A Quote by Ann-Margret

The critics had an image of me, and they wouldn't accept any other... I was a cartoon character. A joke. — © Ann-Margret
The critics had an image of me, and they wouldn't accept any other... I was a cartoon character. A joke.
Perhaps the image you have of the devil is a cartoon of a man in a red suit with horns a pointy tale and a pitch fork, Satan would love for you to think of him as a harmless cartoon character, but don't be fooled... Satan is anything but harmless.
I'm different from any other designer, businesswise, in that I've built this company up and I own it. I never had business hype behind me to promote my image... My image is real... I have never had marketing people telling me what to do.
The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
The girl-next-door image is a sort of joke; for years, I couldnt get any roles other than as somebody dark.
Homer Simpson has been more inspirational to me than probably any cartoon character. What he represents, I think, there's a part of that in everybody. There certainly is in me, and I love that.
I accept a character purely based on its merits and not on any other criteria.
You're a person a lot longer before and after you're a professional athlete. People always say to me, 'Your image is this, your image is that.' Your image isn't your character. Character is what you are as a person. That's what I worry about.
Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
When the time is right I have a laugh and a joke with my friends on a day off, but I have had to make sacrifices, and in that sense it's been a huge step forward, completely different to how it was before. I was 18 when the manager spoke to me. I realised I'm not like any other teenager. I can't be doing stuff any other 18 or 19-year-old was doing.
If there were some people who considered me a joke, I'm sorry about that. But I did not do it for any other reason except that I loved to ski jump, and I had hopes that by my doing it, other people in my country would take up the sport.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.
At any rate, when I began photographing myself, I could place myself in poses that had not been investigated by other artists. It was an area other artists hadn't touched. Then, I went on from there. I manipulated my image - distorting it, brutalizing it. People thought I was mad, but I felt I had to tell these things. It gave me a kind of excitement.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
It's very hard to take a character out of nothing, and put a hook on it, especially because it's only sonic. Futurama is a sonic world, and everyone's attention is focused on that sound and that little cartoon image. You can change it.
I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.
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