Top 1200 Indiana Jones Movie Quotes & Sayings - Page 4

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!

My first movie that came out - 'Shopping,' a British movie starring Jude Law and Sadie Frost - there were certain journalists in the U.K. who just eviscerated that movie.

I'm from a small farm town in Indiana!

'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.

I came to Broadway through Indiana University.

You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.

I will always call Darmstadt, Indiana, home.

I love everything about Indiana.

Basketball may have been invented in Massachusetts, but it was made for Indiana.

The vast majority of my job is, and should be done, in the state of Indiana.

I want to do a movie, but it has to be the right movie, whether it's independent or a studio movie. I'm much more open to being a supporting actor. At the age of 60, I'll be second fiddle. Fine. I'm happy to do it.

The people in Indiana are so kind and so genuine.

I watch 'Parks and Rec.' It's set in a fictitious city in Indiana.

I believe that the Right to Work issue is a perfectly appropriate one for Indiana to look at.

I grew up in Indiana. I'm a late bloomer, very naive.

Indiana basketball is bigger than one person.

I just want to get as far away from Indiana as possible.

In Indiana, we don't have an official state religion, but if we did, it would be basketball.

Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.

I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.

There were a lot of things that happened at Indiana that I was proud of.

Christmas is relentless. It's around the clock. I sit with my little ones in front of the TV screen, and we watch movie after movie after movie.

I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.

To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.

Watching a movie a couple of weeks ago. An American movie. I can't remember the name, but it wasn't even a sad movie. It caught me off guard. I was on an airplane.

I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.

I lived in Indiana, and Reggie Miller was everywhere.

The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.

First and foremost, Indiana will always be a basketball state.

I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.

You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.

The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

On the Internet, information from Indiana and India is equally cheap and easy to access.

I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.

I'm from the Midwest, so I know what Indiana basketball is all about and I'm very blessed to be a part of it.

I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.

Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.

I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.

People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

When you make a movie, it's a movie, and things change based on who you put in the movie. And so it's, you know, obviously not exactly your life, but I feel that I did learn a lot about my parents.

I come from a government in Indiana where we did get things done.

Indiana,’ he said. ‘They steal the land from the Indians and leave the name, yes?

When I was growing up, there was no one. There were very few black women in tech; there were very few black women in the fashion game. We didn't have our Grace Jones - Grace Jones was before my time. We didn't really have a lot of black women in electronic and punk who were celebrated in the same levels as, say, your big mega-superstars.

Indiana is always home to me. It holds a special place in my heart.

If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.

I was two when we left Indiana, and I don't really remember it that well.

The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.

I didn't come back to Indiana just to compete. I want to win the finals.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

When I heard the truth about my name was not Cassius Clay, like I knew a black man in America named John Hawkins. Now, you know who John Hawkins was.He was a slave trader from England. But the white people of that time, if one had five slaves and his name was Jones, they would be called Jones' property. [...] Now that I'm free, now that I'm no longer a slave, then I want a name of my ancestors.

I was raised in a small town in Indiana and educated at Ball State University.

I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!

I grew up in Columbus, Indiana, a kind of industrial and farmland place.