Top 1200 Batman Movie Quotes & Sayings - Page 16

Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.

'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.

I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.

Sometimes events happen in one Marvel movie that mean you have to adjust what you planned to happen in a different movie, because they're interconnected.

I like to try to do anything active when I'm not on a movie. When I'm shooting a movie, it's really hard for me to do anything besides work.

Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.

Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'

Chris Nolan is great, but I've never seen any of the 'Batman' movies all the way through. I know they're good. I just have zero interest in those kinds of movies.

I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

The unique idea of [The Darkest Time] movie is because in usual if you are in darkness, you are scared. But this movie is the opposite. In darkness, you are okay.

I am always a sucker for the underdogs. I love Batman and Superman, but when it comes to the guys who don't stand in the front of the line, Aquaman is one of the key guys for me. He's so much fun to work on.

When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.

The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.

I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.

In other words, if you - the cost of promoting movies, the advertising and promotion of a movie, the budget is almost as large as the cost of the movie.

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

'The Graduate' must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn't ever get from a score.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

Wonder Woman isn't Spider-man or Batman. She doesn't have a town, she has a world. That was more interesting to me than a kind of contained, rote superhero franchise.

I think the oldest comic I got when I was a kid was an issue of 'World's Finest' - it had a Neal Adams cover with Batman where he had turned into a bat, and he was attacking Superman.

I have immense respect for Christopher Nolan for taking a character called 'Batman' - taking a comic book - and making people believe in him in a real world context.

When you're watching a Hitchcock movie, you, for most of the movie, are playing the guessing game. What's the endgame? What's the plot? How are these people involved? It's the best way to tell the story, and as a viewer, that's what you want to experience.

I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.

My favorite movie is Lawrence Of Arabia. But that's a long, long movie. So although I've seen it several times, it's not as fun as Jaws.

If you are dating someone in New York City, and they invite you over to watch a movie, they don't really want to watch a movie.

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.

I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.

We can't make a giant sprawling movie. We're going to make a small movie. And what we got is what I could get, performance-wise.

If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.

The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.

Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'

Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

Every movie, I find myself adrift at the beginning of the movie, and then I find my way through the dark forest.

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.

I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.

I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.

I think any writer coming on to Batman should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.

I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.

Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?

When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.

For a movie's success, comedy must blend with the storyline. Else, comedy might click but the movie will die.

I was fired from a movie because I did 'Heathers!' I was cast in a movie, and the director saw an advance screening and was offended by it and fired me.

I’m prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.

A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.

I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.

A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime.

I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.

When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.