Top 1200 Boy Girl Quotes & Sayings - Page 18

I am the good girl and I always play the good girl. It's nice to do that.

I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.

They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stirring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it.

The sad reality is that girl-on-girl hate is such a big issue in schools, at work, or online, and it never made any sense to me because, as women, we know how awesome other women can be.

A Christian boy or girl can learn mathematics, for example, from a teacher who is not a Christian; and truth is truth however learned. But while truth is truth however learned, the bearing of truth, the meaning of truth, the purpose of truth, even in the sphere of mathematics, seem entirely different to the Christian from that which they seem to the non-Christian; and that is why a truly Christian education is possible only when Christian conviction underlies not a part but all, of the curriculum of the school.

You know how there's always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? I'm not that girl. It takes a lot to get me to that place.

I know a lot of people think of me and they like, oh that girl is really sexy, that girl is really put together, she would never do something as unladylike as a beet eating competition.

Go on writing plays, my boy, One of these days one of these London producers will go into his office and say to his secretary, "Is there a play from Shaw this morning?" and when she says, "No," he will say, "Well, then we'll have to start on the rubbish." And that's your chance, my boy.

When I was in college, there were certain words you couldn't say in front of a girl. Now you can say them, but you can't say 'girl.'

I am not chocolate and definitely not a boy. I am a man, and I have no clue how this image has stuck to me despite all these years. I think, maybe, in spite of trying to shell off my chocolate boy image, love stories excite me, and somehow I land up in such roles.

I don't want to be 'box-office girl,' but I don't want to be 'that indie girl' either.

I carried Rudy softly through the broken street...with him I tried a little harder at comforting. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.

The story we hear over and over again is: Boy in science class, very nice to the girl, says, "Please come to our party on Saturday night." She, of course, shows up. He hands her two, three, four, five drinks. She becomes so inebriated he says, "You can sleep it off in my room. It'll be safe." Or, "I'll walk you home." It's all premeditated with the intention of having sex with that woman without her consent when she's passed out. It's a huge issue.

You can take the boy out of England, but you can't take England out of the boy. And ummm, yes, I feel a huge emotional attachment to England.

A girl fainted in front of me the other day. Obviously you don't get to see things like that unless you are The Beatles who have that power, and to see it that close was a bit scary... It was cool to know I can make a girl faint!

But whereas a puppy will cringe away or roll on its back, groveling, a little boy may cover his shyness with nonchalance, with bravado, or with secrecy. And once a boy has suffered rejection, he will find rejection even where it does not exist-or, worse, will draw it forth from people simply by expecting it.

I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down.

Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.

Dancing makes people feel good whether they're doing it or watching it. It's something I think everybody can relate to whether it's just a simple two-step or a B-boy watching another B-boy go crazy in a circle. It makes you smile and without you even knowing it and it makes you rock to the beat as well.

I've always been someone who's extremely relaxed in my everyday life. I'm not the girl who can wear awful seven-inch heels all night. I keep it simple - I consider myself to be a jeans and T-shirt kind of girl who just accessorizes a lot.

I think whenever people talk about the 'Anna Sui woman,' they're talking about someone that's probably kind of more downtown, and there's always like this ambiguity: Is she a good girl, or a bad girl?

Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.

I dare to imagine a country where every child I hold in my hands, are all God's children, regardless of the color of their skin, regardless of whether they're boy or girl, regardless of religion, regardless of rich or poor, that every child I hold in my hands, will have the same chance to reach her full potential or his full potential. That is the goodness of our country. That is the essence of the American dream.

Finn always called it Enna's Stream. He tended to refer to most anything as belonging to her--Enna's Meadow, Enna's Mountain. When he referred to Yasid as Enna's Kingdom, she said, "Isn't that your heart?" Finn smiled and kissed her hand. Isi rolled her eyes. "Oh you two are impossible." Enna laughed. "This coming from the girl who calls her husband 'sweet little bunny boy'?" Isi blushed. "That was just once.

An accent like mine and a face like mine, I think a lot of the time it's easy for casting directors to just stick me in as a bad boy, but 'Being Human' took a risk on me - bless 'em - and I'm not that bad boy no more.

All you have to do is speak up. Tell him straight up: "I need you here to protect and provide for us, to give us security in our lives, to help raise these children, to set an example for this boy, who needs to see what real men do, and for this girl, who needs to know what a real man is so she can find one of her own someday. I need you to be the head of this family." Lay it out like this, and your requirements will trump his mother's every time.

I'm not really a sports girl anymore - I used to be a huge sports girl.

Teenagers don't know what love is. They have mixed-up ideas. They go for a drive and the boy runs out of gas and they smooch a little and the girl says she loves him. That isn't love. Love is when you are married twenty-five years, smooching in your living room and he runs out of gas and she says she still loves him. That's love.

I still remember the entire Boy Scout motto. I don't remember the serial number of my gun in the army. I don't remember the number of my locker in school. But I remember that Boy Scout code.

There comes a moment during which almost every girl or boy falls into melancholy; they are tormented by a vague inquietude which rests on everything and finds nothing to calm it. They seek solitude; they weep; the silence to be found in cloister attracts them: the image of peace that seems to reign in religious houses seduces them. They mistake the first manifestations of a developing sexual nature for the voice of God calling them to Himself; and it is precisely when nature is inciting them that they embrace a fashion of life contrary to nature's wish.

There is an old story about the boy at Eton who committed suicide. The other boys in his house were gathered together and asked if any of them could suggest a reason for the tragedy. After a long silence a small boy in the front put up his hand: 'Could it have been the food, sir?

You know how theres always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? Im not that girl. It takes a lot to get me to that place.

