A Quote by Jan de Bont
I worked on movies with a lot of violence when I was a cinematographer, and it always bothered me. It's a personal thing. I wouldn't want my kids to see it. I certainly believe that freedom of expression shouldn't be taken away, but I also believe you can make movies that are thrilling and exciting without too much violence.
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Watching violence in movies or in TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.
There's always been violence in movies, and there will always be violence in movies. Whether it lends to the one psychotic that's out there, thinking the worst thoughts you could possibly thing, is always going to be a mystery.
Westerns were always my favorite things when I was little. And it always bothered me when cowboys were too clean in movies, or when they wore their guns like they had an outfit on. It always worked better when a guy looked sweaty and smelly; I hadda believe, I hadda believe that.
You must also understand us - always undervalued, underestimated, not believed. Even when we believed, you didn't believe us. You said, 'How is it possible to fight without violence?' But without violence we obtained freedom.
I don't like violence, in reel or real life. I prefer the quiet, beautiful genre of movies where everything is rosy and pleasant. I stay away from extreme sadness in my scripts and, somehow, I can't make movies for kids.
A lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets. - on the link between movies and school violence.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
I believe every act of violence is also a message that needs to be understood. Violence should not be answered just by greater violence but by real understanding. We must ask: 'Where is the violence coming from? What is its meaning?
The truth of the matter is movies are a reflection of life and violence is a real part of life. I don't think you could make movies exclusively where there was no violence.
I think violence in movies, for it to work, you have to use it smartly. People get numb very fast. If you have too much violence in the beginning, it gets to a point where you don't feel it.
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.
I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
I consider myself more of a film fan than a filmmaker, or I guess it's kind of a balance, fortunately. But I really want to see good movies as much as I want to make good movies and I want to see bizarre movies as much as I want to make bizarre movies.
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the personal, and yet so much remains!
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