Top 1200 Big Movie Quotes & Sayings

I'm a big, big movie fan. I watch 'The Ten Commandments' and the original 'Planet of the Apes' every night.

'Room' was a very dark movie, but 'Wonder' is a fun, light movie that sends out an important message. There is a big difference.

I would love to do a big-budget movie musical - I feel like there is one big musical movie a year. And I'm always there at the theater to see them - I love them.

In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.

So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.

I remember when I did 'Mrityudand' there was this big hoo-ha, and people were asking me why I was doing an art movie, and I would just tell them that, 'You know, what's the big deal, it's a movie.' I'm so glad that's a thing of the past.

After I do a big movie I get offered big movies. But I always do the weirdest indie.

The critics mostly review the budgets when they go to see a big-budget movie. They are out to get a big-budget movie. On the other hand, if they review a picture that is done as a graduate thesis by some college film student for $25,000, it is almost sure to be admired and respected.

I saw Danny Kaye in a movie, and he was doing voices and faces on that big, big screen and making whole audiences laugh. It was just an instant hookup.

Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.

Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge.

'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.

I go where I think I can enjoy myself. Sometimes it's on a big movie, and sometimes it's even on a silly movie.

A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.

Most actors, unless they're big movie stars and can carve out huge chunks of time to focus on one movie that takes six months - the rest of us have to jump around to make ends meet.

I would love to do a big movie - a 'Marvel' movie.

A movie moment in a theatre would never be comparable to the same movie moment elsewhere no matter how cheap the big TV becomes.

I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.

I'm a big, big movie fan; really, I've seen everything. I really mean that, too.

Movie stars need to retain some of that mystique if you are a big movie star.

I don't see a big difference between the job of directing a low-budget movie and the job of directing a big-budget movie.

You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.

To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.

I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.

I'm someone who believes the only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.

I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.

I remember Tetro was a big deal to me at that time. It was going from zero to one: Never having been in a movie, a person who had no relationship to any of that, and that was my first movie.

I am so impressed with people who can really make a big movie, a good movie. The amount of work that goes into it is incredible.

The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.

I did do a war movie, 'Windtalkers.' That was a lot of action. But once you've done one big action/war movie, you don't need to do another one.

My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'

In terms of big spectacle, I thought 'Captain America 2' was phenomenal. I really loved that movie, and it was a great movie as a stand-alone.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it. ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster."

You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

You can do crap work in a big movie, and it does good things. You can do great work in a movie no one sees, it does nothing. That's the way it goes.

There are many things, as an actor, where you find that a production just wants you for your name. I am not a big, big, big name, but maybe they can sell the movie if I am in it. This I don't like.

Basically, the big studios and companies distributing your movie just take a big cut of profit for making posters.

You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.

There's a saying in the movie industry that if your movie is about what you actually think it's about, you're in big trouble. I think it's the same with books.

It was a difficult but wonderful balance to go from big budget, big craziness, everyone's giant trailers, everyone's sushi lunches, to a $4 million movie.

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.

You don't put your personal viewpoints in a good movie. A movie should only be concerned with characters, not some big moral, although it's always underneath.

I'm going to put a museum on my ranch and people keep saying, "That's a huge idea." Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.

I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

If somebody is smoking a joint in a movie, I say it's a cigarette - a big cigarette if it's a Cheech and Chong movie.

Big, big movies are in 3D, but we haven't reached a point yet where that's just what a movie is.

[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.

I really hate misunderstandings - to a degree that it's hard for me to watch sitcoms, or any kind of funny movie where there's, like, this big mishap, or miscommunication. It gives me such anxiety that I almost can't make it through the movie.

'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.

Whether it be in a small movie or a big movie, I would always be attracted to this role.

Every actor you learn from, take something from everyone - big actor or not. Whether they're big movie stars or not doesn't really matter.

I also love horror movies; I like me a big Peter Berg action movie. I'm a movie lover in general.

We've always loved going to the movies. Our mom and dad are big movie fans. They'd take us on these movie orgys where we'd see sometimes three movies in a day.