Top 1200 Beauty Myth Quotes & Sayings - Page 4

The taste of the more recent accessions to the leisure class proper and of the middle and lower classes still requires a pecuniary beauty to supplement the aesthetic beauty, even in those objects which are primarily admired for the beauty that belongs to them as natural growths.

If you can visualize the whole of spring and see Paradise with the eye of belief, you may understand the utter majesty of everlasting Beauty. If you respond to that Beauty with the beauty of belief and worship, you will be a most beautiful creature.

No sooner have you feasted on beauty with your eyes than your mind tells you that beauty is vain and beauty passes

Beauty is in the eye of the beholder. Should the beholder have poor eyesight, he can ask the nearest person which girls look good. Beauty is in the hand of the beer holder. Beauty is in the heart of the beholder.

Unless we look at a person and see the beauty there is in this person, we can contribute nothing to him. One does not help a person by discerning what is wrong, what is ugly, what is distorted. Christ looked at everyone he met, at the prostitute, at the thief, and saw the beauty hidden there. Perhaps it was distorted, perhaps damaged, but it was beauty none the less, and what he did was to call out this beauty.

In France, they call the beauty of youth 'the evil beauty.' You don't have it because of you but because you're born with it. The other kind of beauty is your own work, and it takes forever.

Suppose you stand on a high place to enjoy the beauty of the sparkling sea below. You need do nothing to create that beauty; you need only BE IN THE SAME PLACE WHERE IT IS, and let nature do the rest. So it is with the inner life. There is nothing we can DO to gain psychic beauty. It already exists without our effort. We need only be where we belong, that is, in self-union. Then, beauty IS.

But beauty is set apart, beauty is cast by the sea, a barren rock, beauty is set about with wrecks of ships.

Art as a political gesture is committed to making something beautiful, and then understanding what beauty is in your own time, because what we think of as beauty changes with time. The notion of beauty everywhere changes.

Our inability to see the beauty doesn't suggest in the slightest that beauty is not there. Rather, it suggests that we are not looking carefully enough or with broad enough perspective to see the beauty.

I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.

I have never understood models. I find it really hard to find beauty in that or to discover beauty because the beauty was so obvious.

It's so hard to give beauty a meaning. I actually find quite a lot of beauty in really painful things. Really grotesque things. Things that are disturbing. I think as you go and as you see things in the world, your idea of beauty expands and I think I'm lucky because I've been exposed to so many different types of beauty and I've realized that any feeling you cherish is beautiful.

Mythology is the study of whatever religious or heroic legends are so foreign to a student's experience that he cannot believe them to be true. . . . Myth has two main functions. The first is to answer the sort of awkward questions that children ask, such as: 'Who made the world? How will it end? Who was the first man? Where do souls go after death?'. . . . The second function of myth is to justify an existing social system and account for traditional rites and customs.

The purpose of creation is beauty. Nature in all its various aspects develops towards beauty, and therefore it is plain that the purpose of life is to evolve towards beauty.

It is the search for beauty...That is what it is. We find ourselves on this earth--gods and men--and we know that it is beautiful. That is one of the few things we understand--beauty; because it is there, in the world, and we can see it all about us. We want beauty. It requires our love. It just does.

And yet--it is not beauty that inspires the deepest passion. Beauty without grace is the hook without the bait. Beauty, without expression, tires.

The beauty that is there is also available for me, too. But I see a deeper beauty that isn't so readily available to others.... I don't see how studying a flower ever detracts from its beauty. It only adds

True love survives all shocks: an affection originally produced by admiration for unusual beauty may not only survive the loss of that beauty, but may become more intense if the beauty has changed into ugliness through causes that bind the lovers together in tender associations.

I do think that this represents a kind of shift towards myth, a recovery of myth, largely through the popularity of writers like Philip Pullman. Somehow myths have returned as a serious subject. It used to be scorned...really scorned. It was part of a nursery tradition, and it was also rather tainted - but not in an immovable way - by the association with right-wing ideologies after the World Wars.

