Top 632 Costume Quotes & Sayings

There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that.

Unlike the people you see in Mathew Brady's photographs from the Civil War, the men and women of the Revolution seem more like characters in a costume pageant. And it's a pageant in which the performers are all handsome as stage actors, with uniforms and dress that are always costume perfect.

I enjoyed studying costume, learning about the corsetry and the historical context of fashion. I never had any real intention of being a costume designer.

In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.

I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?

We have a costume closet at home. My family will put on a costume for any excuse.

Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.

I've turned up to costume parties in the wrong costume. I've made social faux pas a plenty. I've put one foot in front of the other and fallen over.

Diplomacy is the police in grand costume.

Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.

There is a scene in one comic from the '60s-'70s where Batman finds a film, a newsreel film, of his father. This newsreel film is from the '50s, and his father has come to this costume ball in a Zorro costume, which strangely enough looks a lot like a Batman suit in the footage.

The first time I ever dressed in drag was at a costume party during my childhood. I went as Wonder Woman and my mom even took me to get the costume.

For a while they wore suits or pants suits, and pants suits are kind of a women's appropriation of male costume, work costume. For me, it wasn't Western feminism or the Western workspace. It was my growing up in a house with a bunch of boys, so that male costuming just became my mode of appropriation way before, you know, Betty Friedan came along.

Doing those costume pictures was wonderful.

My girlfriend's a costume designer in the theater.

One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.

The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.

I don't attend costume parties.

Costume really helps you feel in character.

I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.

I have two rules when you come to my house on Halloween. Wear a costume - 'cause if you've manned your door at your own house, you know how many kids will roll up, 14 years old with no costume and an attitude. My other rule: don't grab. Let me assess you and then design a candy situation for you.

If you have a funny costume, you can't really wear it when you get older.

I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."

Normally, you have to wait for the costume department to help you out of costume.

The skeptics said you can't put on a costume in the middle of New York - which isn't true, because everyone's in a costume here.

I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.

I'm a festive guy to begin with and Halloween is my favorite holiday. I went all out on this one costume. It's a ghoul that makes me approximately 10 feet tall when I wear it. I actually got an offer to work at a haunted house because the costume is so great, and I did it for about an hour and a half before I got too cold and had to quit to go inside. Michigan winters are no joke.

When I was a kid my family was really poor and I remember one Halloween I wanted to dress up really scary and my parents came home with a duck costume. I wore that costume for years! I hated it.

In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.

The costume designer Ellen Mirojnick is a genius.

If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.

Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.

People assume, because I'm Hef's girlfriend, that I'm a Bunny and I'm a Playmate and I'm a centerfold, but they're different things. If you're a Playmate or a centerfold, which is the same thing, you pose for the magazine, you are one particular month, and not every Playmate is a Bunny. A Bunny is a girl who used to work at the Playboy Club, she had the Bunny costume, and now that we don't have Playboy Clubs, it's just Playmates who work special promotions and are fitted for a Bunny costume.

People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.

Nobody beats Superman. Everybody else needs a costume - Superman needs a costume to be normal.

I think I've revived the costume-jewelry industry.

I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.

For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.

Nudity is the costume of lovers and corpses.

I always had a hard time with fiction. It does feel like driving a car in a clown suit. You're going somewhere, but you're in costume, and you're not really fooling anybody. You're the guy in costume, and everybody's supposed to forget that and go along with you. Obviously, it can work, it works all the time - well, it doesn't always work. Still, no matter what, I'm always looking at the form and addressing it, not ignoring it.

I can still fit into my Battlestar Galactica costume!

The biggest surprise was a picture my mom sent me, just about the time that we were about to wrap up the book, of me as a 5-year-old dressed in my first Halloween costume that she made for me. I said, "What's this? I never saw this photo." And she said, "We made you this black-and-orange Halloween costume out of crepe paper" - we were too poor to have fabric back then - "and you wanted to go as the Queen Of Halloween." And I was like, "What?" And she said, "Yeah, the Princess Of Halloween, the Queen Of Halloween, something like that.

I had a lot of fun with my costume designer.

My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.

Costume is a massive thing. I think costume makes you stand differently.

The secret to a great Halloween costume, and I can't stress this enough, is in my opinion is to extract sexuality out of your costume.

Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.

You have to let the costume inform you.

You look like a horse in a man costume

You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.

I don't think that I could fit into the costume anymore.

The costume designer, her name is Anne Hardinge. She's done "Shaun of the Dead" and "Hot Fuzz." She's really comedic costume designer, which was right up my alley. She was a joy to work with. She was like fabulous Geena Davis. She was just floating with her red lip and kind of fabulous.

I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.

The worst costume is when you don't have a costume.

Costume is integral, but it clicks into place last.

Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.

Halloween is not only about putting on a costume, but it's about finding the imagination and costume within ourselves.

And that's when I realized, when you're a kid you don't need a costume, you ARE superman.

I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.

Get my swan costume ready.