Top 1200 Fashion Trends Quotes & Sayings - Page 17

I am not a fashion victim. Fashion is my victim.

Everybody eats three times a day; it's only a question of where they choose to eat. The longer-term trends are people eat out more often.

What inspires me is what I see people wearing on the streets of the world from New York to London and beyond. I get my ideas and inspiration from pounding the pavement all over the world. Today, fashion is dictated by individual style. To me, the fashion of the future is anything that a young guy or girl feels good wearing as long as it's put together in the right way.

I have not taken inspiration from the fashion shows. I don't even really go to too many of the fashion shows - and have not for 15 years - because I don't want to be inspired by the same things as everyone else. If everyone is inspired by the same things, then of course, you all do the same pictures.

Simply that we are mirroring the trends in society, at any given time smuggling was an issue in the seventies, corruption is an issue today, and we faithfully reflect those issues.

I don't consider myself a fashion victim. I consider fashion a victim of me.

Every age and every nation has certain characteristic vices, which prevail almost universally, which scarcely any person scruples to avow, and which even rigid moralists but faintly censure. Succeeding generations change the fashion of their morals with the fashion of their hats and their coaches; take some other kind of wickedness under their patronage, and wonder at the depravity of their ancestors.

You know what I really want to get into? I'm really artistic, so I really want to get into fashion designing and fashion styling. That's, like, something I'm really, really interested in.

I always say that I don't like it when people follow trends too much, just because it is on the runway. I think what you wear really does need to reflect what your own personal style is.

Business development is a part of M&A - we identify signals in the market, whether its trends or disruptive technology, and bring them back and address the opportunities. I have three levers I can pull - partnerships, acquisitions, or investments.

I wasn't a fashion editor. I was the one and only fashion editor.

Fashion data was used to build AI models to help Steve Bannon build his insurgency and build the alt-right. We used weaponized algorithms. We used weaponized cultural narratives to undermine people and undermine the perception of reality. And fashion played a big part in that.

I listen to audiobooks: the last one was Vivienne Westwood's biography. She's the most amazing woman. The way she's used her platform in fashion to be an activist and promote causes like global warming, climate change, and inequality in the world... It gives high fashion, what seems like it can be 'for a certain group,' a way to help real causes.

For me, style is something that I'm comfortable in. I don't really follow any trends. I just like to wear things that look good on me and suit my body and personality.

Chess is, in essence, a game for children. Computers have exacerbated the trends towards youth because they now have an immensely powerful tool at their disposal and can absorb vast amounts of information extremely quickly.

I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.

I admired fashion but I wasn't an "iconic fashionista" myself. I think as I got more comfortable in my skin, then I got a little bit more into fashion, but it's always been something I've been interested in because you can express yourself through what you wear and your accessories and everything else. So getting into my early 20s was really started to come into myself.

No economy, no company, in fact no individual can develop its full potential today without embracing two fundamental trends - globalization and digitalization. They will dominate for quite some time to come.

I did a lot of modeling in the U.K. A lot of it wasn't high fashion because I don't have the body or the face for high fashion modeling. I did a lot of sportswear, swimwear, and beachwear.

At BYU, I discovered history, then historiography. I became fascinated with the study of historians and historical trends, with the idea that the way we remember the past changes and shifts with our own preoccupations.

I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.

I like the idea of not looking at trends, not being driven by them. I like what I like and that's it.

All the magazines contradict each other because it is so diverse. Know what you like, know what looks good on you and keep doing it, no reason to chase trends.

My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself. It also probably nourished my passion and my will to make fashion, because I've always felt that, because of having a big family to take care of, she sacrificed a bit of her femininity.

Anyone who knows or works with me knows I don't believe there's such a thing as a 'mistake.' With that in mind, I celebrate all aspects of makeup and find something beautiful in all 'trends.'

I was accepted to multiple fashion schools. But I had two kids when I was a teenager. My kids' mom already had two kids when she was still in high school. So I had to be in the streets early. Instead of going to fashion school, I took the street route.

I've lived in a lot of places - London, Germany, Tokyo, Scotland, Ireland, Los Angeles, and New York. The fashion capitals I've lived in - Tokyo, London, and New York - have this stamp of coolness about them. But I've noticed that in big cities in general, people are just less afraid to be themselves when it comes to fashion.

