Top 1200 Almost Everything Quotes & Sayings - Page 16

Scott Adams is not only a world-famous cartoonist, he's also a world-class failure. And he's the first to admit it. In his new book, 'How to Fail at Almost Everything and Still Win Big,' the Dilbert creator explains how failure can lead to success if you develop the right skills to make the most of your mistakes.

You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.

Now I almost overly embrace how weird I am, how I look and how oddly camp I am. It's almost too honest for me because I harboured ambitions to be quite a cool, good-looking guy.

The making of a picture ought surely to be a rather fascinating adventure. It is not; it is an endless contention of tawdry egos, some of them powerful, almost all of them vociferous, and almost none of them capable of anything much more creative than credit-stealing and self-promotion.

Nobody climbs on skis now and almost everybody breaks their legs but maybe it is easier in the end to break your legs than to break your heart although they say that everything breaks now and that sometimes, afterwards, many are stronger at the broken places.

Those who were on the inside, the majority that is, for them it had been hard to get his point, mostly they were just pleased that they were on the inside, that they were the fittest. For those on the outside, the fear and abandonment amounts to almost everything; everybody knows that. Understanding is something one does best when one is on the borderline.

Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.

Everything is false, everything is possible, everything is doubtful.

Poetry is a river; many voices travel in it; poem after poem moves along in the exciting crests and falls of the river waves. None is timeless; each arrives in an historical context; almost everything, in the end, passes. But the desire to make a poem, and the world's willingness to receive it--indeed the world's need of it--these never pass.

When I returned, everything was different. Everything was calm, and I felt very clean. Everything was in order. Everything was as it should be. I had a secret. It was a guilty secret, certainly. But it was MY secret. I had something to hold on to. It was company. It kept me calm. It filled me up and emptied me out.

I don't really have a writing process. I don't write at all but, honestly, I feel like it's a modern-day writing because everything is technology and if I go in there and freestyle and I keep it, I feel like I wrote that. If I go in there and fix it, it's almost like something I wrote.

Everything is in motion. Everything flows. Everything is vibrating.

There's basically an element of fiction in everything you remember. Imagination and memory are almost the same brain processes. When I write fiction, I know that I'm using a bunch of lies that I've made up to create some form of truth. When I write a memoir, I'm using true elements to create something that will always be somehow fictionalized.

People have proven over and over that they will read if they are given something they like. The problem with reading is not reading, its that almost everything out there sucks. For so long, publishing has been run by a cartel of snobby pseudo-intellectual failed writers, and the resulting output has reflected not what the market wants, but what they think people are supposed to read.

Human beings have the capacity to learn to want almost any conceivable material object. Given, then, the emergence of a modern industrial culture capable of producing almost anything, the time is ripe for opening the storehouse of infinite need!... It is the modern Pandora's box, and its plagues are loose upon the world.

Almost no one is foolish enough to imagine that he automatically deserves great success in any field of activity; yet almost everyone believes that he automatically deserves success in marriage.

Well life has a funny way of sneaking up on you When you think everything's okay and everything's going right And life has a funny way of helping you out when You think everything's gone wrong and everything blows up In your face

Look at my life. I almost died. I almost died several times. My shoulders were down, man. But I kicked out. I kicked out again. Someone upstairs obviously likes me. So maybe I should, too.

As far as life is concerned, there is no such thing as "Nature". There are only homes. Home is that environment to which the individual has become adapted; and almost everything is unnatural outside his range of adaptation. Harmonious equilibrium with nature is an abstract concept with a Platonic beauty but lacking the flesh and blood of life. It fails, in particular, to convey the creative emergent quality of human existence.

Almost everyone I meet is successful because of doing a lot of things right, and almost everyone I meet is successful in spite of some behavior that defies common sense.

The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.

In Latin America, in the past, it was almost impossible to guarantee democracy. There were military dictatorships, and nowadays there are not so many military dictatorships. Although we have a dictator in Honduras, as a result of a coup, now as a president, he is almost the only one I would say. But again led or managed, gestated by the U.S. government.

Everything is a present. Everything. This I learned to be thankful for everything.

I enjoy painting. It's an incredible release of tension, and I feel very excited doing it. I squeeze out some wonderful red paint, and I get a thrill. My heart starts beating faster. It's almost a sensual thing working with these thick acrylic paints. I almost want to put my hands in.

You are fully responsible for everything you are, everything you have and everything you become.

We live in an age where the rate of change has been colossal. Colossal. Almost every week there's some transformation of some kind, whether technological or political or scientific, whatever. And I think it's bewildering to human beings to live in a time when they can't take anything as fixed - when everything is shifting and changing all the time.

I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns. It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything.

Almost 63 years ago, my father, John Johnson, named the publication 'Jet' because, as he said in the first issue, 'In the world today, everything is moving faster. There is more news and far less time to read it.' He could not have spoken truer words. We are not saying goodbye to 'Jet'; we are embracing the future as my father did in 1951.

Finally, ultimately, you write music for yourself. I mean, I need a public, I need people to play, I need everything else. I'm not working in isolation. But finally the man that writes the music is alone. And I have to respond to those criteria which are almost like inner needs or inner responses.

Why is it that almost every human culture yet discovered has found it necessary to believe in an afterlife of some sort, but not a 'before-life?' Why are there so many versions of Heaven, Paradise and The Great Beyond, but almost none about The Great Before.

Think about everything that you hear, feel everything that you see, love everything that is worthy of love.

