Top 1200 Images Of Love Quotes & Sayings

In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.

People are competing to win at a game that is a loser's game. The game is to have better routine images than someone else's routine images. If you want a prescription for routine images, you just have to go through any student's portfolio.

Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.

Even with an improperly ground mirror, the Hubble delivered extraordinary images. When the flaw was corrected, the Hubble delivered images of transcendent beauty and value for many years. So too 'Terra Nova.' Even in its flawed first season, each episode was full of marvelous moments and beautiful images.

In some areas, [Getty Images has] more images than the rest of the market put together. But libraries are being built up at a terrific pace. A photographer in a lifetime will produce maybe a million images, and there are about 15,000 professionals at work out there.

I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.

Making photographs that dealt with the understanding of who I am as a gay man and dealt with the process of accepting that, and also accepting what I'm into sexually, what sexually arouses me. So I was making these images not necessarily knowing what they were about, but just putting it out there - that mode of thinking or consideration of my own desires, and also the much larger conversation around images that deal with ideas of sexuality and how those images are distributed and then accepted or understood by whoever is viewing those images.

In Lucretius, sexual desire is considered real and genuine, whereas love is illusory. Venus, the goddess who represents the power of sexual desire, is the font of love. She merely mocks lovers with mental images. Try as they might, lovers cannot satisfy themselves by gazing nor by rubbing against one another because the madness of love will always return; hence Lucretius' prescription to flee the mental images, that is, to ward off what feeds love, turning the mind elsewhere.

The power of Hollywood, as we know, is that it can create these images in people's minds, and they live with those images for their whole life.

There are no more simple images... The world is too much for an image. You need several of them, a chain of images.

Every film starts with two or three images. Then I try to edit these images.

I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.

Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.

You can't be a passive recipient of images, you have to engage with images and read their subtexts. These are critical things that will be taught to the students by a film club.

Images can make realities out of people and struggles - the reality we give them. Images really matter.

We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too.

Images have enormous power, and images freed from deep within ourselves can change us profoundly.

We do not see the danger clearly enough that we develop images adequate to our state of civilization. When you watch TV, you know instantly that there's something wrong with the images. When you open a magazine and see the ads, you know there's something wrong with the images. And it's unhealthy and not good and outright dangerous, in my opinion.

I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going to be a good film. I think all films should be really visual.

I love films, I love movies, I love television, I love television series, I love the internet, I love anything that enhances images. But most of all, I love, love movies.

The images from the book you make in your head are always going to be the best images.

Let yourself daydream sometimes... Allow spontaneous images to come and go. Capture one in a sketch. These images express connections with your inner self.

To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.

If we can be cheered up by positive images we can be depressed by negative ones. As long as we accept images as realities we are in that trap, because you can't control the images.

Although images of perfection in people's personal lives can cause unhappiness, images of perfect societies - utopian images - can cause monstrous evil. In fact, forcefully changing society to conform to societal images was the greatest cause of evil in the twentieth century.

Images are really powerful. People fall in love with images, and as a way of falling in love with someone because they're like an image.

The spectacle is not a collection of images, but a social relation among people, mediated by images.

We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.

Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.

Images are probably the most important part of the poem. First of all you want to tell a story, but images are what are going to shore it up and get to the heart of the matter.

My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.

Others of them employ outward marks ... They style themselves Gnostics. They also possess images, some of them painted and others formed from different kinds of material. They maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world, such as Pythagoras, Plato, and Aristotle, and the rest. They have also other modes of honoring these images just like the Gentiles.

People always form images of who others are, and they can be inflated images.

And nobility will not be able to help you with your love; Love does not know how to cede to ancestral images.

In poetry, you must love the words, the ideas and the images and rhythms with all your capacity to love anything at all.

As I saw more and more people buying the images that were happy buyers, and people selling the images that were happy with how the market was pricing them, I started to get the sense this could be the go-to place for businesses to get the images they need.

We go to the cinema we see images projected on the screen - but they're not real, they're only images.

When you see a silent movie, you understand everything that's going on from the images because the images are so strong.

I remember how my world expanded in amazing fashion by that magical operation of translating words into images, and images into stories.

The great problems of life — sexuality, of course, among others — are always related to the primordial images of the collective unconscious. These images are really balancing or compensating factors which correspond with the problems life presents in actuality. This is not to be marveled at, since these images are deposits representing the accumulated experience of thousands of years of struggle for adaptation and existence.

She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.

Evolutionary learning calls upon our creative potentials as it empowers us to envision images of the future and bring those images to life by design.

I had always wanted to include images in a novel, and with my first book, 'Telex From Cuba,' I made an elaborate website that is basically all images.

Images exist; things themselves are images... Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.

When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.

A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.

To be on an island inhabited by artificial ghosts was the most unbearable of nightmares,- to be in love with one of those images was worse than being in love with a ghost (perhaps we always want the person we love to have the existenceof a ghost).

Writing is not possible without images. Yet, images don't have to be descriptive; they can be concepts.

I worry about images. Images are what things mean.

As individuals and as a nation, we now suffer from social narcissism. The beloved Echo of our ancestors, the virgin America, has been abandoned. We have fallen in love with our own image, with images of our making, which turn out to be images of ourselves.

Some images stick with you forever, images that you can't unsee.

... the constant flow of images undercuts the sense that there's actually something wrong with the world. How can there really be a shortage of whooping cranes when you've seen a thousand images of them - seen ten times more images than there are actually whooping cranes left in the wild?

Images are no longer what they used to be. They can't be trusted any more. We all know that. You know that. When we grew up, images were telling stories and showing them. Now they're all into selling. They've changed under our very eyes. They don't even know how to do it anymore. They've plain forgotten. Images are selling out the world. And at a big discount.

Time is of the essence, particularly if we're sending images out on social media. The reality is that the majority of images are only viewed for a few seconds, often on a phone or computer. There are so many images freely available that it takes a lot of will power to concentrate and prolong the gaze on one picture at the expense of the thousands of others waiting to be viewed!

I love acting. I've been doing it since I was 16, and it's in my nature. It's the thing I do best. But as much as I love acting, I love cinema more. I always had a thing about creating images.

We measure our success of love in the images of love. But those images are static. And it's a hopeless project, because our love will never be like that image. The actual reality of love in our lives is much more chaotic.

What Warcollier demonstrated is compatible with what modern cognitive neuroscience has learned about how visual images are constructed by the brain. It implies that telepathic perceptions bubble up into awareness from the unconscious and are probably processed in the brain in the same way that we generate images in dreams. And thus telepathic “images” are far less certain than sensory-driven images and subject to distortion.

Human beings are creators, flinging powerful images into the minds of their fellow men. And all of these images are built of tiny particles of thought.

In the law, rights are islands of empowerment. . . . Rights contain images of power, and manipulating those images, either visually or linguistically, is central in the making and maintenance of rights. In principle, therefore, the more dizzyingly diverse the images that are propagated, the more empowered we will be as a society.

I have always said that archival images are images without imagination. They petrify thought and kill any power of evocation.