Top 1200 Celebrity Culture Quotes & Sayings - Page 18

Explore popular Celebrity Culture quotes.
Last updated on November 24, 2024.
The pictures are of a psychological culture, a Jungian culture, if you will. It emanates from my own psyche... It's a hard place to get to, honestly. It has taken me many years to get to that place and to define it visually.
Poetry is the inner life of a culture, its nervous system, its deepest way of imagining the world. A culture that ignores its poets, chokes off its nervous system and becomes mortally ill.
I love a good party - but I'm not all that attracted to a celebrity lifestyle. — © Hozier
I love a good party - but I'm not all that attracted to a celebrity lifestyle.
Christians who enjoy and support art and culture, who make it a priority in their lives, and who reach out to those in the arts instead of reflexively pushing them away, can help bring the culture toward a renewed appreciation of goodness, truth, and beauty. And that is good for everyone.
A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
Involvement in public affairs is a legitimate use of celebrity.
Anyone should be able to express themselves in any context. Obviously, there are arguments against appropriation, but it's one thing when someone is doing something for satire or making fun of a culture, but if they respects the tenets of the culture and they want to be a part of that, what could be more beautiful than that?
Celebrity watching and speculation is almost like a sport.
We have to be realistic about the brutal demands a money culture puts on the psyche, and there is a great cost to this in terms of creativity. Look at the state of people at 65. How many of them become creative after having to survive in the money culture?
"Alleluia" song is a street hymn in the sense that it's all about culture.It's almost a juxtaposition of the prayers of the world and the prayers of the culture and how we sometimes put an "amen" after crazy things. So it's really just that tension between madness and simplicity.
The more English is heard in the world, the more gratifying it seems to speak French, and above all to know the culture of our country. They find a kind of French social grace in the language and culture.
To be a celebrity, I couldn't think of anything more cringe-worthy.
When we start a new store, we make sure that we transfer enough starter culture from other stores that are already Whole Fooders, who've already incorporated our values and our culture within themselves into the... into the store.
We are living in a Millennial culture that is attacking "patriarchy." The culture in America as zeroed in, and it's been going on and it's been building since the modern era of the feminazis began, since the late sixties and early seventies.
Over the years, we settled into American life and embraced it fully. But having come from a different culture, I didn't know the boundaries of American culture. Which is that, as a girl, you didn't play football or soccer at lunch with the boys, and to be cool, you didn't get into math Olympiad.
I always thought that there was something in hip-hop culture that was the misfit of all the musical styles, where they didn't really belong. They're kind of like, 'No, we're a real culture! We're not going anywhere, you can't get rid of us!' I really liked that there was a rebelliousness about it. I connected with that.
American culture is probably the least Christian culture that we've ever had because it is so materialistic and it's so full of lies. The whole advertising world is just, it's just intertwined with lies, appealing to the worst of the instincts we have.
I know from my experience in theater that the crowd is different every night; the reactions, the tension. But it's true for film as well, going from country to country and culture to culture. The difference between California and New York responses, for example. It's really fascinating.
There is no reason why an American scholar cannot by himself or herself develop an adequate understanding of another culture. And I don't find any reason to suppose that the birth within a culture automatically confers understanding.
Within the black community, I'm definitely a neighborhood celebrity. — © Dante Basco
Within the black community, I'm definitely a neighborhood celebrity.
For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage.
I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.
I've never been enamoured by the idea of being a celebrity.
Somebody can become a celebrity for being stupid. That is what it's turned into
It's just not good to put stock in a Hollywood celebrity.
There's so much made of the exceptional and the celebrity, the famous, and the wannabees.
Paris is cafe culture, Dublin is pub culture, and that's the best place to solve all the world's problems: over a pint! One of the great joys of living, I think. The problems of the world seem to disappear.
I think City is a really good example of how you shift the culture internally. We've had a big culture shift, particularly in the academy. Young boys are now more comfortable with strong female athletes being around.
For me, pop culture is very fluid: it's music, it's movies, it's books, it's art, it's tech, it's so many things - and as marketing and brand advocates, we should be able to to take products and services and match them to what's happening in pop culture.
I used to believe that you could change the culture or behavior of a company. I still believe it's possible, but it is at least a five to ten year process, if you are successful at all. More recently, I have been attracted to the ideas of the behavioralist, Edgar Schein. Schein has argued that you cannot change the culture of a company, but you can use the culture of a company to create change. It's an interesting approach to overcoming resistance. And if you can change how a company does its work, you might eventually be able to change how its people think.
