A Quote by Andrew Dominik

I don't know whether crime is dictating business or business is dictating crime. — © Andrew Dominik
I don't know whether crime is dictating business or business is dictating crime.
I have always maintained that society has no business dictating morality.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
If anything is going to halt necessary investments in next generation networks it will be Congress dictating business models to companies.
Anarchism may be described as the doctrine that all the affairs of men should be managed by individuals or voluntary associations, and that the State should be abolished..... Nor does the Anarchistic scheme furnish any code of morals to be imposed upon the individual. "Mind your own business" is its own moral law. Interference with another's business is a crime and the only crime, and as such may properly be resisted.
Crime is interesting. It's huge and fascinating, and it's what my business, TV and film, is largely based on. But the realities are tragic, and in crime drama you rarely see the pain of bereavement or any consequences. It's reduced to a chess game.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
We don't want to confirm or deny the Holocaust. We oppose every type of crime against any people. But we want to know whether this crime actually took place or not.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
I came to know that in many ways it was a crime to be Filipino in California .... I feel like a criminal running away from a crime I did not commit. And this crime is that I am a Filipino in America.
I've been in crime for a long time and I know that the actual move isn't the actual crime: the crime continues [afterwards].
The crime should be punished no matter whether poverty or wealth caused it to occur, because the crime is wrong.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
When is conduct a crime, and when is a crime not a crime? When "Somebody Up There" - a monarch, a dictator, a Pope, a legislator - so decrees.
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