Top 1200 Cowboy Movie Quotes & Sayings - Page 16

If somebody is smoking a joint in a movie, I say it's a cigarette - a big cigarette if it's a Cheech and Chong movie.

We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.

I've made some stupid decisions, so I have to be careful. I once said 'no' to a film that was a number-one hit. And 'Date Movie' had the smallest budget of any movie I'd been in, and it went to the top of the box office.

I haven't done a movie without a member of the original cast of 'Zombieland' - they've all been in every movie I've done.

After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.

I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.

I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.

I think as an author you have to allow a movie to be separate from the book. It's an entirely different animal. I almost never mind when a movie changes or cuts something - as long as it helps the film work better.

A movie moment in a theatre would never be comparable to the same movie moment elsewhere no matter how cheap the big TV becomes.

The moment that you start to read a script, you're watching the movie in your mind, and that's the one moment that you have. Then, you go off to make the movie and you become so lost in it.

You don't make a movie, the movie makes you.

Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.

I have always aspired towards other people's looks. When I was young, I loved teddy boys; I thought they looked wonderful. Then I was a cowboy in Arizona, really for the clothes! I had a ranch for five years; I had chaps made of bearskin.

I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.

My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.

I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.

The first thing that pops into my mind when it comes to playing cowboys is my father, Lloyd Bridges. When I was a little kid, I loved to dress up like a cowboy - put on the boots, hat, and walk around. He was in a lot of westerns, and my dad loved to ride.

I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't.

A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

I thought I'd have time to become a movie star. And it didn't happen, did it? We're still waiting. And they're saying, 'Don't hold your breath, kid.' Even movie stars can't get movies, you know what I mean?

When you make a movie independently, you raise the money beforehand, and then you make the movie kind of by yourself.

That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.

It's harder to maintain that internet kind of fame. It requires daily work, as opposed to a movie star who can make a movie once every two years and stay in the public eye. I respect it.

I was raised by my aunt and we bonded over the eight-o-clock movie on TV. We'd watch everything from James Cagney in 'White Heat' to Lon Chaney in 'The Wolf Man' and every Bogart movie.

I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.

I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.

I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.

I think people like to be thrilled and excited. And a scary movie is a safe way to do that because you're not actually doing it. It's entertainment. You know that you're in the confines of this two-hour space of safety in the movie house.

'Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.

Mystery makes movie stars! If you see someone on the cover of the weeklies all the time, why would you want to pay to see them in a movie?

I remember seeing Richard Pryor's first movie; it was a midnight movie when I was in high school. I must have been about fifteen. It was one of the most cathartic experiences of my life. I'd never laughed that much.

I've personally been involved in movies where people on set were talking about awards for the movie, and I bought into the hype. And then the movie would come out, and not only was it not good, it was horrible.

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?

When it comes to the ratings, I don't know what the rating system is. So when it comes to me, I've learned, with the little experience that I have, that when I feel really good about a movie in the editing room, it works. And when I've felt like a movie wasn't working, it didn't work.

If a movie is nominated for, say, an Academy award, that movie will instantly become popular in Japan. There's always been a bit of a complex the Japanese have about being taken seriously in the West.

Music plays a huge role in the movie. The music in Star Wars, I can't imagine what the movie would have been like without it. It made the film.

I don't think of myself as a movie star. I'm a movie worker. I come from a railroad family. I come from the corn.

It is the idea that it's a movie in a movie. So I did it.

The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'

What? Was he raised in a barn? Didn’t he ever learn how to close a door? Amateur shape-shifters…No manners whatsoever.” – Sasha “Do we need to get you a Midol before we go?” – Sundown “I’m not that easy to soothe, cowboy. My peeves are on a cellular level.” – Sasha

Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.

'V for Vendetta' is an amazing movie, and it had an obvious message, but it was done so perfectly. I got out of the movie, and I wanted to march so hard. I wanted to be an activist.

Sometimes things work out, sometimes they don't. I never know how successful a movie is going to be - when you make a movie you're always hoping for the best.

God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you'll know I've lost all my money.

I always say the movie came out good if they want another one. That always tells me that people really liked the movie.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

I go where I think I can enjoy myself. Sometimes it's on a big movie, and sometimes it's even on a silly movie.

I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.

Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.

I really like my first movie a lot, 'Kicking and Screaming.' I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't 'Citizen Kane' right out of the box, you know? It wasn't 'Sex, Lies and Videotape.'

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

After people work hard and cope with the pressures of life throughout the week, going out to a show or tuning in to watch some characters in cowboy clothes, singing and playing songs about real life is something I relate to.

I think when you get all the money and all the freedom, rarely do you get a good movie out of it or a movie that you're proud of.

I was a medium-level juvenile delinquent from Newark who always dreamed about doing a movie. Someone said, 'Hey, here's $7 million, come in and do this genie movie.' What am I going to say, no? So I did it.

A movie that I'm involved with and have a lot of love for, which is 'On The Road,' does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.

Think of the centre of interest in a painting as you would read it in a novel or see it in a movie. The crisis or climax is that point when you simply can't put the book down or wouldn't dare leave the movie, for whatever reason.

Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.

I really like my first movie a lot, "Kicking and Screaming." I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't "Citizen Kane" right out of the box, you know? It wasn't "Sex, Lies and Videotape."

My very first acting gig was in a movie for Russ Parr. He did this movie called 'Love for Sale,' and that was my first role in any film.