Top 1200 Cowboy Movie Quotes & Sayings - Page 15

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?

I was fired from a movie because I did 'Heathers!' I was cast in a movie, and the director saw an advance screening and was offended by it and fired me.

If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.

People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.

When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.

WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.

I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.

I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.

I think Alone in the Dark was too much an action creature movie than a horror creature movie.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

Whether it's a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they're all influenced by the social climate that we're living in.

I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.

I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.

When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.

If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.

If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal.

I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.

I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?

A movie is the product of the chemistry of the people that make it. Whatever that core group of people is, that becomes the DNA of the movie.

Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.

'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.

There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

I think the location is almost as important as casting the leads of the movie. The location on 'The Purge' was crucial to that movie working.

'Twin Peaks' is like a movie; 'China Beach' is like a movie. These are two of the most cinematic shows on television, and they belong together.

You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.

It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.

Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.

When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.

The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.

Our kids seldom even get to see a movie. When we go to a movie, it's an event - and we make it an event.

He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.

When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.

I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.

I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.

I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.