I have grown up reading Marvel Comics and Marvel movies with their intricately woven storylines. It is fascinating to see how Marvel has created characters and stories that resonate so well with audiences across the globe, making movies at a scale that one had never before imagined.
We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
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