Top 1200 American Horror Story Quotes & Sayings - Page 20

The Resurrection is the eucatastrophe of the story of the Incarnation - This story begins and ends in joy.

Sometimes if you can tell one personal story with a lot of sincerity, it can become a universal story.

If I had to choose between a relative and a good story, I would take the story.

You don't always have to have the most amazing story. It's learning to share the story you have that counts.

Pay and the story rolls. Steal and the story folds. No stealing from the blind newsboy.

A romance is a courtship story. In the 19th century, the definition of the romance genre was an escape from daily life that included adventure and love and battle. But in the 20th century, that term changed, and now it's deemed only a love story, specifically a courtship story.

People are less focused on the story, and more on how the story is told.

I know people heal by being able to tell the story - the whole story.

I am a story teller and I take each story very seriously.

A story must be told or there'll be no story, yet it is the untold stories that are most moving.

Trust me, I'm telling you stories. ... I can change the story. I am the story.

But life is not a legend or a story. Reality is far more precious than a story.

Behind every beautiful fur, there is a story. It is a bloody, barbaric story.

The hardest part is telling one's story. Once the story is on the page, the rest will come.

What writer wants to make compromises with story? Story is the only reason you're in it.

I think a story should take as long to tell as it is appropriate to that particular story.

My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.

And the Bible is not primarily a book of history. It is "His story," the story of God.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

People love a good story, even if it's a story that has very little truth to it.

A story only matters, I suspect, to the extent that the people in the story change.

I made the film to bring the story of Islam, the story of 700 million of people, to the West.

Any story that you tell about yourself causes suffering. There is no authentic story.

I don't think in terms of optimism and pessimism when writing a story. I am telling a story.

As actors, we are selfish. When listening to a story, we think of the significance of our character in that story.

I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.

I choose this story above all others because it's a story I'm struggling to end.

The story of the human race is the story of men and women selling themselves short.

A story is open-ended. A story invites you into it to make your own meaning.

I emphasize to C.E.O.s, you have to have a story in the minds of the employees. It's hard to memorize objectives, but it's easy to remember a story.

A story can be new and yet tell about olden times. The past comes into existence with the story.

I knew there was a story; once you find a dog with a fork through it, you know there's a story there.

Every story I do is about people. It's my survival instinct - one person, one story.

Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.

In the first place we should insist that if the immigrant who comes here in good faith becomes an American and assimilates himself to us, he shall be treated on an exact equality with everyone else, for it is an outrage to discriminate against any such man because of creed, or birthplace, or origin. But this is predicated upon the man's becoming in very fact an American, and nothing but an American.

The story of life is quicker then the blink of an eye, the story of love is hello, goodbye.

The story fails but your faith in the importance of doing the story doesn't fail.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

The bones of the story of 'War Horse' is a love story. That's what makes it universal.

I'm not at all sure dialogue is meant to advance the story; I know that sometimes it is the story.

When Colin Kaepernick refuses to stand for the anthem, that's both a sports story and a politics story.

I am a story-teller, and I look to academic research... for ways of augmenting story-telling.

I asked God to help me understand the story of the forest and what it means to be a tree in that story.

Moviemaking is about telling a story. And you need to know what story you are going to tell.

When you write you tell yourself a story. When you rewrite you take out everything that is NOT the story.

I don't care whether the story is real or fantastical. I tell the story that needs to be told.

I have always wanted to tell my story - or, more to the point, my side of the story.

I think it is vanity to want to put into a story anything but the story itself.

In fact, I don't even know myself. That is the big secret of the story. That there is no story.

There's only so many ways to tell a story before the story gets boring.

No matter what happens with technology or whether you're in traditional animation or stop-motion or CG, the biggest challenge always is story. The flow of making the movie is usually determined by how your story is coming together, and when your story is straining and you can't quite get your hands around it, your entire production is straining.

A story really isn't truly a story until it reaches its climax and conclusion.

The story of getting better can be just as compelling as the story of falling apart.

I like torture. Torture is photogenic. If you make horror movies, you always have to think what's photogenic and what's not. If you stay home with the candlelight and you read a book, Rilke, or whatever, or Sigmund Freud, it's boring. But if you watch Udo Kier in a horror film and people are hunting me and trying to kill me, and there's my love interest with big breasts and beautiful hair, and I believe in her and they kill me at the end, that's more interesting. We're talking about films here. We're not talking about writing stories.

I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.

It is a rare American who does not have some story about how music has made our lives richer and more interesting, how it has changed our moods, brought out the best in our character and even sometimes helped us earn a living.

One of the secrets of 'A Christmas Story' is that it's a relatable story. They feel like our family.

Isabel Wilkerson's The Warmth of Other Suns is an American masterpiece, a stupendous literary success that channels the social sciences as iconic biography in order to tell a vast story of a people's reinvention of itself and of a nation-the first complete history of the Great Black Migration from start to finish, north, east, west.

The story of your life is really the story of the relations between yourself and God.

The story of humans is the story of ideas that shine light into dark corners.