Top 1200 Fashion Model Quotes & Sayings - Page 14

Never,ever confuse what happens on a runway with fashion. A runway is spectacle. It's only fashion when a woman puts it on. Being well dressed hasn't much to do with having good clothes. It's a question of good balance and good common sense.

The reason I quit fashion was that I had had enough of spending time always being on my knees, making other people look amazing and fabulous. I used fashion to express myself as much as I could. But at some point it was not enough

What is the difference between fashion and style? Fashion says, 'Me, too,' and style, 'Only me.'

I worked in fashion forecasting and I think that helps in being an editor because I love to know what's next, and I like to predict. I like to predict the trends going into the shows and normally I've organized all of our stories before we go. Fashion is my second language.

If flies are a great model, they're a great model for flies. These animals, you know, they're not like us. We don't fly. We don't have a compound eye. I don't think we process sensory information the same way. The muscles that they use are just incredibly much more sophisticated and interesting than the muscles we use.

The Middle Eastern woman is sophisticated; she is modern. She knows fashion more than anyone else, and she is really sexy, and she does know how to live fashion, and I think we can all learn from each other.

The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

It is a way to express yourself. Fashion has to be individual and I like to express my fashion the way I style myself.

I have always felt my role as a designer is to do the very best I can for a woman to make her look her best. Fashion is only fashion once a woman puts it on.

My grandmother used to really love fashion, and she always had Chanel No. 5 on her dressing table, and Chanel bags. That's when I really started falling in love with the brand and fashion in general.

The moment I moved to New York City to study fashion, I met and became friends with people not only involved in fashion but in all the arts. It's quite fluid with so many types of artists, designers, and musicians who know each other through collaborations or friends of friends.

In fashion, we have a reputation for being such a façade, fake people, but none of the fashion people who I know are fake.

I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.

Fashion was always with me since I was young. I would always be like, 'What do I want to be when I grow up?' And it hit me when I was young - I wanted to be a fashion designer.

People in fashion treat it as a business... I guess Hollywood is a business, too, but you talk about story: you talk about a more artistic world than in fashion.

It is imperative to create luxury products that are also functional. My vision for fashion precludes frivolous, fantasy-only designs. That said, fashion does tend to move more quickly than interior design. One doesn't change their couch every season as one does their wardrobe.

People's experiences are all different, and you don't know what the person experienced. They know, but you don't, so I think it's important to listen carefully to what a person has to say. And not to force them into any direction at all but simply to model what you've experienced, model it and also be what I call a Listening Presence. If you're really listening, then some of the barriers can dissolve or change.

I wish fashion would have changed a bit more; obviously, there is change, but it's not enough - for example, I don't think there's enough diversity in fashion on the catwalk, in magazines. I really would love to push that more.

Sex is something I live very well, but it is something I revealed very slowly in my fashion. What I do is emotional. For me, there is a base, which is my Italian roots. It's a strong passion for fashion, a passion for sensuality and dressing for one's self.

I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.

Since it's no longer my singular source of income, I've withdrawn from fashion spaces a bit. However, I still have a deep love for fashion and want to continue to work with designers and houses that inspire me - like Rick Owens, whose show I would no doubt walk in again if the opportunity arose.

I'm a really big advocate of ethical fashion. I actually have a travelling boutique called Maison de Mode, which is all about ethical fashion. I also like Maiyet from Paris. They're very Celine-esque in their silhouettes. I love their back story, too: they work with orphans in Colombia and India.

There's this one photograph of guy I know named Simon. The way he's standing, the background, the way his tie's flipping in the wind-it looks good in the small version, but in the big version, he looks like some kind of Italian fashion superhero or something. Like if the fashion police couldn't handle it, they'd call Simon, wearing a big S on his chest for some kind of fashion superhero.

When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.

I couldn't love fashion more, like I don't think it's possible to love fashion more. I will say, since I've had my son ... he has surpassed that love

Let's take fashion seriously, but not ourselves so seriously. Or reverse that, maybe don't take fashion so seriously, but take yourself seriously. Actually, don't take yourself seriously, that's for sure. So, yeah, take fashion seriously, just not yourself.

The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.

I don't do fashion, I AM fashion.

I was the one who changed, it wasn't fashion. I was the one who was in fashion.

I wanted to appeal to people who've never really listened to hip-hop or really given it a chance before. I've also tried to incorporate all my favorite lifestyle things in the music. Of course, 'Fashion Killa' is one of peoples' favorites because it just expresses how much I like fashion.

Although a life-long fashion dropout, I have absorbed enough by reading Harper's Bazaar while waiting at the dentist's to have grasped that the purpose of fashion is to make A Statement. My own modest Statement, discerned by true cognoscenti, is, "Woman Who Wears Clothes So She Won't Be Naked.

