Top 1200 Deciding What You Want Quotes & Sayings - Page 16

What do you want? You can't want to be happy, because that's too easy and too boring. You can't want only to love, because that's impossible. What do you want? You want to justify your life, to live it as intensely as possible. That is at once a trap and a source of ecstasy. Try to be alert to that danger and experience the joy and the adventure of being that woman who is beyond the image reflected in the mirror.

The left want to get rid of all opposition. They don't want to debate the opposition. They don't want to argue. They just don't want there to be any.

Cookbooks hit you where you live. You want comfort; you want security; you want food; you want to not be hungry and not only do you want those basic things fixed, you want it done in a really nice, gentle way that makes you feel loved. That's a big desire, and cookbooks say to the person reading them, 'If you will read me, you will be able to do this for yourself and for others. You will make everybody feel better.'

I want to be as big as I can be. I want to be one of the biggest artists. I want to be remembered like, 'He is crazy. He is phenomenal.' I just want to be one of the biggest.

Football was my saving grace so I want to let people know that you can achieve whatever you want. People like to concentrate on what you can't do, so let's preach what you can. Why would I want to talk about not being quick when I'm strong? That's what I want to get across.

You know, people don't want their intelligence insulted. They don't want to be preached to. They don't want to be degraded. All they want to do is sit, laugh, have a good time, love one another, forget about what's going on in the world, and find something out so they can be useful in this life. Do this and you have common sense.

Yes, I want to work with Rick Rubin. Yes, I want to work with Trent Reznor. Yes, I want to work with Madlib. Yes, I want to get with all these wonderful people. Collie Buddz, Marsha Ambrosius. I just want to go, man. I'm gonna keep on making music.

I want to be that good. I want to be Barry Bonds. I want when I pitch to be 'Win Day.' I want my teammates to relax on the days I pitch because they know they only have to get us a couple of runs. I'm totally prepared for that.

Countries with deficit don't want to pay the bill, and they want to get more loans, and countries with superiority, they don't want to help the countries with problems, and they just want them to tighten their belts.

I've never known before what it feels like to want someone - not to want to hook up with them or whatever, but to want them, to want them. And now I do. So maybe I do believe in epiphanies.

I want to be successful and I want people to hear the music and I want to make money at it, but if it isn't what you do, eventually it seems like that will cause you to not be able to do what you do. If you did that for a couple years, you would just become someone else, which is fine, I guess...but I don't want to become someone else. I want to do what I enjoy and what feels right.

The worst part is that I saw the whole thing -- our whole life. And I want it bad, Jake, I want it all. I want to stay right here and never move. I want to love you and make you happy. And I can't, and it's killing me.

We want to end gender inequality, and to do this, we need everyone involved...We want to try to galvanize as many men and boys as possible to be advocates for change and we don't just want to talk about it. We want to try and make sure that it's tangible.

When fans think WWE, I don't want them to think Hulk Hogan or The Rock or Stone Cold Steve Austin or John Cena. I want them to think of The Miz. I want to be on every show. When we need a guy to do Conan or Jimmy Kimmel, I want them to call me. I wanna be on the cover of all the video games. I want it all.

I want to be happy. We all want to be happy. I want to be treated like a normal human being, but I also want to be on stage in a fancy dress, so I'm trying to find a happy medium.

Gay and lesbian people want to love and be loved. Some of us want to get married. Some want to have and build families. We want our kids to have their lives be a little bit better than what we've had.

Most healthy people want to coach Little League, they want to go to church and they want to have great coworkers at the office and they want to put on faceplate when Nebraska's point football on Saturdays. That's the most natural way to live.

I don’t know. But it’s my option. I don’t want to leave Chicago. I want to be successful here. I want to help this team, like I always say, be in the pennant race… I don’t want to leave, and I don’t think I will leave.

I want people to feel inspired. I want people to feel good. I want people to feel something. I want people to strive for what they want in their life, and I want them to heal from anything that's hurting them.

I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.

When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.

When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.

I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.

I want to be able to go into a room of aliens and be funny. I don't care who it is. I don't ever want to limit myself to a type of comedy because I don't want to be stuck. I want to be able to make anybody laugh and that's the key for me.

I see my job as trying to entertain you, to be balanced in some way, and morally responsible. I don't want to glorify a killer. I don't want to glorify a rapist. I don't want to do those things, but on the other hand I don't want to lecture to you, either.

I just know that right now, we want to be proud. For once. We want to take the struggle and rise above it. We want to frame it, live it, survive it. We want to put it in our mouths and taste it and never forget it, because it makes us strong.

Often, if there's something that I want to do, but somehow can't get myself to do, it's because I don't have clarity. This lack of clarity often arises from a feeling of ambivalence - I want to do something, but I don't want to do it; or I want one thing, but I also want something else that conflicts with it.

I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.

What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.

