Top 214 Coffin Quotes & Sayings - Page 4

The assumption is that life doesn't need to be navigated with lessons. You can just do it intuitively. After all, you only need to achieve autonomy from your parents, find a moderately satisfying job, form a relationship, perhaps raise some children, watch the onset of mortality in your parents' generation and eventually in your own, until one day a fatal illness starts gnawing at your innards and you calmly go to the grave, shut the coffin and are done with the self-evident business of life.

I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.

Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.

It's a huge Carthusian monastery, stuck down between rocks and sea, where you may imagine me, without white gloves or hair curling, as pale as ever, in a cell with such doors as Paris never had for gates. The cell is the shape of a tall coffin, with an enormous dusty vaulting, a small window... Bach, my scrawls and waste paper - silence - you could scream - there would still be silence. Indeed, I write to you from a strange place.

People used to ask me, 'What do you reckon you'll be doing when you're 40?', and I told 'em 'rocking out and kicking ass!' Now it's 'What do you reckon you'll be doing at 60?' and the answer's exactly the same. I'm always going to love Jimi Hendrix - 'Purple Haze' will still give me a hard-on when I'm hooked up to a life-support machine. Hey, even when I'm dead, they're going to have a hell of a job nailing the coffin lid down.

The world is too dangerous for anything but truth and too small for anything but love. We can never really love anybody with whom we never laugh. Love is in the giver, not the gift. He told me that once he forgot himself and opened up like a door with a loose latch and everything fell out and he tried for days to put it all back in the proper order, but he finally gave up and left if there in a pile and loved everything equally. thanks to a subscriber! -William Sloan Coffin.

I rang my friend Jim Wolfensohn, who was then running a private commercial bank in New York. I said, "Come up to Vancouver", and he did. I put my proposition to him. He said, "I think it could work." I said, "Will you help us?" He said, "Yes." So, I set aside senior people in our treasury and they worked with Wolfensohn and the investment sanctions were applied. And that's what brought the regime down. The last South African Finance Minister, Barend du Plessis, went on record as saying that it was the investment sanctions that put the final nail in the coffin of apartheid.

There's an old, private cemetery here in Palm Springs, where I live, just down the street from the airport, that belongs to one of the local Native American tribes, and it occurred to me one day that if you really wanted to get away with murder, you'd kill someone, put them in a coffin and bury them in a private cemetery or, better, an abandoned one. And then suddenly this whole idea of a long con appeared before me and I had this idea of using a Jewish cemetery.

I think I need to spend some time with safari but what arrests my attention are salient, sadomasochism, saccadic, and salad days. I think I will go learn more about coral only to learn a lot more about corollary and counterturn and coffin nail. I go from magnificence to means to marquee to maniac to distyle, ductile, hindsight, shell game, veronica, yardstick, ball field, magpie, variegated, and close shave.

I don't know about you, but I have to sleep. I had a long night and I'm exhausted." She was rather tired, too. But as she slid her gaze to the fake leather sofa, she realized it would never fit both of them. Hunter grinned at her. "You take the couch, I'll sleep on the floor." "Can you do that?" "I've slept in worse places." "Yeah, but don't you need a coffin?

Those forms we fancy shadows, those strange lights That flash on dank morasses, the quick wind That smites us by the roadside—are the Night's Innumerable children. Unconfined By shroud or coffin, disembodied souls, Uneasy spirits, steal into the air From festering graveyards when the curfew tolls At the day's death... And wheresoever murders have been done, In stately palaces or lonesome woods, Where'er a soul has sold itself and lost Its high inheritance, there, hovering, broods Some sad, invisible, accurséd Ghost!

It is the soldier, not the reporter, who has given us freedom of the press. It is the soldier, not the poet, who has given us freedom of speech. It is the soldier, not the campus organizer, who has given us the freedom to demonstrate. It is the soldier, who salutes the flag, who serves beneath the flag, and whose coffin is draped by the flag, who allows the protester to burn the flag.

...the history of early-medieval Arabia is nearly all legend. Like Buddha, Confucius, Jesus, and other founders of patriarchal religions, Mohammed lacks real verification. There is no reliable information about his life or teachings. Most stories about him are as apocryphal as the story that his coffin hangs forever in mid-air "between heaven and earth," like the bodies of ancient sacred kings.

To be rich, to be famous? do these profit a year hence, when other names sound louder than yours, when you lie hidden away under ground, along with the idle titles engraven on your coffin? But only true love lives after you, follows your memory with secret blessings or pervades you, and intercedes for you. Non omnis moriar, if, dying, I yet live in a tender heart or two; nor am lost and hopeless, living, if a sainted departed soul still loves and prays for me.

Without (my wife) Laurie, I would never be here right now, I know that. I would either be in a coffin, or stashed away doing a life sentence some place. Or running and hiding some place, if I was still alive. I'm certain I wouldn't be playing music. She's just been perfect for me. And she's a protector also; she protects me from myself, from temptations, and bad associations. She's constantly shielding me from walking the red hot coals of existing as a game.

