Top 1200 Film Adaptations Quotes & Sayings - Page 19

Explore popular Film Adaptations quotes.
Last updated on October 27, 2024.
Even during 'Udta Punjab,' I didn't say much until the film was out. I feel it's incorrect to talk about a film until everything falls into place.
I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
You evolve with each and every film you do. In every film that I did, I learnt something or the other, and I am constantly learning and hopefully becoming better. — © Raashi Khanna
You evolve with each and every film you do. In every film that I did, I learnt something or the other, and I am constantly learning and hopefully becoming better.
Im not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was.
'Spinal Tap' is interesting because it created a genre of film and ended it - all in one motion. If you do a mockumentary, you are always going to be compared with that film, and you are never going to be as funny.
Film is my favourite without a doubt. I am a film romantic and I love the grandeur of cinema. Dark theatres and big screens are my first love.
If I work with Shah Rukh, it will be as an actor, not a star. Whenever I have thought of making a film with some star in mind, I've abandoned the film in a few weeks.
Robert Townson at Varese is a huge fan of film music and has really done a lot to educate audiences about film music and scores.
I acted in theater and I took film classes when I was 12 and just obsessed over it. I loved it and spent hours and hours in the film studio learning and watching.
If you understand each other's way of thinking, you understand what kind of film someone is trying to make, and all the ideas that I come up with will fit into that film.
One of our film lecturers, one of the guys teaching the course, said to the departing film class, 'No one in this room is going to make it, as a filmmaker.' I have no idea why he said that.
I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.
I love acting, every job is a dream job when you're an actor. I'd like to do eventually more film work and to collaborate with the best actors and directors in film.
There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff. — © Robbie Kay
There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things.
I won't sign a film thinking, 'Oh my God! I don't have a film so I've got to sign one real quickly.'
There are some audiences who are uncomfortable with the ambiguity, though. They want a film to chew their food for them, they want Hollywood endings that tie everything together in the end and answer all of the questions. They are usually people on one extreme of the political spectrum or other and they haven't been happy because the film is not polemical enough on their side. They aren't usually people who aren't interested in understanding points of view that they disagree with - they just want to attack their opponents - and I'm ok with them not liking the film.
I don't use film in the way that the great auteurs do. I use film, the camera, to record as effectively and as perceptive as I am able what I want to say through the actors.
I fell in love with film. I didn't start out to be a film actor. I wanted to be a theater actor.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
It's a great privilege just to be in a film not because you're some packaging that some agent has done with the studio exec: "We need a John Travolta film."
I'm just a giant film fan, so I love action movies out of all kinds of movies. As a film geek, it's amazing to be able to shoot this stuff.
I have been waiting for a film like 'Maximum.' I have learnt so many things while shooting this film. The entire cast has been a pleasure to work with.
I stole a piece of the chess set on the first film. I took a piece of the treasure out of Bellatrix's vault on this film. And I've taken my wand and I've got my cloak.
I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.
I think for a film that has real theatrical potential a sales agent is key. For a film that may find it tougher in the American marketplace, such as many of the docs in the world competition that may not be competing for deals - any subtitled film has a harder time in this marketplace - for those films I don't know that a sales agent necessarily helps for the kinds of smaller deals that may or may not be offered.
Part of my claim to fame is that my first film was also Johnny Cash's first film.
If anything I try to write something that would be more difficult to film. I tend to see film as competition and would like instead to do what books do best.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
'Nuvvla Nenila' is an out and out love entertainer. The screenplay of the film is very good and director Nakkina Trinadha Rao has handled the film superbly.
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
You're constantly changing man. But the film's not changing. The film stays the same. That's the beautiful aspect of it.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
I know that it has been a long time since 'Punda,' my first Kannada film, released, but I was determined to wait for a good subject for my next film in Kannada.
I like the smell of film. I just like knowing there's film going through the camera. — © Steven Spielberg
I like the smell of film. I just like knowing there's film going through the camera.
I have worked with Amitabh Bachchan in 'Pink' and 'Piku.' As soon as one film gets over, he is behind me, asking 'Which is the next film you are going to do with me?'
'Gunday' might not be the best film of my life, but it's been a life-altering film for me.
The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
I would love if film doesn't disappear, if we can have film forever so we would have all these brushes, all these possibilities available.
Film 'This Changes Everything' is not a sad story. It's not a slit-your-wrists climate film. It's a story about people who are making change happen.
My dream project is a sports film, because I love writing emotional music and a sports film is one of the few places you can do it without being melodramatic.
A film star is a film star, and you can't take that away. Hence, I don't think about money when I do films, but I will do it for TV like the way I do it for endorsements.
Every TV actor wants to do a film, but the thing is that if you sign up for a film then you have to be ready to dedicate time, which can run up to 2-3 years.
Film is my passion. I had no money, after Human Zoo. I was completely broke. It was horrible. My film was in Berlin on opening night, but I couldn't even get to Berlin.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too. — © Aidan Gillen
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
I should say that feminism gave me permission to deal with my own emotional life and put it up front in certain ways, or use film as a way to examine, at that time, my own heterosexual experience. Lives of Performers was the beginning of that kind of investigation. But also, the film was influenced by the aesthetics and structures of experimental film as that was taking place at the same time. Hollis Frampton was a big influence on me at that time.
Locke' is a different way of making a film as well as being a different sort of film.
People don't want to always see a comedy or an action film. If the film in a particular genre is made well, then it will see its share of success.
I'd never really considered film. If I'd thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
I would love to do a period film, a sports film, or an out and out action movie.
Hindi film and southern film industries are doing well when it comes to technical know how. By and large, they are pretty similar and are close knit industries.
'Thappad' is dedicated to my mother. I've assumed her first-name as my middle-name for this film and I'm billed 'Anubhav Susheela Sinha' in the credits of this film.
Music is a very integral part of the film, but it will not be as full of music as a Bollywood film.
'The Custodian' was my first film, and there were so many lessons to learn in that week. It was really fun, but for me, I look at it as a training film, and I'm not really proud of my work in it.
In my first film, I kissed a girl and nobody said anything on that. Now in my third film, I kissed a guy and the media has made a hue and cry about it.
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