Top 183 Douglas Quotes & Sayings - Page 3

I think we're being laughed at all over the world. I think that if you look at our military, we can't beat ISIS, General George Patton, General Douglas MacArthur are spinning in their grave. We can't beat ISIS, okay? I think that our veterans are not taken care of, they're treated worse than illegal immigrants, by the way.

The hidden hand of the market will never work without a hidden fist -- McDonald's cannot flourish without McDonnell Douglas, the builder of the F-15. And the hidden fist that keeps the world safe for Silicon Valley's technologies is called the United States Army, Air Force, Navy and Marine Corps.

The only guy that was ever affected by climactic conditions in his acting was Kirk Douglas. He did a superb job in 'Lonely Are the Brave' because we were shooting that picture up at about 12,000 feet, and the rarefied atmosphere sapped him of any energy or strength that he had. That was his best performance.

Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays. He liked being at the cutting edge of technology and inventing

In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).

I think Douglas was a real one-off. He was so clever and so intelligent and so well read in real science that he could make science fiction work as well as it did. And just such fun to have around, he was just such a lovely man.

He [Stephen Douglas] is blowing out the moral lights around us, when he contends that whoever wants slaves has a right to hold them; that he is penetrating, so far as lies in his power, the human soul, and eradicating the light of reason and the love of liberty, when he is in every possible way preparing the public mind, by his vast influence, for making the institution of slavery perpetual and national.

To illustrate the vain conceit that the universe must be somehow pre-ordained for us, because we are so well-suited to live in it, he [Douglas Adams] mimed a wonderfully funny imitation of a puddle of water, fitting itself snugly into a depression in the ground, the depression uncannily being exactly the same shape as the puddle.

Zeus Is Dead is full of laugh-out-loud moments, lashings of sly wit, moan-worthy puns, and a complex, fast-paced storyline. There aren't very many humorous fantasy murder mysteries out there, especially not as intricately constructed as this one. Michael G. Munz takes a 'What if,' and runs with it like a toddler with Mom's smart phone. The guffaw-worthy throwaway bits will remind you of Douglas Adams. A very enjoyable read.

The problem was Mike Tyson always had trouble with bigger men. Even fighters like Bud Green, “Bonecrusher”, he had trouble with them whether he wanted to or not. He would have had great trouble with Lennox Lewis, particularly since he maximized his shortness by crouching, and he couldn't fight inside so the guy would pick him apart like Buster Douglas.

I have no purpose to introduce political and social equality between the white and black races. There is physical difference between the two which, in my judgment, will probably forever forbid their living together upon the footing of perfect equality, and inasmuch as it becomes a necessity that there must be a difference, I, as well as Judge Douglas, am in favor of the race to which I belong having the superior position.

Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'

I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.

May your love be firm, and may your dream of life together be a river between two shores - by day bathed in sunlight, and by night illuminated from within. May the heron carry news of you to the heavens, and the salmon bring the sea's blue grace. May your twin thoughts spiral upward like leafy vines, like fiddle strings in the wind, and be as noble as the Douglas fir. May you never find yourselves back to back without love pulling you around into each other's arms.

Senator [Stephen] Douglas is of world-wide renown. All the anxious politicians of his party, or who have been of his party for years past, have been looking upon him as certainly, at no distant day, to be the President of the United States. They have seen in his round, jolly, fruitful face, post offices, land offices, marshalships, and cabinet appointments, chargeships and foreign missions, bursting and sprouting out in wonderful exuberance ready to be laid hold of by their greedy hands.

Senator Douglas holds, we know, that a man may rightfully be wiser today than he was yesterday - that he may rightfully change when he finds himself wrong. But can we, for that reason, run ahead, and infer that he will make any particular change, of which he, himself, has given no intimation?

All talks about legacies of white supremacy must be tied to empowering the lives of poor and working people as a whole. The black agenda - from Frederick Douglas to A. Philip Randolph, Martin Luther King Jr, Fannie Lou Hammer to Ella Baker - has always been tied to race talk inseparable from expanding possibilities of democracy, expanding empowerment of everyday people.

I do not believe that all books will or should migrate onto screens: as Douglas Adams once pointed out to me, more than 20 years before the Kindle turned up, a physical book is like a shark. Sharks are old: there were sharks in the ocean before the dinosaurs. And the reason there are still sharks around is that sharks are better at being sharks than anything else is.

If someone were to ask whether communications skills or meekness is most important to a marriage, I'd answer meekness, hands down. You can be a superb communicator but still never have the humility to ask, 'Is it I?' Communication skills are no substitute for Christlike attributes. As Dr. Douglas Brinley has observed, 'Without theological perspectives, secular exercises designed to improve our relationship and our communication skills (the common tools of counselors and marriage books) will never work any permanent change in one's heart: they simply develop more clever and skilled fighters!

There aren't many male stars - that's a loose term - like Kirk [Douglas] around. Most of those virile personalities have to keep working, continue the image because they can't do anything else. They don't even read. Their real identity is in making those pictures. They have to keep jumping on horses and hitting somebody on the head with a gun.

