Top 1200 Enough Movie Quotes & Sayings - Page 2

Watching a movie a couple of weeks ago. An American movie. I can't remember the name, but it wasn't even a sad movie. It caught me off guard. I was on an airplane.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

Trying to film a movie on a diet is hard enough, I can't imagine how it would be on drugs.

I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.

People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."

You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.

People need to be given enough so that they feel like they're not missing something. There's a thing that you have when you watch a movie where, if you feel like you're not following and you're going to get tested on it later, you're going to get disengaged. So, you have to give people just enough information, so that they're able to keep up with the story.

When I was doing a movie called 'The Seeker,' I was fortunate enough to be able to do a lot of my own stunts.

You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.

Suffer me never to think that I have knowledge enough to need no teaching, wisdom enough to need no correction, talents enough to need no grace, goodness enough to need no progress, humility enough to need no repentance, devotion enough to need no quickening, strength sufficient without Your spirit; lest, standing still, I fall back for evermore.

In an orchard there should be enough to eat, enough to lay up, enough to be stolen, and enough to rot on the ground.

'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'

Stardom is only a by-product of acting. I don't think being a movie star is a good enough reason for existing.

Elgar is not manic enough to be Russian, not witty or pointilliste enough to be French, not harmonically simple enough to be Italian and not stodgy enough to be German. We arrive at his Englishry by pure elimination.

When you make a movie, it's a movie, and things change based on who you put in the movie. And so it's, you know, obviously not exactly your life, but I feel that I did learn a lot about my parents.

You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.

I've never seen a movie in Hebrew about Jesus. I have three kids, I don't have enough time to watch TV.

The movie business was changing, I didn't want to turn 60 in the job. I picked 60 as an age where you are young enough to have a new life but not so young you can wait. And I had this incredible need: I had been so blessed in life and I wanted to give back. So I left Paramount with great joy, I have to say, and with great fondness for the memories I have in the movie business.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

I’m confident enough in my masculinity and sexuality that I can say that Ryan Gosling is just dreamy in this movie.

I think there's always great tension because there never seems to be enough - there is always pressure. There's always pressure because there isn't enough time. There's never enough time for a movie, it seems to me. Never.

When you making a piece of comedy entertainment, the audience is a big component there. You do have to end up getting rid of things that you love, but in the interest of making a movie that's not longer than two hours, and in the interest of when every joke hopefully is good enough, then everybody looks good. You cut things that you love, but ultimately it's for the greater good of making the whole movie better.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

But then when I'm in a halfway successful movie, it irritates the hell out of the critics in New York, because they'd like to kill my pictures if they could. So maybe I'm pretty good in the movie. Then they use all these words like I'm 'surprisingly' good, or 'shockingly enough,' I'm good. It's like I crawled out from under a magazine and they're surprised I can act.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

I never liked the movie life. I was in it to raise enough money to buy my schooner.

Treat yourself as if you already are enough. Walk as if you are enough. Eat as if you are enough. See, look, listen as if you are enough. Because it's true.

I was lucky enough to have a plethora of types of roles before and during the horror movie part of my career.

A film takes a lot of time, and yet not enough to share with the people you're making the movie with, I think.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!

I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

My first movie that came out - 'Shopping,' a British movie starring Jude Law and Sadie Frost - there were certain journalists in the U.K. who just eviscerated that movie.

Pressure is an emotional paralysis. It's hard enough to do the dishes when you're feeling pressured, let alone make a movie.

Well, I think that people are smart enough to understand the difference between a movie and real life.

There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.

I dreamt that I could paint you with words, but there were no colors bright enough, black or white enough, blue or green enough...they didn't mean enough

To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.

The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.

I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

There's enough food in this world. There's enough housing in this world. There's enough shelter in this world. There's enough clothing in this world. There's enough teachers, there's enough universities for everybody's needs to be met, and the reasons they aren't is not because of lack of resources. It's because of distribution, and that's the politics of hate, which is why this is a movement against that. It's a politics of love.

I want to do a movie, but it has to be the right movie, whether it's independent or a studio movie. I'm much more open to being a supporting actor. At the age of 60, I'll be second fiddle. Fine. I'm happy to do it.

I never turned down a movie because they wouldn't give me enough money.

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

To me, All About Steve movie is sweet-natured and sweet-hearted, and I can't get enough sweet-hearted movies. I want to be inspired right now. I think things are pretty tough in the world. And people at the première were loving it - I mean, loving it! So I'm so sorry to hear people saying that it is the worst movie of 2009. I don't buy it at all.

It's hard enough condensing 500 pages into a movie, and it would have been impossible to condense 800.

The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.

The West has enough technology, enough science, enough affluence, enough money, but something of the inner is missing. There is no peace, no silence, no joy, no bliss, no meditativeness, no experience of godliness.

We've had enough of the generals and movie stars. We want to hear about the ordinary people.

'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.

I'm vain enough to want do a movie again, but right now more roles are the last thing on my list.

I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.

I've been in the game long enough to know what elements you have to package together to get a movie into production.

When I did 'Boyz N The Hood', I never thought how we grew up in South Central was interesting enough for a movie.

Of course there is enough to stir our wonder anywhere; there's enough to love, anywhere, if one is strong enough, if one is diligent enough, if one is perceptive, patient, kind enough -- whatever it takes.

I've lived enough of my life story to know this- Fate writes the book, but you make the movie.

The trick with sequels is, you have to give people what they liked before, yet be innovative enough so they don't feel like they're seeing the same movie.

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.

I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.