I want to make music, I want to act, I want to sing, I want to do something that doesn't make my skin erupt.

People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't; it's impossible.

I want - I want - I want - was all that she could think about - but just what this real want was she did not know.

I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.

I want a ring. That's all that drives me. I want to just get better, I want to have fun, I want to win a ring.

People want to label people and that's all they want to do. They don't want to get to know them, they don't want to understand the story, in-depth.

I want your innocence. I want your blind, unquestioning devotion to your father, your acceptance of who and what he is. I want you to look at me the way you look at him, knowing the worst. I want you to trust me, even when your brain tells you you shouldn't, I want you to ignore common sense and your lifelong need to protect yourself. I want you to give yourself to me, body and soul.

Whether you want more money, whether you want more fame, whether you want more attention, whether you want a bigger house, whether you want a bigger contract, whatever it is you want, you have to win your next fight. That's it.

Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!

I know this sounds incredibly lame, but I don't want losing my virginity to feel like I'm losing something. I want it to feel like I'm finding something. I want sex to be amazing. I want it to be life-alteringly wonderful. And I want it to happen with someone I love.

Your parents and people close to you, whenever you want to do something or you want to follow a dream, they'll try and stop you. It's not out of their hating, it's just protection. They want to try and preserve you. Like 'oh what If he fails?' From the culture we're from, they want to protect you.

Can I tell you what I want? I want to stop wanting things I can’t have. I want to stop falling for jerks I don’t need. And I want to stop feeling like an f/ing gooey butter cake somebody left out in the rain.

Global warming results not from the emission of greenhouse gases into the atmosphere, but from an unusually high level of solar radiation and a lengthy - almost throughout the last century - growth in its intensity. It is no secret that when they go up, temperatures in the world's oceans trigger the emission of large amounts of carbon dioxide into the atmosphere. So the common view that man's industrial activity is a deciding factor in global warming has emerged from a misinterpretation of cause and effect relations.

The customer wants what the customer wants - when they want it, where they want it, and how they want it. And if you want to build a big business, and you want to be meaningful to a big, broad group of customers, you need to think about how you're going to meet them in the various places where they might expect to see you.

The fans have what they want. They want entertainment, they want passion and they want commitment.

We begin to forgive by choosing to forgive . . . by deciding, not by feeling. Our feelings don't lead us to forgive. Most times, our feelings lead us the other way. That's why a person has to decide to forgive first. Our feelings always follow along behind our decisions.

I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.

I do what I want, I say what I want and I do it when I want. I live my life the way I want to live it, which I think people appreciate it.

The writer is a person who is standing apart, like the cheese in 'The Farmer in the Dell' standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.

I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.

My most persistent memory of stand - up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. Enjoyment while performing was rare - enjoyment would have been an indulgent loss of focus that comedy cannot afford.

On the whole, lying is a cheerful affair. Embellishments are intended to give pleasure. People long to tell you what they imagine you want to hear. They want to amuse you; they want to amuse themselves; they want to show you a good time. This is beyond hospitality. This is art.

The minute we have a pain, we want a diagnosis. So I think the minute we feel love, it's very hard to just let it be. We want to identify it, we want to catalog it, we want to keep the thing and create the environment it happened in. That's where marriage comes from! Let's make an institution out of it!

Darling, I don't want you; I've got no place for you; I only want what you give. I don't want the whole of anyone.... What you want is the whole of me-isn't it, isn't it?-and the whole of me isn't there for anybody. In that full sense you want me I don't exist.

I have a lot of things I want to do. I have a lot of fire. I want to do film. I want to do action movies. I want to do period pieces.

I want to be bigger than everybody else, but I wouldn't want to be so big that people can't accept it. For instance, if you come in with 30-inch-arms, even your own peers aren't going to accept that. I wouldn't want to be that way. I wouldn't want to infinitely become unreal.

I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.

Some pitchers want to be known as the fastest throwers that ever lived. Some want to win 30 games in one season. Some want to pitch a no-hitter. All I want to do is the best I can, day after day. In other words, I want to prove I am the best.

We're all the same, and we all want the same thing. We all want to be secure. We all want food on the table. We want to know that our kids aren't going to be destroyed when they're not with us. We all want the same things, and if we've been hurt in our childhoods, we try and recreate the same hurt.

There were pockets of this career - whatever you want to call it - where I said, 'I've tapped out. I don't want to do this. I'm gonna go be a stage hand. I don't want to do this. I don't want to talk to people. I'm afraid of people. I'm going to walk away from everything that this was and is.'

There's a lot of pressure to look good, have the gun, know what you're doing and be one of the boys. I was like, "I don't want to be one of the boys. I want to be a doctor. I want to be cerebral. I want to sit back and just use something else. I don't want to do the stunts. Let the boys do that. I'm just going to be the doctor who's about taking care of other people."