An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.

The point is, I can’t tell you how to succeed. But I can tell you how not to: Give in to the shame of being rejected and put your manuscript—or painting, song, voice, dance moves, [insert passion here]—in the coffin that is your bedside drawer and close it for good. I guarantee you that it won’t take you anywhere. Or you could do what this writer did: Give in to your obsession instead.

She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.

But I've never even been to Olympus! Zeus is crazy!" Chiron and Grover glanced nervously at the sky. The clouds didn't seem to be parting around us, as Grover had promised. They were rolling straight over our valley, sealing us in like a coffin lid. Er, Percy ...?" Grover said. "We don't use the c-word to describe the Lord of the Sky.

A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.

No bit of the natural world is more valuable or more vulnerable than the tree bit. Nothing is more like ourselves, standing upright, caught between heaven and earth, frail at the extremities, yet strong at the central trunk, and nothing is closer to us at the beginning and at the end, providing the timber boards that frame both the cradle and the coffin.

I have always known that there were spellbinding evil parts for women. For one thing, I was taken at an early age to see Snow White and the Seven Dwarfs. Never mind the Protestant work ethic of the dwarfs. Never mind the tedious housework-is-virtuous motif. Never mind the fact that Snow White is a vampire -- anyone who lies in a glass coffin without decaying and then comes to life again must be. The truth is that I was paralysed by the scene in which the evil queen drinks the magic potion and changes her shape. What power, what untold possibilities!

I think that we’re a culture that runs away from death, for good reason. Nobody really wants to think about the fact that we’re going to be lifeless food for worms in a coffin someday. But at the same time, I feel like knowing that you’re going to die can be an incredibly rewarding, powerful knowledge. It inspires us to live in ways that we wouldn’t if we were ignorant. I feel like that has inspired me to care about every breath. For me it’s not a morbid curiosity, it’s just wanting to make sure that every moment I have here on the Earth while I am breathing is accounted for.

Jesus didn’t die to keep us safe. He died to make us dangerous. Faithfulness is not holding the fort. It’s storming the gates of hell. The will of God is not an insurance plan. It’s a daring plan. The complete surrender of your life to the cause of Christ isn’t radical. It’s normal. It’s time to quit living as if the purpose of life is to arrive safely at death. It’s time to go all in and all out for the All in All. Pack your coffin!

And I, who timidly hate life, fear death with fascination. I fear this nothingness that could be something else, and I fear it as nothing and as something else simultaneously, as if gross horror and non-existence could coincide there, as if my coffin could entrap the eternal breathing of a bodily soul, as if immortality could be tormented by confinement. The idea of hell, which only a satanic soul could have invented seems to me to have derived from this sort of confusion - a mixture of two different fears that contradict and contaminate each other.

Think of the glory. Think of your reputation. Think how great it'll look on your next resume." On my cenotaph, you mean. Nobody will be able to collect enough of my scattered atoms to bury. You going to cover my funeral expenses, son?" Splendidly. Banners, dancing girls, and enough beer to float your coffin to Valhalla." - Miles coaxing Ky Tung to agree to an almost suicidal mission

Come away, come away, Death, And in sad cypress let me be laid; Fly away, fly away, breath, I am slain by a fair cruel maid. My shroud of white stuck all with yew, O prepare it! My part of death no one so true did share it. Not a flower, not a flower sweet, On my black coffin let there be strewn: Not a friend, not a friend greet My poor corpse, where my bones shall be thrown. A thousand thousand sighs to save, lay me O where Sad true lover never find my grave, to weep there!

The only kind office performed for us by our friends of which we never complain is our funeral; and the only thing which we most want, happens to be the only thing we never purchase--our coffin.

I wish I was dead,And lay deep in the grave.I've a pain in my head,I wish I was dead.In a coffin of lead-With the Wise and the Brave-I wish I was dead,And lay deep in the grave.

Requiescat Tread lightly, she is near Under the snow, Speak gently, she can hear The daisies grow. All her bright golden hair Tarnished with rust, She that was young and fair Fallen to dust. Lily-like, white as snow, She hardly knew She was a woman, so Sweetly she grew. Coffin-board, heavy stone, Lie on her breast, I vex my heart alone She is at rest. Peace, Peace, she cannot hear Lyre or sonnet, All my life’s buried here, Heap earth upon it.

Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can.

Old Marley was as dead as a doornail. Mind! I don't mean to say that, of my own knowledge, what there is particularly dead about a doornail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a doornail.

They held hands and knew that only the coffin would lie in the earth; the bubbly laughter and the press of fingers in the palm would stay aboveground forever. At first, as they stood there, their hands were clenched together. They relaxed slowly until during the walk back home their fingers were laced in as gentle a clasp as that of any two young girlfriends trotting up the road on a summer day wondering what happened to butterflies in the winter.