Top 654 Cop Quotes & Sayings - Page 10

I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.

Most gun dealers follow the law and run honest businesses. But the statistics show that 1 percent of dealers sell more than half of all illegal guns. Why isn't the federal government going after them? Here's one reason: unlike mayors, members of Congress don't get a phone call in the middle of the night when a cop is shot and killed. They don't deliver the eulogies.

I liked you, cop. From the moment I met you. No… not the first moment. I wanted to kill you when I first met you. But then I liked you. A lot.

Cops never took anything on faith, and disbelieved every story that was told them on principle until and unless they could confirm that the story was fact in all its essentials, and even then remained wary and unconvinced. Cop shops bred skeptics. Skeptics cherished few illusions about human nature, and therefore were seldom disappointed.

A woman driver went through a red light. The cop stopped her and said, Lady, didn't you see that red light? The woman said, You've seen one, you've seen them all.

It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.

I was going to go to a midnight screening of 'Pee-wee's Big Adventure' in college, and it's the sort of thing where people dress up. So I got dressed up, and then I got lost. I was speeding, and a cop pulled me over while I was wearing a Pee-wee suit. That's a hard ticket to get out of.

A lot of people think that comedy is sort of a cop out to not wrestling seriously, but I actually would argue that comedy is much more difficult than wrestling seriously because you have to be creative in almost everything that you do if you want the comedy to make sense within the realms of pro wrestling.

In the high school classroom you are a drill sergent, a rabbi, a shoulder to cry on, a disciplinarian, a singer, a low-level scholar, a clerk, a referee, a clown, a counselor, a dress-code enforcer, a conductor, an apologist, a philosopher, a collaborator, a tap dancer, a politician, a therapist, a fool, a traffic cop, a priest, a mother-father-brother-sister-uncle-aunt, a bookeeper, a critic, a psychologist, the last straw.

So it is best to keep an open mind and be agnostic. At first sight that seems an unassailable position, at least in the weak sense of Pascal's wager. But on second thoughts it seems a cop-out, because the same could be said of Father Christmas and tooth fairies. There may be fairies at the bottom of the garden. There is no evidence for it, but you can't prove that there aren't any, so shouldn't we be agnostic with respect to fairies?

We play Amazing Race on New Year's Eve. My mom or aunt makes a whole list of things that we have to find, and we split up into teams. Sometimes it's like a Chinese takeout menu or take a picture with a cop, so on New Year's Eve we're running around all over the place going into restaurants and different things.

Wexford started off as a very conventional, tough cop and not a very original character because I had no idea I was writing a series, of course. I had no idea I'd created a series character.

When I was younger, I wanted to be a cop. Then I watched 'The Wild Wild West,' and so I wanted to be in the Secret Service like James West. At some point I realized, 'That guy is not in the Secret Service. He's an actor.' That sounds like a good idea too.

If I'm a cop, and every time I see a young black youth - whether I watch them on TV, movies, or just see them hanging out - and they're not looking properly dressed, properly refined, you know, carrying himself, conducting himself proper hours of the day - things that a man does - you're going to have a certain fear and stereotype of them.

In our world of big names, curiously, our true heroes tend to be anonymous. In this life of illusion and quasi-illusion, the person of solid virtues who can be admired for something more substantial than his well-knownness often proves to be the unsung hero: the teacher, the nurse, the mother, the honest cop, the hard worker at lonely, underpaid, unglamorous, unpublicized jobs.

If you and I took a walk down a shopping street in Jo'burg or Cape Town or London, we see two guys looking in a shop window, we think, "Oh, they're wondering what they're going to buy." A cop looks at them and thinks, "Why are they standing there? Are they doing a drug deal? Are they going to mug someone? Are they going to rob the shop?"

Marissa laughed, utterly delighted with her mate. "Later. Food first." Butch settled back immediately, like she'd called his lust to a heel and it behaved because it wanted to be a good boy. As she left, the cop's eyes followed her with rank hunger and adoration. V shook his head. "You are a total sap.

You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.

Have you ever made her angry?" If the cop said that he and his wife lived in a state of constant connubial bliss, Andrew decided he'd have full cause to throw a punch. Max raised an eyebrow. "Sure, I'm human." He slid the phone into the pocket of his suit pants and rose to his feet with a distinctly amused glint in his eyes. "Making up is the un part, in case you haven't figured that out yet.

