Top 1200 African-American Quotes & Sayings - Page 17

I grew up in Houston, and I remember we had separate drinking fountains, and black people sat in the balcony of the theater... We had an African-American housekeeper growing up who was really like my second mother. I thought it was silly - hatred just because of the color of somebody's skin.

Humor is so culturally based that when I try to tell a joke as me being a white American, if I tell other white Americans, they'll laugh. If I tell an African American, they might not laugh. In fact, they either might not find it funny, or they might find it offensive, and I didn't mean it to be offensive. So these are the sort of little things that build up over time, just like in a marriage. You know, the little things can build up over time.

The statement that I made and that I think I will continue to make is that racism and bigotry isn't just relegated to the Southern region; it permeates the history of our nation. It's not to say that we haven't made progress. Obviously we have with our first African American president, and I never thought that would happen in my lifetime.

People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.

We need American sources of resources, we need American energy, brought to you by American ingenuity and produced by American workers.

You never hear about a pit bull doing anything good in the media. And they have a stigma to them... and, in many ways, pit bulls are like young African-American males. Whenever you see us in the news, it's for getting shot and killed or shooting and killing somebody - for being a stereotype.

I've come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.

The gun epidemic is the leading cause of death of young African- American men, more than the next nine causes put together. So we have to do two things, as I said. We have to restore trust. We have to work with the police. We have to make sure they respect the communities and the communities respect them.

We always talk about how important representation is. It's so important to see someone that looks like you - whether you're African American, Asian, Indian or whatever your background is - doing incredible things. It's just motivation to go out there and do incredible things yourself.

We were segregated throughout the community, and it was pretty brutal, actually. It didn't appear to be, on the surface.People got along and we had great relationships, but there was discrimination that impacted adversely the ability of the African-American community to progress. People did not - were in denial about that fact.

That's one of the biggest losses, I think, to African American families, is that people, once they left, they turned away from the South. They didn't look back, and they often didn't tell their children about it. They didn't want to talk about it. It was too painful, what they'd gone through and the caste system of the South, which was Jim Crow.

Anyone who watches a lot of television, or listens to pop music, is familiar with a certain vision of America. If not exactly colorblind, this America is one in which different races easily interact, in which a white person might have an Asian boss, Hispanic stepson, or African-American frenemy.

Coming up in the Bay Area and being African American in a city that has a history of complex issues of violent crime, interaction with the police is always intense. That's something you have to learn. My mom taught me at a young age that if ever a cop stops you, you put your hands up and freeze - don't move.

Something that is interesting about the current polling is that, as you watch Hillary's [Clinton] numbers fluctuate, part of the reason that they are is because the Obama coalition, younger voters, African-American voters, Latino voters, they're not showing up in as large a number for her as they did for President [Barack] Obama.

The idea that there is one kind of African is of course ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue for example that millions of children could and should be vaccinated.

Culture is about humanizing people. You look at the African-American civil rights movement, you look at the LGBT rights movement - the culture changed before the politics did.

It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.

My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.

The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."

Will African-Americans break away from the pack thinking and reject immorality-- because that's the reason the family's breaking apart--alcohol, drugs, infidelity. You have to reject that, and it doesn't seem--and I'm broadly speaking here, but a lot of African-Americans won't reject it

I want you to know that I don't have any right, Malawi has no right to stop any president from coming to an African Union summit because that is an African Union meeting.

I got accused of misrepresenting all people of colour in Great Britain. I would get told off a lot. 'How can you do African characters when you're not African?' But I gave it a go. Maybe if there had been more of us I could have just been Lenny Henry from the Black Country with Jamaican parents.

Black churches are very powerful forces in the African American community and always have been. Because religion has been that one place where you have an imagination that no one can control. And so, as long as you know that you are a human being and nobody can take that away from you, then God is that reality in your life that enables you to know that.

My solutions are to include Africa in the global economy, and not African charity, AIDS research, but African infrastructure development. And I think that Africa can import and needs everything the whole world can manufacture. And they have got enough money to pay for it. It's just that the money is in the ground.

Being the first black Nobel laureate, and the first African, the African world considered me personal property. I lost the remaining shreds of my anonymity, even to walk a few yards in London, Paris or Frankfurt without being stopped.

All people - African, European, American - worry about being different. But I've learned that the traits we'd rush to get rid of are the very ones that others desire. People always covet what they don't have. That's why we should look at ourselves every now and then and say, 'I'm proud of myself. I like the way I'm made.'

Anyone reading contemporary poetry - especially contemporary African-American poetry - will quickly see that race is an enduring subject. What some don't realize is just how diverse the handling of that subject is. It's as diverse as blackness.

And yet today, half of all black children are aborted. Far more of the African-American community is being devastated by the policies of today than were being devastated by policies of slavery

I didn't have the sensibilities of your ordinary filmmaker, let alone your ordinary African-American filmmaker. My heroes were John Waters, Pedro Almodovar, and actors that were part of that world.

If you take into account prisoners, a large majority of African American men in some urban areas, like Chicago, have been labeled felons for life. These men are part of a growing undercaste - not class, caste - a group of people who are permanently relegated, by law, to an inferior second-class status.

