A Quote by Eugene Green
I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.
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Martin [Campbell] is very energetic and precise. He'll on the set like four hours early with a flashlight and I thought, well, I'll certainly try to be very neat about my script like Martin, which I wasn't, but I'm not going to do that bit with the 4AM and the flashlight. I'd love to be able to say I was nervous, but I wasn't. The only time I ever had anxiety it turned out to be asthma.
The key research I usually apply that allows me to understand the roles that I take on, starts with the script in front of me, and what it offers. I try to absorb as much of it as I can, in the time that I have to study it, and I like to change things up, if I have a choice in the matter... and I usually don't. I dream on it, write about and find out who the individual is, and try to bring him to life with as much human and truth as I can.
Ideally you do want people to treat you professionally in return, but not everyone necessarily does that. This acting job - it pays very well and you get to live a wonderful lifestyle, but it's something that I love doing, so I want to work with other people who enjoy it as well ... Maybe if I met the Queen I'd be nervous, though I'd probably be more nervous about doing things the right way because it's a very formal occasion.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
Well, it grow together. It's like, first time I try to write a song is the first time I try to play the guitar. And so I can write a song without the guitar. But it really grow together. I really like stay with my guitar. But it just happen, is the inspiration come through man. Because, I personally, it look like, could I write a whole heap a tune, it look like. But I pick special tune to write. Cause a man can think of plenty things. Yuh know wah ah mean.
It's fun for me to try to write concise, compact things. It's a very good exercise for me. And I think it's important to try to do different things - change what I write about, and also the way I write. Otherwise, I'd just be repeating myself, which wouldn't be good for me or fair to my readers.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
In 'Stranger Things,' of course, I have all these kids around me and I feel like on a TV show, you're more connected with everyone already. But it's fun getting on a movie set and getting to know everyone. There're pros and cons to everything.
I'm not very well organized unless I'm plugged into a structure like the opera or a movie. When I'm doing that, I have to be organized.
I like finding things out beforehand, because I'm nervous in disposition, and I worry that if I don't do anything, then I'll turn up and I still won't really have a sense of it, and it might be too late. So I like to get things as organized as I possibly can in my own head, to apply myself to the work before arriving to a late-in-the-day rehearsal, or in extreme cases, the first day on set.
You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.
My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.
It's nice when you're nervous and everybody's like, "Yeah, you should be nervous." Because a lot of times you're anxious and people say, "Relax. Shut up." And that just feels like, Well, I guess I'm also crazy.
I'm not a very organized person for being uber work-obsessed. I struggle to keep it all organized because everything can become important and, when you have so many spinning plates, they sometimes can cancel each other out because you lose track of everything.