But it was definitely a car trailing me and quickly I prepared myself for a great dash. I began quickening my step and when it stopped alongside me I could stand it no longer. "My father's a cop and he'll kill you," I screeched without looking. "No, he's a barrister," I heard Michael Andretti say in a calm voice, "and he'll kill you if you don't get into this car.

I'm sorry," Butch croaked. "Oh God, I'm so sorry..." V put his arm out and curled it around the cop. Pulling the male close to his chest, he laid his head down on his buddy's. "It's okay," He said roughly. "It's all right. It's okay...You did the right thing.

Our main character is Klem Ristovych, the most senior detective in the MCPD. Klem's a dinosaur, the oldest cop working the Fuse, and nobody can believe she hasn't retired yet. Hell, she can hardly believe it herself. But what else is she going to do? Sit at home and watch soap operas all day? She'd throw herself out of an airlock first.

Everyone says I drive like my grandfather, but that's not always a good thing because he didn't always watch the road because he'd talk to you and look at you. He was a deputy sheriff, a cop, for a long time. So he was always looking around, checking out other things, other than what's directly in front of him.

A cop stopped me for speeding/ He said, 'Why were you going so fast?' I said, 'See this thing my foot is on? It's called an accelerator. When you push down on it, it sends more gas to the engine. The whole car just takes right off. And see this thing [mimes steering wheel]? This steers it'

The thing that I love about The Flash and about superhero shows, in general, is that it's not about having superpowers that makes you a superhero. You don't have to be The Flash and have super speed to do the right thing. You can be a great reporter or you can be a cop, like Joe West, and still fight for the things that matter.

New York cops are very specific in terms of the way they talk and the way they handle themselves. All these cliches that, as an Englishman, I thought were from a bygone era or were a bit of poetic license with cop shows - the more you hang out with them, the more you realize how real that jargon is.

The bulletproof vest--'bullet resistant,' technically--is made of two double panels of a synthetic material called Kevlar, inside a cloth carrier that holds it around your torso like a lead X-ray smock. One cop wrote phrases from the Bible on his, 'Yea, though I walk in the valley of the Shadow of Death...' Other cops wrote their blood type.

One of my first observations about New York that I was so fascinated with was that you'd be at a stoplight and you're with everybody; there's a homeless dude and some weird celebrity and a cop and someone who looks exactly like you. You're on foot and everyone is at street level and eye-to-eye. I think that's what's special about New York, because there's no hierarchy, there's no discrimination.

My dad was a New York City cop. His father was a New York City fireman. And my mother's dad was a city taxi driver.

I definitely prefer real-life endings. But I do like having an ending. I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.

I never write Metropolis for seven cents because I can get the same price for city. I never write policeman because I can get the same money for cop.

When Cara [Delevingne] and Dane [DeHaan] arrived, I told their agent, "They need to know all this." I gave them the 600 pages. I said, "You have to learn everything. You're a cop. You need to know the names." I don't want him, when he meets an alien to go, "Whoa" like this. I want him to know if this guy is peaceful.

I've always been paranoid about the police, because even when I'm not doing anything illegal, I'm thinking about doing something illegal. So, whenever I'm around a cop, I get uncomfortable and nervous, worried that I'll say the wrong thing or look so guilty they'll arrest me anyway. Being completely out of my mind on drugs doesn't help the situation any.

They [policemen] are in a profession that if you do the job incorrectly, or proceeding incorrectly, it's over for you because there isn't any supporter backup. If you make a mistake as a plumber, you know, you fix it and everything goes on or you get sued. But if you make a mistake as a cop, you are more infamous than Jesse James, everything's over.

I think that's the mother and father of all cop-outs. It's an honest scientific quest to discover where this apparent improbability comes from. Now [Francis] Collins says, "Well, God did it. And God needs no explanation because God is outside all this." Well, what an incredible evasion of the responsibility to explain. Scientists don't do that. Scientists say, "We're working on it. We're struggling to understand."

You should be able to criticize civil servants for what you think is wrongdoing without being painted as a cop-hater. I don't feel the police are all corrupt, however I do feel they are suffering from institutional racism and there needs to be a top-to-bottom examination of the way they practice and the way they criminalize young black and brown males. The fact that they seem to have backed off from it seems to suggest they realize they overreacted on me and it looks bad.

Yo, cop. We're heading for Screamer's. You wanna come?" Butch looked up at the doorway. Vishous was in the hall with Rhage and Phury behind him. The vampires had expectant looks on their faces, like they honestly wanted to hang with him. Butch found himself grinning like the new kid who didn't have to sit alone at lunch after all.

