Top 1200 Album Cover Quotes & Sayings - Page 9

I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.

I had been told by a number of people that if you get half of what you want on your first album, you're doing really well. Pretty much every single thing they had was something that I liked. There were maybe one or two songs I didn't like, and they were taken off the album quickly.

If someone says, 'Hey man, I love your album, it really got me through a breakup, but I downloaded it for free,' I'll be like, 'Good! That's good!' Maybe he didn't have the money for the album, but if he still listened to it, and it's an important part of his life, that's all I can ask for. I don't want his twenty bucks.

What can you think when one review says "this album is brilliant, and all the songs flow into the utmost brilliant song 'The Upside-Down Cross'" then another review says "this album is brilliant, except for that horrible and pointless song 'The Upside-Down Cross'," and another review will say "Jeffrey really sounds confident and relaxed on this new album", the next reviewer says "Jeffrey sounds more depressed and awful than ever" - these totally contrasting reviews happen all the time!

I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.

Then to the victor go the spoils. You rise up by lifting, you know, each other up. You win. And so isn't this the time to be magnanimous like Donald Trump is and not to be, you know, predicting or projecting on to the press how they must cover him. They're going to cover him how they see fit.

When we worked on Ice Cube's Amerikkka's Most Wanted album. Before we talked studios, beats, or lyrics, I said, "Two rules: Only say what you're able to vouch for. Number two, never repeat yourself twice, because we makin' an album that people will play over and over.

We titled it, 'You Should Be Here,' for one, because just how special that song is, and I think it kind of sets the tone for this album. I've established that I like to have fun, but this is a little more than that - this album has got some fun stuff, but it's also got topics that I haven't gotten a chance to touch, and I'm so excited about it.

I really love my True Match concealer: it is great if you just want to cover some spots, and you don't have to cover your whole face. I don't really like wearing a face full of makeup all the time; I just like covering up the spots that I am a little self-conscious about.

People don't go to the record store anymore. It's crazy. The culture used to be so much stronger. People would go and support you, and go pick up the album. Not just for the music, but for the liner notes, for the artwork, just for the whole thing and to have it, and be able to say, 'I have this album.'

We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'

The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.

I was doing these music videos online for a couple years, and they'd be doing well to varying degrees. And I released an album, and with the album, I released three new music videos, and one of them was featured on Jezebel.

You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.

Women of child-bearing age steadily run out of eggs by the continuous process of cell death. While reading a copy of the 'Guardian' carefully from cover to cover, a normal woman will have lost on average two eggs - while, typically, a normal man will have made 70,000 new sperm.

I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.

You can't walk into Wal-Mart and just walk out with a TV - you can't just download a TV. So don't go and download the Jadakiss album without paying for it. It cost money to make that album, dude.

When I cover a major presidential, when I vote for a major presidential, or when I cover a major presidential candidate out on the campaign trail, I make it a policy not to vote on the presidential ballot in that election.

I try to mix the fashion with the music and what's going on at the time...at the time [when my uniform was black on black] I was putting together an album, my album was my name at the time; very minimal, very stripped down, very everything but it still had and have to have some level of pop.

We read the whole Bible, cover to cover, over and over again... It wasn't that we read selective parts of the Bible. It was that we interpreted it in this very selective way.

People have been listening to Burning Spear for a long time now, and they know who I am and what I stand for. Yes, I do address many of the same ideas from album to album, adding only a little different flavor or coloring. Yes, the message has remained virtually the same because the issues haven't gone away yet.

There's certainly an element of responsibility that goes with being on the cover of WWE 2K18, but I'm just stoked for it. I think it's awesome for our generation to have a guy on the cover who comes from the group of guys and girls on the road right now who are grinding it out every single day and night. I feel honored to have gotten the opportunity and that I was chosen to be that guy when it could have been anyone from Charlotte Flair to Sasha Banks to Roman Reigns.

Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.

George Carlin's album, 'Class Clown,' came out when I was in high school. I memorized a lot of that album. I'd come home from school, put it on, and listen over and over. I started memorizing it. I don't even know why. I loved it so much I memorized it.

At the moment we're trying to keep what we've learnt. Because we learnt a terrific amount with 'Deep Purple In Rock,' it took six months to make that album: we think it paid off, really. I can honestly say that it's the first album we've been 100 percent satisfied with; it gave us a hell of a lot of confidence.

My favorite Luna disc is our third, 'Penthouse,' a sparkly, moody album that works from track one all the way to track 11. Tom Verlaine of Television and Laetitia Sadier of Stereolab make guest appearances. I am also fond of the final Luna album, 'Rendezvous.'