But, as Douglas E Harding has pointed out, we tend to think of this planet as a life-infested rock, which is as absurd as thinking of the human body as a cell infested skeleton. Surely all forms of life, including man, must be understood as "symptoms" of the earth, the solar system, and the galaxy in which case we cannot escape the conclusion that the galaxy is intelligent.

A. Douglas Stone, a physicist who has spent his life using quantum mechanics to explore striking new phenomena, has turned his considerable writing skills to thinking about Einstein and the quantum. What he finds and makes broadly understandable are the riches of Einstein's thinking not about relativity, not about his arguments with Bohr, but about Einstein's deep insights into the quantum world, insights that Stone shows speak to us now with all the vividness and depth they had a century ago. This is a fascinating book, lively, engaging, and strong in physical intuition.

In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.

I mean, if President Reagan could be an actor and become a President, if Michael Douglas is your next choice, maybe I could become an actor. And I've got a good pension; I can work cheap, which is unusual around here.

It was his [Gen. Douglas MacArthur's] relationship with the administration In Washington which became poisoned by his egomania. Link upon link the bond between events on the battlefield and his own ruin was forged, and, as is essential in genuine tragedy, the gods used the victim himself to forge the links.

John loved celebrity. We attended an American Film Institute dinner honoring James Cagney, and the room was filled with famous actors like Mae West, Kirk Douglas, John Wayne and Steve McQueen. John was like a kid in a candy store.

One thing which Stephen A. Douglas was temperamentally incapable of doing was admitting he was wrong. He always believed that 'popular sovereignty' - the core doctrine of the Kansas-Nebraska Bill - was the right solution to the slavery controversy; and even though it had failed to solve much of anything in Kansas and Nebraska, he stubbornly insisted that this was because it had never been adequately tested.

Well, well. IM (and correspondence GM) Douglas Bryson once told me that he almost never plays a game that flows smoothly from start to finish; there is always a "moment" of sorts where someone misses a big defensive opportunity or the nature of the position changes more than one might reasonably expect. This was such a "moment".

As Frederick Douglas, the famous abolitionist, said: "power concedes nothing without a demand. It never has and it never will." You need the truth, and you also need a demand, and you need to bring that demand into the realm of electoral politics. If you don't do that, it's very hard to get such an entrenched machine to move.

I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.

Truman fired the popular Gen. Douglas MacArthur because he disobeyed orders in the Korean War. Johnson knew that he had reached the endgame in Vietnam when Gen. William Westmoreland, the top commander in Vietnam, requested 240,000 more troops in 1968 for the prolonged war that also could not be won.

Of course, Mr. Hannity was outraged that any American would not cross her hand over her heart and repeat the hypocritical words, one nation. Whenever we come up on the Fourth of You Lie, I think of Frederick Douglas and his masterful oration, The meaning of the Fourth of July to the Negro. Pledge the flag? I think not!

Twenty-two years ago Judge [then-Senator Stephen] Douglas and I first became acquainted. We were both young then; he a trifle younger than I. Even then, we were both ambitious; I, perhaps, quite as much so as he. With me, the race of ambition has been a failure--a flat failure; with him it has been one of splendid success.

Naturally, I was thrilled but being the first year, the Academy Awards had no background or tradition, and it naturally didn’t mean what it does now. Had I known then what it would come to mean in the next few years, I’m sure I’d have been overwhelmed. At the time, I think I was more thrilled over meeting Douglas Fairbanks.

Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.

We are redeemed one man at a time. There is no family pass ticket or park hopping pass to life. One ticket - one at a time. Man doesn't vanquish hatred or bigotry. The target keeps moving. From the blacks to the Irish; atheists to Christians. But as always there are a few leaders: Ben Franklin, John Quincy Adams, Harriet Beecher Stowe, Abraham Lincoln, Fredrick Douglas, Booker T Washington, Ghandi and Martin Luther King. They know that the march toward freedom never ends, man must be ever vigilant and pray less with his lips and more with his legs.

My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.

The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor.

Michael [Douglas] is, I think, a great actor. He's made some very interesting pictures. When he was going to college, I was very proud of him, but when he said, 'Dad, I want to be in a play,' he had a bit part. I went to see it and Michael said, 'Dad, how was I?' I said, 'You were terrible.' I thought he would go on to be a lawyer and in three months, he was in another play and I went and, I must admit, he was great. I think he has been good in everything he's done.

I suspect, too, that the modern debates represent the effort of candidates with widely-varying constituencies and special interests to please to tip the hat as quickly as possible to as many of the constituencies and interests as possible. That leaves no time for big-picture issues. Contrast this with Abraham Lincoln and Stephen A. Douglas, where the subject was only ever slavery, and the discussion went right to the bedrock of what a democracy is all about.

Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.