I was the oldest model in South Africa - I grew up in South Africa, but I was born in Canada - and then when I moved back to Canada, to Toronto, at 42, I was a grandmother doing front covers. I was the oldest model in Canada.

With acting, I've got a character to inhabit. You've got to think about your intentions and your directions. In modeling, even though there's an act to it, a good model is a good model. For me it's uncomfortable territory. You start to feel quite insecure about yourself. There's nothing between you and the camera, and it's just you.

The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.

I think sometimes girls look at Victoria's Secret models and think that they have to model themselves after that, but I really don't think that's the best; even though they are called 'models,' they're not the best people to model yourself after.

Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.

I had the honour and the privilege to launch the brand Dodo and Moa together with Amazon Fashion at the Amazon Fashion Studio. The brand is a brainchild of Zashed Fashiontech. It is a new age brand for women with a collection that is contemporary, fun and modern.

The Lockean assumption that if we put our labor to it then it becomes our own is totally fallacious. We have to figure out how to leave things alone, and build an economic system that's not built on a linear model, but instead on a cyclical model, because that's the natural world - it's cyclical and not linear. That is going to take a lot of transformation.

I see there is a lot of behaviour in men's fashion, which is systematic. It's a lot about all these kind of clothes that can be easily combined with each other, and it's less and less, I think, about making a fashion statement.

Led by myself and two colleagues, the course offers a newly developed model of spiritual direction that draws on both the age-old wisdom of the church and more recent perspectives. I call it the Passion/Wisdom Model of Spiritual Direction, and I see it as offering the opportunity for our interior worlds and supernatural reality to meet.

I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.

The first and most important thing for me is that people feel how beautiful fashion can be and that it is not just a case of well-made and expensive clothes. Fashion is so rich and it is such an amazing occupation because we can draw on so many different sources of inspiration - just as a hummingbird feeds on a multitude of flowers.

I think fashion can tell a story about celebrating difference, can talk about how different people are, how diverse people are - and for me, that's where fashion really succeeds, when it tackles things to do with the world we live in.

I like the ritual, the liturgy of a well-crafted, emotional fashion show. I will never be jaded with this side of fashion. The catwalk is pure anthropology, something like an esoteric encrypted parade. It can totally be replaced but it will be missed.

I think London as a city is so diverse and multicultural, anything goes really. The fashion here reflects that - there are so many different styles of dressing throughout the city. In London, you can be very experimental with fashion; it's totally accepted, even if you stand out.

My mother was asked to be a model when she was younger, but my father had not let her, so she was quite keen on me becoming a model. I just went off without telling my dad. I took off to Paris and never came back, but when I became a success and started making money, he was very proud of me.

I was the first size 14 model to be featured in an ad in the magazine,I was the first size 14 model on the cover!

Skepticism's bad rap arises from the impression that, however necessary the activity, it can only be regarded as a negative removal of false claims. Not so... Proper debunking is done in the interest of an alternate model of explanation, not as a nihilistic exercise. The alternate model is rationality itself, tied to moral decency--the most powerful joint instrument for good that our planet has ever known.

Being a mom, I love to play with my kids and have fun with them, but I also love fashion. My mom and both of my grandmothers have always been into fashion, so it's been around us our whole lives.

I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.

Growing up in Atlanta, it brings a particular swagger about a person. There are three or four places in the country where people think of fashion: One is LA, obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.

Fashion had no interest for me. I would take photographs in the studio. I would go back home, and my wife would say, 'What is the fashion like for this season?' And I would say, 'I have no idea.'

Calvin Klein is such an iconic brand in fashion, so I feel like working with them means you're definitely doing something right. They bring validation to someone, not only in the fashion community but in someone's career, which is why it was such an honor to work with them.

If I happily smile and play around and laugh 'ha-ha, hoo-hoo, yay,' laughing like that, I think the photo looks cooler. If I just stand there like this, like 'Oh, I'm a model,' well, I don't think that's what it means to be a model at all.

I don't think there's anything to be ashamed of about being a woman who loves fashion. Fashion is a vehicle for self-expression, it tells the world who you are and how you want to be seen. If you use it as a canvas for creativity, then you might want to talk about it, you know? And I fully embrace that.

My goal was to tell a dialogue between high fashion and streetwear. So, the name Off-White, in my mind, is between black and white. So, that middle ground is a mixture between both genres of fashion.

There are no surprising facts, only models that are surprised by facts; and if a model is surprised by the facts, it is no credit to that model.

If you're building a consumer app, you're necessarily coupled to the intrinsic time cycle of human fashion in that it's a fashion-driven space, and we see that in the cycle of these various apps. I think for infrastructure that that just naturally tends to play out over a longer time horizon.

I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.