I know that there's this one Albanian myth that's always reflected on, and I think it reflects on the actual core culture. That myth is called The Besa. B-E-S-A. The Besa is a word that Albanians use to mean avow, but it's such a strong promise, that even past death, one cannot break that promise. It is unfathomable. So if you give someone your besa, life or death, heaven or hell, you have to fulfill that besa.

Most craft give a nod, however brief and unfriendly, towards beauty. Vogon ships did not nod towards beauty. They pulled on ski masks and mugged beauty in a dark alley They spat in the eye of beauty and bludgeoned their wait through the notions of aesthetics and aerodynamics. Vogon cruisers did not so much travel through space as defile it and toss it aside.

But there is a beauty every girl has—a gift from God, as pure as the sunlight, and as sacred as life. It is a beauty that all men love, a virtue that wins all men's souls. That beauty is chastity. Chastity without skin beauty may enkindle the soul; skin beauty without chastity can kindle only the eye. Chastity enshrined in the mold of true womanhood will hold true love eternally.

America is the world's living myth. There's no sense of wrong when you kill an American or blame America for some local disaster. This is our function, to be character types, to embody recurring themes that people can use to comfort themselves, justify themselves and so on. We're here to accommodate. Whatever people need, we provide. A myth is a useful thing.

Sellars's "myth of Jones" is deployed against what Sellars calls "the myth of the categorial Given": the idea that to be aware of something is to be aware of it as something. This short circuit between "awareness of" and "awareness as" inhibits the project of self-understanding because it perpetuates the assumption that there is a point where being and knowing coincide.

Beauty is also submitted to the taste of time, so a beautiful woman from the Belle Epoch is not exactly the perfect beauty of today, so beauty is something that changes with time.

Beauty is more important in computing than anywhere else in technology because software is so complicated. Beauty is the ultimate defense against complexity. ... The geniuses of the computer field, on the the other hand, are the people with the keenest aesthetic senses, the ones who are capable of creating beauty. Beauty is decisive at every level: the most important interfaces, the most important programming languages, the winning algorithms are the beautiful ones.

The first recognition of beauty was one of the most significant events in the evolution of human conciousness... seeing beauty in a flower could awaken humans, however briefly, to the beauty that is an essential part of their own innermost being, their true nature.

Sring is the mantra of beauty. Traditionally it is connected with Lakshmi, the Indian goddess of beauty. Chant "Sring" slowly, elongating each sound. As you do, you will see the consciousness of beauty of everywhere.

A myth is a fantasy, a preferred lie, a foundational story, a hypnotic trance, an identity game, a virtual reality, one that can be either inspirational or despairing. It is a story in which I cast myself; it is my inner cinema, the motion picture of my inner reality - one that moves all the time. No diagnosis can fix the myth, no cure can settle it, because our inner life is precisely what, in us, will not lie still.

It was the upward-reaching and fathomlessly hungering, heart-breaking love for the beauty of the world at its most beautiful, and, beyond that, for that beauty east of the sun and west of the moon which is past the reach of all but our most desperate desiring and is finally the beauty of Beauty itself, of Being itself and what lies at the heart of Being.

John Calvin's theology emphasizes the sanctity of conscience, the sanctity of companionate marriage, and the obligation of those in power to attend to the well-being of the people in general, especially the poor. Interestingly, for the interpretation of Hamlet, for example, he forbids even the thought of revenge. This is not the Calvin of myth, but when the Elizabethans read him there was no such myth, nor would there be now, if he were read.

It is shallow people who think beauty is frivolous or excessive. If you are bringing beauty and god, you are enriching the country. Rice feeds the body, books feed the mind, beauty feeds the soul. It is one thing I can really be proud of and stand tall in the world.

Sex and beauty are inseparable, like life and consciousness. And the intelligence which goes with sex and beauty, and arises out of sex and beauty, is intuition.

As we all know, there is inner beauty and outer beauty. If we examine inner beauty, to me there is nothing more beautiful than inner peace, in a man or a woman.

Goldie Hawn has always been a beauty and fashion icon to me. She radiates joy and infuses beauty into everything through her smile and spirit. She is a great example of what real beauty means to me.