I am a pop culture person. And car people have clearly contributed to pop culture, which is how I knew about purple French tail lights and 30-inch fins without exactly knowing what they were.
There's part of our culture where uniqueness is celebrated and appreciated and another part of our culture where this one way to be - one color hair, one sized breasts, one kind of nose - that's also front and center.
So the conclusion that I reach, visa vie the individual and civilization, is this: Culture is not our friend. Culture is not your friend. It's not my friend. It's a very uncomfortable set of accommodations that have been hammered out over time for the convenience of institutions.
Creating the culture of burnout is opposite to creating a culture of sustainable creativity. This is something that needs to be taught in business schools. This mentality needs to be introduced as a leadership and performance-enhancing tool.
Art has knowledge and skills, and to come to know them is to be implicitly against a culture that is against knowledge - today's mass culture, which aims to produce a lot of consuming morons.
I quickly found that I didn't really fit into 'gay culture,' as identified by many gay people, and that it can be just as confining as straight culture, not least in the way that bisexual people are told that 'they can't make up their mind.'
We don't think only men can be powerful and strong. Behind the heads of the Mafia, the leaders of culture, there are always very strong women. European culture is a matriarchy, especially in the south. The women have a lot of power.
The culture of Rome just doesn't match the culture of Yoga, not as far as I can see. In fact, I've decided that Rome and Yoga don't have anything in common at all. Except for the way they both kind of remind you of the word toga.
I wanted to explore black culture, and I wanted that culture to be a revelation. — © Alvin Ailey
I wanted to explore black culture, and I wanted that culture to be a revelation.
All the events that have made up the character and fabric of British culture and everything that has happened to make up the fabric of America culture - art and music - includes the faces and the colours of a lot of people.
People always say I write a lot of pop culture references. Can somebody please count the pop culture references in 'Firefly?' Because I don't know how to put this to you, but there was one. I referenced The Beatles in the pilot.
In the fall of 1978, I left the religious, conservative, biracial, slow-paced culture of South Carolina for the secular, liberal, multi-ethnic, intense culture of Princeton University. Like most immigrants, I was looking for a better life in a place I only half understood.
I know that God exists. I know that I have never invented anything. I have been a medium by which these things were given to the culture as fast as the culture could earn them. I give all the credit to God.
My dream was to be a celebrity, to be on TV like Bob Hope was.
Involvement in public affairs is a legitimate use of celebrity
Celebrity gives us delusion of self importance.
Creativity is an innate function in a human being, as we see in tribal peoples, who spent their considerable leisure time making religious artifacts and sacred art. That is what I would call a direct culture, in that everybody in it is directly in touch with all the elements, both of the culture and of the environment.
On the one hand, I'm this guy who grew up in the suburbs of New York City to very conservative parents, and the other side of me is fascinated by the peripheries of our culture, maybe because that's where our culture is most in transition and where there's likely to be conflict.
It is in our culture that we don't want to admit that our culture is good.
I lived for a couple of years when I was 9 years old on beautiful Aboriginal sacred land in a town of a thousand people in northwestern Australia. It's where the Aborigines are still very connected to their culture, the Dreamtime culture. It was really quite a special experience.
I hate the anglicanisation of culture, the idea that culture is genteel. It's not genteel.
Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
A laborer might last ten years or so before expiring. But individual workers in the death camp of sugar were survived by their culture, which was constantly re-Africanized by fresh arrivals. To that plantation culture, the music of our hemisphere owes no small debt.
One of the things is challenging yourself to do a Rome show when everybody's done a Rome show. To find some aspect of food culture or chef culture that people can look at in a new way.
We are so defined by how people see us. We're a very materialistic culture. We're a very image-driven culture. What if that goes away and you are left with, God help us, what, indeed, is your essential self?
The celebrity is a person who is known for his well-knownness. — © Daniel J. Boorstin
The celebrity is a person who is known for his well-knownness.
I prefer being as far from the centre of celebrity as possible.
The culture of Booking.com has been very good for me because it's a culture where you're allowed to fail. When you think about taking risks, if it's OK to fail, you actually do a lot more. And you learn a lot quicker.
As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.
Our respect for culture and diversity and arts is very low because we only focused on building the economy. But now as we have reached modernization... many citizens can display their potential for arts and culture and I believe that's why Psy has become so popular.
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