We cannot proclaim this century the African Century and then ignore the AIDS pandemic, as some political leaders are apt to do. To claim this century the African Century is to declare war on AIDS.

I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit new African surroundings.

I love and admire the American culture and the American dream. I learnt so many things about the American shoe industry and marketing strategies. I caught the secrets of American casual wear, that is elegant and wearable, retro and modern, and mixed it with an Italian touch, luxurious and handmade.

You know, women not making dollar for dollar the same as a man is not new. It's been that way since day zero, since the founding of this country. And when you put African-American women and Hispanic women into the mix it's even worse than that.

I wanted to set the standard, do the best job possible so that other people would be comfortable with African-Americans flying in space and African-Americans would be proud of being participants in the space program.

Things are shifting; man is evolving in many different ways. The Internet has created a portal for people to connect with each other in a way they never could have before. When it comes to African-American or black films, it's different because there is a model that you can actually look at, an equation that shows that these films earn money.

In the white community, the path to a more perfect union means acknowledging that what ails the African-American community does not just exist in the minds of black people; that the legacy of discrimination - and current incidents of discrimination, while less overt than in the past - are real and must be addressed.

Some people would view Jackie Robinson as a very safe African-American, a docile figure who had a tendency to try to get along with everyone, and when you look at his history, you learn that he has this fire that allows him to take this punishment but also figure out savvy ways of giving it back.

So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.

There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.

I started as an engineer. I migrated to philosophy and international politics. And I did my studies about African - Africa democracy and democratization in Africa, taking Kenya as a model. And then, while I was doing so in 1996 in South Africa, Al Jazeera was established. So they requested me to be an analyst on African affairs.

I was just so honored to play the role of Cinderella and to just be the first African-American princess, that's just historic for me, that's such a mark in my life and my career and then the bonus of just working with my favorite person in the whole world, Whitney [Houston], like her voice just did something to my spirit.

Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.

Andrew Warren was a rarity in the CIA's Clandestine Service - African-American, fluent in Arabic, and relatively young for an agent who'd already spent nearly a decade chasing terrorists in Afghanistan, Egypt, Iraq and Algeria, so deep undercover that few of his friends or family knew the nature of his work.

The sum total of what I learned about African American culture in school was Martin Luther King Jr., Rosa Parks, and the Underground Railroad. This was more than my mom knew; she didn't even see a black person in real life until she was 18 years old.

Democrats did not lose control of the Senate because African Americans did not vote. Actually, as supported by preliminary exit poll data, the complete opposite is the case. African Americans increased as a proportion of the electorate in 2014 over 2010.

It wasn't until I came to New York and started to see the African American community, but also the Ethiopian community here, and started to eat the food, started to understand the music. I said, you know, I got to go and understand the culture. So me and my sister went.

How do we in the African American community build a culture in which we are saying to our kids, "Here's what it takes to succeed. Here's the sacrifices you need to make to be able to get ahead. Here's how we support each other. Here's how we look out for each other."

Senator Sessions has opposed protections for LGBT individuals. He's spoken out against Freedom Corps' marriage equality decision. He opposed the repeal of Don't Ask, Don't Tell. He opposed the nomination of Loretta Lynch, the nation's first African-American woman to serve as attorney general. These things worry me.

What basketball expresses is what jazz expresses. Certain cultural predispositions to make art. All African-American art has a substratum, or baseline, of improvisation and spontaneity. You find that in both basketball and jazz.

To make an absolutely gross generalization, I think a lot of people feel like if you're mixed, more often than not you're quote unquote white. So if you're mixed, you embrace the mainstream culture more than the African-American culture.

Congressman Berg will repeatedly talk about Harry Reid and Barack Obama, and I find it interesting, because this morning, when I woke up and brushed my teeth, I looked in the mirror and I did not see a tall, African-American, skinny man. So let's make it clear that my priorities are North Dakota priorities.

I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.

Martin Luther King, Jr., would have been the last person to have wanted his iconization and his heroism. He was an enormously guilt-laden man. He was drenched in a sense of shame about his being featured as the preeminent leader of African-American culture and the civil rights movement.

All of my history as an African-American woman, as a Jewish woman, as a Muslim woman. I'm bringing everything I ever knew, and all the stories I've read - everything good, strong, kind and powerful. I bring it all with me into every situation, and I will not allow my life to be minimized by anybody's racism or sexism or ageism.

Once you dive into the African-American struggle or whatever you want to call it and you look past that, you realize that it's not a black people problem, it's a human problem. We all can't be at peace until we are all at peace. If there's a piece of us suffering, then we are all suffering. That's what it's about. That's the macro level.

African cinema doesn't have an African industry at all and that's where our problem arises. We come to all of these initiatives with a lot of suspicion because we're so inhabited by the notion of being colonized, the post-colonial thought that someone wants us to do something that is their interest and not ours and even it's not true, there's the suspicion of it like where is this going?

I will never again play anything that does not have social significance. We American jazz musicians of African descent have proved beyond all doubt that we are master musicians of our instruments. Now what we have to do is employ our skill to tell the dramatic story of our people and what we've been through.

As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.

The idea that there is one kind of African is, of course, ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue, for example, that millions of children could and should be vaccinated.