The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying.

(The baby sneezed. Wulf jumped as fire shot out of its nostrils and almost singed his leg.) Excuse me. I almost made Dark-Hunter barbecue, which would be really sad ‘cause I ain’t got no barbecue sauce with me. (Simi)

Sometimes you write and you find yourself almost wondering how it will turn out. I don't think every writer sort of almost admits that at some stage his books can take on their own kind of life it selves and simply lead away into directions that they're not kind of prepared for.

There are enough forces in the world that are afraid of our strength, “our hugeness,” as one of our sovereigns said. So, they seek to divide us into parts, this is a well-known fact. Look at what they did with Yugoslavia: they cut it into small pieces and are now manipulating everything that can be manipulated there, which is almost anything. Apparently, someone would like to do the same with us...

Right now I think I'm the smartest I've ever been. I'm doing everything great now and everything perfect. Like with this taxes stuff. I'm getting better at that. I'm making sure everything is a write-off. Every single thing.

I think that everything you do, everything that you start and everything that you end, it does that for a reason, and it's to move forward on to the next thing or the next road or the next path or whatever.

Giving up everything must mean giving over everything to kingdom purposes, surrendering everything to further the one central cause, loosening our grip on everything. For some of us, this may mean ridding ourselves of most of our possessions. But for all of us it should mean dedicating everything we retain to further the kingdom. (For true disciples, however, it cannot mean hoarding or using kingdom assets self-indulgently.)

Almost all wars, perhaps all, are trade wars connected with some material interest. They are always disguised as sacred wars, made in the name of God, or civilization or progress. But all of them, or almost all of the wars, have been trade wars.

After a scary movie about the world almost ending, we can walk into the sunlight and say, "Wow, everything's still here. I'm OK!" We like to tease ourselves. Human beings have a need to get close to the edge, and when filmmakers or writers can take them to the edge, it feels like a dream where you're falling, but you wake up just before you hit the ground.

I don't know how I made those movies. I went out every single night, I smoked pot every single day. I drank. We did everything, but I never became a drug addict or an alcoholic. Other friends are dead, many of them. So many people in this retrospective...in Female Trouble, almost everyone is dead.

Marley is someone before his time, man. He's - he's almost - he's like a deity, like almost, you know what I mean? I just talk about what's going on, but of course, you know, Bob, before rappers, was already laying that kind of thing down.

I think it laughable, frankly, that the physics community comes up with a theory for everything. There isn't one theory for everything. There is not one explanation. We may eventually have several theories that can tie things together nicely but there is not a single theory of everything.

I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.

What one has most to work and struggle for in painting is to do the work with a great amount of labour and sweat in such a way that it may afterward appear, however much it was laboured upon, to have been done almost quickly and almost without any labour, and very easily, although it was not.

Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it.

I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.

In Judaism, almost every ritual entails either food or the absence of food. Yom Kippur, for instance, is the absence of food. Part of it is Talmudic, part of it is custom. So much of Judaism was bound up in dietary laws. So everything you ate - the very act itself - was part of religion.

Most of my readers think I'm obsessed with time management, but they haven't seen the other - much more legitimate, much more extreme - obsession. I've recorded almost every workout I've done since age 18. Since 2004, I've been tracking everything from complete lipid panels, insulin, and hemoglobin A1c, to IGF-1 and free testosterone.

There is a trick to flying. The angels told me." He had smiled at my wide-eyed awe. "You need to forget everything you know as a human being. When you are human, you discover that there is great power in hating the earth. And it can almost make you fly. But it never will." I had frowned, not quite understanding him. "So, what's the trick?" "Love the sky.

In a society that almost demands life at double time, speed and addictions numb us to our own experience. In such a society, it is almost impossible to settle into our bodies or stay connected with our hearts, let alone connect with one another or the earth where we live.

It's the flip side of illegal success. This man [Pablo Escobar ] turned a small-time drug thing into a large industry. An international, successful industry. And he almost took a country, Columbia, he took it almost hostage, took over it. It was incredible.

I am a serial monogamist of sorts, and have been with my girlfriend for almost four years. In imagining my brain back to worlds where I might be around someone other sexed in that way and not know them that well, speaking out loud almost seems like requiring of demon language, or money spurting.

It is almost impossible for anyone outside this damn beltway to really understand how the Congress works. If you aren't here, walking the halls of Congress, sitting at bars and attending parties where you get to knock back some brews with Hill staffers, you don't have a handle on the almost numbing amount of bullshit that goes on.

Don't you think almost anything can be funny? Almost? anything.

I think the greatest weakness in the church today is that almost no one believes that God invests His power in the Bible. Everyone is looking for power in a program, in a methodology, in a technique, in anything and everything but that in which God has placed it—His Word. He alone has the power to change lives for eternity, and that power is focused on the Scriptures.

Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything, so that we will miss nothing. Partly it's greed, but mainly its curiosity. We just want to experience it. And we do.

I suppose the biggest change to me is this kind of very oversexualizing of everything. Not that anyone wants to take the sex out of rock 'n' roll, you know - that would be ludicrous - but it seems that everything now, it's like the sexuality is the only voice; everything else is gone.

I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.

Barack Obama is an opportunist, mostly supported by the financial institutions. He had no positions on anything. He's very intelligent. If you look at his program, almost no substance. Change, hope, what's that? I mean, he had some policies, but it was almost certain that he would give them up instantly, which he did.