[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.

The only band that I can see that made changes over the years with success was The Beatles. They were able to change album to album and still be just as good or better. I didn't feel that we were able to do that. The Beatles were in a class by themselves.

I think it says wonders about people that can write an entire album, and put out an entire album of great songs. I mean, the Brad Paisley's, Alan Jackson especially, even Taylor Swift - those people can really pen great stuff.

Seven has always been my lucky number. It's on my guitar pick; in sports, that was always the number I was, and 'Riser' is my seventh album. With this album kind of coming to an end and having seven nominations at the ACMs, it feels like a bigger story in play for me, and it's the perfect number. I wouldn't have wanted eight!

The thing about being an artist is that you evolve so quickly, you grow, you learn, you change, you find yourself hating work that you made months prior. That's the hard part about making an album, but every couple days I fall asleep listening to my album front to back and I lay there feeling so proud of what I did.

To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.

It used to be that you made an album and then you went on the road to promote that album, hoping for good record sales. Well, good record sales basically don't exist any more, and the emphasis has been more on the live show.

The only criterion we used in doing cover material was we wanted to do songs that we wished bands would play when we went out. We were doing Yardbirds and Rolling Stones cover songs-which is not any big deal, but where we were from, all we were getting were Top 40 bands.

We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'

I'm just trying to unite the western crowd and the bluegrass crowd a little more. ... I get to do that again on my new album, Tall Grass and Cool Water.... This is the first time I've had every song on an album be a Bluegrass and Cowboy Song at the same time.

My first album deals with my anxiety. It wasn't like, to heal my anxiety and by writing an album I'm now healed. It was, here's a sound representation of what it feels like to be in an anxiety attack and that's it. I think we can say the same with image, people look at an image and see a billion different things.

It was 22 years of work in a row, right up until 1987. Twenty-two years in a row-either on tour, writing an album, or recording an album. It wasn't until 1987 that I was able to take a breath.

The idea of going around to somebody else's flat or house and sitting around in a comfy room and having a really good hi-fi system and listening to a whole album all the way through, then chatting for a few minutes, then maybe putting another album on . . . does that happen today?

Live we're a lot louder and noisier on the album. I think for the album we took a lot of time for the songwriting and we wanted to make good pop music, and I think there's plus and minuses to doing pop music and noise.

I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.

I get the most starstruck around musicians. I get tongue-tied and don't know what to say. I'm so jealous of them. When you make a movie, you're constructing something - it's a little bit like making an album. But after musicians make an album, they get to perform it live and experience it in front of a crowd.

I had a record on the Terror Squad album "My Kinda Girls", and then I had a record on the second Terror Squad album and was featured all over it. I wasn't really introduced into the game until about late 2000 where people got to see where I look like.

When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.

Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.

I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.

Fearful leaders side-step issues instead of dealing with them, cover up mistakes instead of owning up to mistakes; they skulk back into the shadows and hope that the crisis-whatever it is-will somehow blow over instead of facing their fears. Worse, they resort to lies and deception to cover up the truth.

Arrogance is a way for a person to cover up shame. After years of arrogance, the arrogant person is so out of touch, she truly doesn't know who she is. This is one of the greatest tragedies of shame cover-ups: not only does the person hide from others, she also hides from herself.

When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.

I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.

Our album stuff, we bring it to our producer to help us finesse. But anything that's been on YouTube and a lot of the stuff that's been on the album, too, it started from us just sitting around in a circle and jamming it and finding where the parts fit.

I wasn't put on the cover of 'Sports Illustrated' as a plus-size model; I was put on the cover of 'Sports Illustrated' as a model, as a rookie, as Ashley Graham.

The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.

This album is my life, and my life's really not that interesting. It's not "not interesting," but I'm just some dude just like everyone else. But by recording it in an album format, it becomes a product. That's the idea of Built on Glass; it's the relationship between my personal life and the music I make.

If your reading habits are anything like mine, then you can remember the exact moment that certain books came into your life. You remember where you were standing and whom you were with. You remember the feel of the book in your hands and the cover, that exact cover, even if the art has changed over the years.

It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.

...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.

The books I used to love as a kid, I used to read football books - and by that I mean soccer books - stories about boys in school who started to play football and then became the captain. I'd read them cover to cover. I just got lost in them.

I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.

Women of child-bearing age steadily run out of eggs by the continuous process of cell death. While reading a copy of the Guardian carefully from cover to cover, a normal woman will have lost on average two eggs - while, typically, a normal man will have made 70,000 new sperm.