What we have within the Sunni tradition is this clash between the literalists and all the other trends and the Salafi movement, that are very much acting on the ground and using the popular sentiment to act against the West.

I have certain rules for snooping, under which anything out in the open is fair game. But I also think, in light of some current trends in our culture, that privacy should be respected.

I don't think generally speaking, there are a lot of innovators and inventors. Many of the designers take what exists already and update it or make it relevant for today. But true inventors have never been seen before. Bill Gates is a real inventor. I don't think fashion designers invent anything new. They innovate new ways to make fashion.

Your 30s is the time to embrace bold, zingy colour patterns and to follow trends while taking time to get used to what really suits you.

California ... is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.

I am five foot six, I am built of muscle and bone, and that is not very good for fashion, but it's who I am. Women who look good in fashion are six foot tall, don't have an ounce of muscle, and their legs are the size of my arm.

I am generally way out of touch with trends, except now and then I am surprised to find myself leading one, like sympathetic vampires.

Advice I would give to anyone trying to find their own personal style: don't copy anybody, just be yourself, and make your own trends.

My style when I was younger was still unique to me. I didn't necessarily dress by the trends, but I was always aware of what was trendy at the time and how I could apply it to my own sense of style.

I don't think of fashion as fashion or biology as biology.

I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.

Changing technologies, changing marketplaces, and even changing trends in anti-competitive practices have all presented challenges to antitrust enforcement.

The fashion world is 10,000 times more superficial than the art world. Fashion people are so much crazier than art-world people. They are constantly trying to leech from the art world, but they will never be able to do what we do.

The external world is changing drastically, and enterprises and products will have a short lifecycle if they don't change. So we have to react to market trends. Nothing lasts forever in today's world.

The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.

So much of the music I love is polarizing. People might either hate it or love it, but they remember it because it was different. That means it was pushing buttons and not just following trends.

Fashion is fun, and fashion is a form of art and self-expression. And I think it should have a wink-wink nature to it. For me, it's about the way it makes you feel. If you want to feel sexy, you want to feel bright, you want to feel good. That's what people are attracted to - when they see you execute an emotion or an idea clearly and proudly.

Fashion is the great governor of this world; it presides, not only in matters of dress and amusement, but in law, physic, politics, religion, and all other things of the gravest kind; indeed, the wisest of men would be puzzled to give any better reason why particular forms in all these have been at certain times universally received, and at others universally rejected, than that they were in or out of fashion.

It's really important for me to not follow trends because I really like the idea that a wardrobe is something that's about you, it should represent who you are and how you dress.

I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.

I am a futurist, projecting trends in science into the next decades and century, but ironically my two daughters - one is a neuroscientist and the other is a pastry chef - tell me that my taste in music is positively prehistoric.

London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.

Like everyone else, I read newspapers and 'New Scientist' and try to put my finger on the trends which we can just see emerging now that are accelerating and might take off.

First you have to know who you are. That is the most important thing, as if you don't know who you are you will either get swallowed up or you follow some unsuitable trends and just become a nonentity.

Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.

Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.

The country has already become multicultural. Given immigration trends, it will only grow more diverse, and these new Americans want to share in their country's identity.

You have to believe in what you're doing. In the long run, you have to feel that what you're doing, regardless of the trends, will have a lasting quality. Someday someone may pick it up and recognize that it was superior.

I grew up partially in L.A. and partially in New York. In L.A., anything goes because it's really temperate. There aren't any fashion rules dictated by weather, whereas in New York, of course, there are. New York is seasonal, and also it's a fashion mecca, so people are a little more aware of how they put things together.

I know how influential I am over my fans and followers. I feel like everything I do, my hair color, my makeup, I always start these huge trends, and I don't even realize what I'm capable of.

In the present epoch of struggle between two worlds the two opposing and antagonistic trends penetrating the foundations of nearly all branches of biology are particularly sharply defined.

[The report 'World Energy Outlook 2006'] reveals that the energy future we are facing today, based on projections of current trends, is dirty, insecure and expensive.

Mary-Kate and I are very aware of trends and style, but at the end of the day, we don't even think twice about it. It's just, 'What do I feel like wearing today, and how do I want to put it together?'