A Quote by Ernst Lubitsch

I let the audience use their imaginations. Can I help it if they misconstrue my suggestions? — © Ernst Lubitsch
I let the audience use their imaginations. Can I help it if they misconstrue my suggestions?
The art of movies is to allow the audience to suspend their disbelief. They need to use their imaginations.
Great imaginations are apt to work from hints and suggestions, and a single moment of emotion is sometimes sufficient to create a masterpiece.
Our imaginations are strong as children. Sometimes they get shoved aside, these imaginations. They get dusty and mildewed with age. The imagination is a muscle that has to be put to use or it shrivels.
I can see how Americans misconstrue British reserve, and I can see how British people misconstrue American enthusiasm. I think I'm somewhere in between the two. Although I'm outgoing, I'm also very private.
The format's limitations are its strengths. We can't show you the monster, but why would we want to? Your imagination is a darker and scarier place than anything that can get generated on a computer. Asking the audience to use their imaginations makes it a much more personal and interactive experience.
Imagine yourself in the scene. See what there is to be seen. Listen to the sounds. Touch the world. Smell the air. Taste it. Use all of your senses. Then evoke those experiences for the reader. If you give the audience the flavor, they'll flesh out the moment in their own imaginations.
Some imaginations help to break the bondage of the rest. The whole universe is imagination, but one set of imaginations will cure another set. Those that tell us that there is sin and sorrow and death in the world are terrible. But the other set - thou art holy, there is God, there is no pain - these are good, and help to break the bondage of the others. The highest imagination that can break all the links of the chain is that of the Personal God.
[Math is] not at all like science. There's no experiment I can do with test tubes and equipment and whatnot that will tell me the truth about a figment of my imagination. The only way to get at the truth about our imaginations is to use our imaginations.
We tend to intensely scout an area and then use our imaginations to make the best use of the geography.
Use your imaginations, and use your empathy. If you don't do that, you're limiting yourself as an artist, and you're hurting the world.
What is to be the consequence, in case the Congress shall misconstrue this part [the necessary and proper clause] of the Constitution and exercise powers not warranted by its true meaning, I answer the same as if they should misconstrue or enlarge any other power vested in them . . . the success of the usurpation will depend on the executive and judiciary departments, which are to expound and give effect to the legislative acts; and in a last resort a remedy must be obtained from the people, who can by the elections of more faithful representatives, annul the acts of the usurpers.
I'm someone who doesn't often ask for help, just suggestions.
It is often said that men are ruled by their imaginations; but it would be truer to say they are governed by the weakness of their imaginations.
Authors do not supply imaginations, they expect their readers to have their own, and to use it
I hope that when children read my stories that they evoke images for children. I four stories can help children use their own imaginations and lead them to act the stories out or to embark on related research, they will learn more and learn to love reading more.
Writers and painters alike are in the business of consulting their own imaginations, and stimulating the imaginations of others. Together, and separately, they celebrate the absolute mystery of otherness.
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