Today a Scot is leading a British army in France [Field Marshall Douglas Haig], another is commanding the British Grand Fleet at sea [Admiral David Beatty], while a third directs the Imperial General Staff at home [Sir William Roberton]. The Lord Chancellor is a Scot [Viscount Finlay]; so are the Chancellor of the Exchequer and the Foreign Secretary [Bonar Law and Arthur Balfour]. The Prime Minister is a Welshman [David Lloyd George], and the First Lord of the Admiralty is an Irishman [Lord Carson]. Yet no one has ever brought in a bill to give home rule to England!

It was in Australia. I started in Cairns and went up to Cape Tribulation, Port Douglas and then went to Fraser Island. It was there that I thought was quite heavenly. I just decided to go back packing somewhere and that's where I picked. It was just before I got the role in Hot Chick. A friend wanted to me to go to Australia and I was thinking my career is just starting, it's not a good time to leave but she told me that my career would always be there and I was only going to get more immersed in it, and she was right. So it was a good time to go.

I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.

I don't have any great love for Chicago. What the hell, a childhood around Douglas Park isn't very memorable. I remember the street fights and how you were afraid to cross the bridge 'cause the Irish kid on the other side would beat your head in. I left Chicago a long time ago.

Sometimes I feel if I was young again, I would wrap a bandana around my head like Douglas Fairbanks Sr. and I would become a pirate of the Web. And I would go around stealing poems and assembling into one spot like a treasure cave.

I remember a long, long day of filming and it took forever to get Kirk Douglas up on his cross. We played a terrible joke on him when, as he was safely installed, the assistant director called lunch and left him up there. He could have had the lot of us fired but he was very good about it. You have to have a sense of humor in this industry.

I like the trail that the Internet created. For example, I was watching one of those Douglas Sirk movies, and I noticed that Rock Hudson towered over everyone, and I typed in "How tall was" and I saw "How tall was Jesus," and I'm like, "Sure," and half an hour later you're somewhere you didn't expect to be. It doesn't work that same way in books, does it? Even if you have an encyclopedia, the trail isn't that crazy. I like that aspect of it.

When I was young, we thought that Oscar Wilde was a great nobleman who had thrown his life away for love. Nothing could be less true. He slept with East Enders who were procured for him by Lord Alfred Douglas. He knew them only 'in Braille' - the curtains were never drawn back in the rooms in Oxford where he met those boys. It was the most sordid life you can imagine. And he was bleating about love and dragging the fair name of Mr. Plato into the trial - after a life like that?

With FIVE DAYS, Douglas Kennedy has crafted a brilliant meditation on regret, fidelity, family, and second chances that will have you breathlessly turning pages to find out what happened in the past and what will happen next. At once heartbreaking and hopeful, it is a powerful new work of fiction by an internationally acclaimed writer at the height of his powers.

By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.

Harry Truman's decision to fire Douglas MacArthur at the height of the Korean War in April 1951 shocked the American political system and astonished the world. Much of the world didn't realize the president had the power to fire a five-star general; much of America didn't realize Truman had the nerve.

Frederick Douglas taught that literacy is the path from slavery to freedom. There are many kinds of slavery and many kinds of freedom, but reading is still the path.

Take myself as a good-will ambassador. I'm great - I'm taking myself as a character - for the intellectuals and the man on the street. I'm great where Douglas Fairbanks, Jr. leaves off. I'm not so good with high society, in either North or South America, because I'm highly unconventional. Perhaps I bewilder people by being at once the esthete, the intellectual and the vulgarian.

The Reverend Douglas Wilson may not be a professional historian, as his detractors say, but he has a strong grasp of the essentials of the history of slavery and its relation to Christian doctrine. Indeed, sad to say, his grasp is a great deal stronger than that of most professors of American history, whose distortions and trivializations disgrace our college classrooms. And the Reverend Mr. Wilson is a fighter, especially effective in defense of Christianity against those who try to turn Jesus' way of salvation into pseudo-moralistic drivel.

Ariel Pink would be a regular on the Mike Douglas Show. Both a master songwriter and a charismatic figure, he'd wander the set like a cherubic, more likable Jim Morrison. His songs would be all over KFRC - the way Boz Scaggs ruled for one summer with 'Silk Degrees.'

William O. Douglas married not one, not two, not three, but four hot blondes. He was not faithful to any of them, not even the last, and each was younger than the previous woman... But after his personal life began to actually fall apart, he developed a set of values about the Constitution that turned out to maximize our autonomy and freedom.

Listen - God only exists in people's minds. Especially in Japan, God's always been kind of a flexible concept. Look at what happened after the war. Douglas MacArthur ordered the divine emperor to quit being God, and he did, making a speech saying he was just an ordinary person. So after 1946 he wasn't God anymore. That's what Japanese gods are like--they can be tweaked and adjusted. Some American comping on a cheap pipe gives the order and presto change-o--God's no longer God. A very postmodern kind of thing. If you think God's there, He is. If you don't, He isn't.

What guided Chaplin was the proper protection of self-interest (or craziness). So Chapling, Douglas Fairbanks, and Mark Pickford, with DW Griffith and William S Hart, made an alliance, called United Artists, whereby they would own a distribution company that would market their pictures, allowing them a greater return than if they leased the movies to some outside distributor.

Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.