I can always remember standing up to the baddest girls in my elementary school. Wherever I went, there was always a mean girl, and that girl would always hate me because I wouldn’t bow down.

I signed this girl's arm. And the next day, a family member shot me an email, and it was a link to this girl who had my signature tattooed on her arm. I was like, 'Man, that's dedication. I'm sorry you did that.'

When you have a Dancing partner, there's always gonna be a moment where the girl's gonna cry, Ginger didn't do that. But, most every other girl I've worked with have cried because they said "aah, I can't do it" and I have to go "Yes, you can, Shut up!" and they do do it.

For 10 years, I'd been told I was always going to be a catalogue girl, never a cover girl. Well, I got with IMG and did five covers in a year, boom, boom, boom.

If a brand wants a specific girl, they want a specific girl, wherever you are.

Each of us can be a leader. We need to remember that the mantle of leadership is not the cloak of comfort, but the robe of responsibility. Perhaps our service is to youth. If so, I caution: 'Youth needs fewer critics and more models.' One hundred years from now it will not matter what kind of a car we drove, what kind of a house we lived in, how much we had in the bank account, nor what our clothes looked like. But the world may be a little better because we were important in the life of a boy or a girl.

What makes a star or a movie into a legend? I don't know. For instance, when Robert Taylor and I made 'Party Girl' in 1958, nobody was particularly excited about it. Now, it's considered by thousands to be a classic. There are 'Party Girl' cults.

His mother got her purse. His father reached for the door. "Scooter," he said, by way of good-bye, "have fun with your friends." But Hale was shaking his head. He put his arm around Kat's shoulders. "She's not my friend, Dad. She's my girlfriend." Hale's parents must have walked away, but Kat wasn't looking. She was too busy staring up at Hale, trying to see into his eyes and know if he was okay. The sadness that had lingered for weeks was fading, and the boy that held her was the boy she knew. A boy who kissed her lightly.

I glean a few times a week, and it's all about the subject line. I look for the lyrical, "Billowy Red Scarf Girl" or the funny, "Hipster Chick Who Passed Gas," the unintentionally funny, "Looking for the Hot Girl in Pink Dress," ones that immediately suggest images, "Furry Arms Under a Yellow Umbrella," or the plain odd, "Seeking Girl Who Bit Me Twice..." I don't think I've ever abandoned one... the images usually arrive fully formed in my head as soon as I read the message, and I decide whether to draw it or not.

You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.

Who has more pockets than a magician? A boy. Whose pockets contain *more* than a magicians? A boy's.

For the red carpet, I'm totally a stiletto girl. But in the rest of my life, I'd say I'm 50/50. I love a good heel, but I also have a really great sneaker collection. That's the Bronx girl in me.

I wanted to be cast because I'm an actor and not because of how I look or where I'm from. I'm brown. I want to be able to play a Spanish girl some day or a Mexican girl and learn the language. That's what actors do: we act.

You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.

In New York City, you can walk down the street and see a girl in a trench who looks equally as cool as a girl wearing Lululemon. It's like you're watching models. You see a little of everything right by you.

I've been many people. I've been the skinny girl. I've been the fat girl. Because I've become a character actress, I sort of fell victim to 'Well, I don't have to look good anymore.'

INVISIBLE BOY And here we see the invisible boy In his lovely invisible house, Feeding a piece of invisible cheese To a little invisible mouse. Oh, what a beautiful picture to see! Will you draw an invisible picture for me?

The boy reached through to the Soul of the World, and saw that it was part of the Soul of God. And he saw that the Soul of God was his own soul. And that he, a boy, could perform miracles.

I feel like a lot of people talk about in rom-coms, there's the female best friend. There's all those archetypes in rom-coms. But even among a movie about man-children hanging out, there is always the one who's often the fat one, often the one with the beard, who is like the man-childest of them all. He's the one that eventually meets the fat girl or the quirky girl of the girl group of friends and really hits it off.

Now every girl is expected to have: Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.

I'm one of five girls in the whole entire world that can honestly say I'm a Spice Girl. I'm still proud of that, and what we've achieved as a group - spreading the word of positivity and girl power. I'm really proud to call myself that.

Once again, I was reminded that Tally was the prettiest girl I'd ever met, and when she smiled at me my mind went blank. Once you've seen a pretty girl naked, you feel a certain attachment to her.

He doesn’t love me. He might still love me as I was at fifteen, when I didn’t know any better. When I trusted everyone. I’m not that person any more. He’s just a boy. He was the first to really hurt me, but he’s just a boy. There were a lot of them.

Even a Menno sheltered from the world knows not to stick her tongue into the mouth of a boy who owns an Air Supply record. You might stick your tongue into the mouth of a boy who owned some Emerson, Lake and Palmer, but you would not date him on a regular basis, or openly.

We just really wanted Hit-Girl to be a character who, in a sense, simply happens to be an 11-year-old girl, in the same way that Ripley in 'Alien' could have been a guy, but the part happened to be played by Sigourney Weaver.

I was the little French boy who grew up hearing people talk of De Gaulle and the Resistance. France against the Nazis! Then when that boy grew up, he began to uncover things. We began to legitimately ask the question, 'What exactly did our parents do during the Occupation?' We discovered it was not the story they were telling us.

Another picture I hope to be remembered by is this one of the drum major rehearsing at the University of Michigan. It was early in this morning, and I saw a little boy running after him, all the faculty children in the playing field ran after the boy, and I ran after them. This is a completely spontaneous, unstaged picture.

I think that the wonderful advantage we have in the film of being able to cast a girl as young as Emmy and which we couldn't do in the theatre of course because no girl of 16 or 17 could sing 8 shows a week, couldn't sing two.