I am all about breaking barriers and challenging myself, that is why everything I have done on my resume is different. I have never played a cop again, and I have never played a boxer again since I played Muhammad Ali. That was a challenge, being darker than him, and the film won Best Television Movie and I was a part of that. I was in Mississippi Burning, which won an Oscar.

Right before Pamela Anderson met Tommy Lee I got this crazy script to do this incredible movie with her where I play this cop with a young partner like Brad Pitt who is in love with Pamela Anderson and he gets killed in the line of duty and she falls in love with me and it gets really crazy. I turned that down.

As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?

Everything can inspire me. I know that sounds like a cop-out answer, but I find inspiration in literally just about everything. As an actor, I have to watch people and observe their behaviors - this is how I create characters. My daily surroundings feed my work, whether it's something I'm working on right now or it's something down the road. Music, art, landscape - these are all things I draw inspiration from.

What disturbed me most, frankly, about the Rod Rosenstein memo, is the fact it was addressed to the attorney general. The attorney general was supposed to have recused himself from anything involving Russia. And here he is recommending the firing of the top cop doing the Russia investigation, in clear violation of what he had, the attorney general, had committed to doing.

I had one job that was kind of cop-like. One summer I did security at a miniature golf course. Just standing out in the sun all day, Hey, hey, excuse me sir. Get your putter out of the whale's ass. Come on, this is a place of miniature business. This is not a playground even though it looks like a playground.

When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.

I went home one night and told my dad that an older kid was picking on me. My Dad, a Korean War vet and a Chicago cop for 30 years, told me, 'You better pick up a brick and hit him in the head.' That's when I thought, 'Wow, I'm going to have to start dealing with things in a different way.'

You have people that practice law and are lawyers and go to school for eight years, but you can become a cop in six months and don't have to have the same amount of training as a cosmetologist. That's insane. Someone that's holding a curling iron has more education and more training than people that have a gun and are going out on the street to protect us.

You will not be able to stay home, brother./You will not be able to plug in, turn on and cop out./You will not be able to lose yourself on skag and skip,/Skip out for beer during commercials,/Because the revolution will not be televised.

One thing I definitely experienced up here (New York), that maybe I have to sort of cop to feeling defensive about, is since the election, people in my cohort, who are sensitive to portrayals of people in the movie as classist, have had no problem coming up with those sorts of [middle-American] stereotypes about a phantom real person they can blame for re-electing George Bush.

I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.'

I somewhere along the way became fascinated with exploring characters who are willing to put themselves into violent situations, whether it's football, hockey, boxing, being a cop, being a soldier. There's not a lot of people who are willing to put themselves into those situations.

I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.

Wherever they’s a fight so hungry people can eat, I’ll be there. Wherever they’s a cop beatin’ up a guy, I’ll be there. If Casy knowed, why, I’ll be in the way guys yell when they’re mad an’—I’ll be in the way kids laugh when they’re hungry n’ they know supper’s ready. An’ when our folks eat the stuff they raise an’ live in the houses they build—why, I’ll be there.

Charity is a cop-out so traditionally female in its apparent self-effacement that there seems resonant comfort in it. We're no longer supposed to serve the imaginations of men who have dominated us. We are to give up ourselves instead to those whose suffering is greater than our own. Looking down is just as distorting as looking up and as dangerous in perpetuating hierarchies.

One fine day, in the middle of the night, two dead boys got up to fight. Back to back they faced each other. They pulled out their swords and shot one another. One deaf cop, on the beat heard the noise, and came and shot the two dead boys.

Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.

I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.

There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!

Before I write anything, before I create any assumption in my mind about what it's like to be in that world, I go out there first. I'm very drawn to darkness and light, very drawn to cop drama, because there are very few places besides war and murder and a homicide investigation where you see the extremes of human nature - the darkest crevices and cracks in what people do to one another.

The human reached inside Wrath’s jacket and started pulling out weapons. Three throwing stars, a switchblade, a handgun, a length of chain. “Jesus Christ,” the cop muttered as he dropped the steel links on the ground with the rest of the load. “You got some ID? Or wasn’t there enough room in here for a wallet, considering you’re carrying about thirty pounds of concealed weapons?

My mother was the first African-American policewoman in Seattle - recruited, actually - and she did it for only 2 years, as she did not want to carry a gun. She worked mostly on domestic disturbances. The NAACP wanted her to do it. She did not actually have the temperament to be a cop - she was very sweet. She had a Masters in social work.