Beauty feeds us. Anarchy is beauty. We are against the grey people. We want to decorate, like those fantastic Indian lorries which are covered with flowers. Beauty must conquer the lust for order; order is ugliness.

Know, son, that everything in the universe is a pitcher brimming with wisdom and beauty, the universe is a drop of the 'Tigris of His beauty, this beauty was a Hidden Treasure so full it burst open and made the earth more radiant than the heavens.

...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.

There is a slow-growing beauty which only comes to perfection in old age.... I have seen sweeter smiles on a lip of seventy than I ever saw on a lip of seventeen. There is the beauty of youth, and there is also the beauty of holiness—a beauty much more seldom met; and more frequently found in the arm-chair by the fire, with grandchildren around its knee, than in the ball-room or the promenade.

As I look into the future, I see radical changes in both how people 'attain beauty,' and how the world perceives beauty. In general, I believe traditional beauty will be less valuable - and more uniqueness will be heralded.

We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.

People often say that 'beauty is in the eye of the beholder,' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.

We turn outward, attracted by the beauty we see in created things without realizing that they are only a reflection of the real beauty. And the real beauty is within us.

Justice precedes beauty. Without justice, beauty is impossible, an obscenity. And when beauty has gone, what does a cameraman do with his eye?

We thought everybody knew by now that barrel length has almost nothing to do with accuracy. I believe the myth of the superior accuracy of a long rifle dates from colonial days, when the only way to extend sight radius was to make the barrel as long as possible. It is interesting how long it takes a myth to die.

I've just always had a personal fascination with the myth of Abraham Lincoln. And once you start to read about him and the Civil War and everything leading up to the Civil War, you start to understand that the myth is created when we think we understand a character and we reduce him to a kind of cultural national stereotype.

For external beauty, you put on things; for real beauty, you have to drop all things. For external beauty you have to have make-up; for real beauty you only have to realize that you are already made up.

Beauty has as many meanings as man has moods. Beauty is the symbol of symbols. Beauty reveals everything, because it expresses nothing. When it shows us itself, it shows us the whole fiery-coloured world.

Our powerful hunger for myth is a hunger for community. The person without a myth is a person without a home...To be a member of one's community is to share in its myths.

The refining influence is the study of art, which is the science of beauty; and I find that every man values every scrap of knowledge in art, every observation of his own in it, every hint he has caught from another. For the laws of beauty are the beauty of beauty, and give the mind the same or a higher joy than the sight of it gives the senses. The study of art is of high value to the growth of the intellect.

Love is beauty and beauty is truth, and that is why in the beauty of a flower we can see the truth of the universe.

Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not color but the structure that constitutes its essence.

It is my belief that we need a new transnational sustaining 'myth' that can impart value and respect. It is my further belief that we are coming to see our universe and life as creative, without a directing agency. Meaning emerges with life. If this view becomes widespread, it has the promise to become the sustaining myth we need to sustain in turn an emerging global civilization.

In the native literatures of North America there aren't any novels. Instead, the major genre is myth. And myths are stories that are fundamentally about the world, not about human individuals. A myth needn't include any humans at all. If it does include them, they're usually minor characters - imaginary humans sent out like scouts to report back on what's happening in the mythworld, but not central participants in the action.

A myth is far truer than a history, for a history only gives a story of the shadows, whereas a myth gives a story of the substances that cast the shadows.

Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'.

This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.

Writing is self-reinforcing. Don't make a fetish out of it, and don't surrender to the myth of the garret, or the myth of the chained muse. It's like playing the guitar, or practicing taekwondo, or having sex. The more you do, the better you get. The better you get, the better it feels. The better it feels, the more you want to do.

I have always considered imaginative truth to be more profound, more loaded with significance, than every day reality... Everything we dream about, and by that I mean everything we desire, is true (the myth of Icarus came before aviation, and if Ader or Bleriot started flying it is because all men have dreamed of flight). There is nothing truer than myth... Reality does not have to be: it is simply what is.