Top 247 Footage Quotes & Sayings - Page 3

People always accused me of not smiling like my rival Olga Korbut, but that was just my personality. When you're balancing on a nine-inch beam, you have to concentrate. But if you look back at the footage, I was always smiling and waving at the crowd after my performances.

A lot of times I had footage that didn't have sound [in the Dream of Life film] - either I didn't bring a sound recorder, or I forgot to turn on the sound recorder - so we would have to improvise and build those scenes.

Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, "What if this doesn't work? What if that doesn't work?" you want to cover yourself, you want to bring back enough [footage] so you can do something.

I don't have a nice singing voice! Particularly if I've had a few beers, that's when I'll get up and go on the karaoke. I'll usually try to murder a Frank Sinatra song like 'My Way'. In my head I sound exactly like him, but when you watch the footage back, evidently not!

You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.

Movies, to a large extent, stand or fall on the strength of their scripts. But a documentary is a collection of found objects: fragments you've collected, accidents of interview and happenstance, pieces of stock footage that surface in the course of six to nine months of research and production.

Instant attraction is natural, flirting can also happen. But building a relationship takes time. We can't control our emotions. If you feel for someone, it will definitely show on your face. But I definitely can't fake a love story on national television for the footage.

I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts.

I always say when you see that old black-and-white footage of the rocket on the launch pad and it falls over and explodes, that's because people had slide rules. Not having the decimal point is a real drawback. You want the decimal point, take it from me.

You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.

One of the first things I said to my kids and we all agreed upon when we first started shooting the show was if we're going to do this, we're all in. We're not going to worry about editing ourselves. So that's what you see. It's raw, and it's real, and it's footage that hopefully people learn from some of our experiences.

You have to do a show, an interview, you've got to go straight back on the road to another location, make a track and edit things like footage etc. It's non stop. I really respect the hustle and work rate of Chipmunk, as well as N-Dubz and Tinchy Stryder.

I had full access to the material, and had a great relationship with Sean Bailey, the president of Disney productions. He really guided me through the licensing process of the footage. I made presentations to the various departments at the studio, and they were moved by Owen's [Suskind] story.

If anyone has seen the horrific and unwatchable footage of the Chinese cat and dog trade - animals skinned alive - then they could not possibly argue in favour of China as a caring nation. There are no animal protection laws in China, and this results in the worst animal abuse and cruelty on the planet. It is indefensible.

Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.

At a meet and greet in a nightclub in Texas, a girl who looked about 15 years old gave me a VHS copy of 'Adventures in Babysitting,' and she whispered in my ear that it's really just home movie footage of her dad practicing judo.

David Beckham is always seen as the thickest man on the planet, too daft to complete a jigsaw puzzle. But then you watch old footage of him playing and every time he plays a ball across the field, he's intuitively working out the trajectory of the ball.

We have over an hour of footage with Ken Marino. Same with Kevin Smith. Because you never know, when you let people who are so talented at improv go, what you're going to get. You don't want to strangle them with your own words, because probably what they're going to say is way better.

Go back and watch my old footage, man. Go back and watch my old fights. I knocked people out at 170 pounds.

There is a scenario where AI may keep U.S. soldiers off the battlefield entirely, by using AI as a strategic advantage to prevent conflict or using it to find the critical piece of information within surveillance footage.

'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.

Everywhere we walked we got plenty of attention due to the camera and sound men. The locals love to get on camera. [...] I'd seen footage of Gandhi surrounded like this and always thought it was because he was very popular, but now I wonder if it was just because he had a camera crew with him.

Our partnership with Disney included a two-hour Cinderella list takeover that features supermodel Coco Rocha's first-ever fashion collection, which incorporated behind-the-scenes footage and interviews to support her HSN debut.

For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.

Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.

If you look at the hundreds of millions of dollars spent on 'Titanic,' you ask yourself, why on earth would they turn to stock footage? The answer is simple, many scenes used for the narrative of the film don't need to be expensively shot and can be bought from us.

Like anything, I think there are some wonderful found footage movies, and there are some less good. Certainly when it's done well, I really love it. I really love it as a genre.

I wasn't the most talented player as a kid. Whenever I look back at the old footage, I didn't swing it very well and I didn't strike it pretty well, but I managed to score pretty well.

If we let people see that kind of thing, there would never again be any war. Pentagon official, on why US military censored graphic footage from the Gulf War In time of war the first casualty is truth.

Before the Beatles, America was musically a very conservative country. You can see film footage of people at a baseball game, they all had hats and ties on, and the women were dressed up like they were going to church. That was the America that I started getting interested in musically.

The Internet doesn't just enable cool avatars and the shorter form. It also allows the deeper form: cross-linked blog posts, extensive research, simultaneous screens and raw debate footage that anyone can scan online, at any time.

I've been watching a whole heap of video footage of different players on different teams and how different players get the football. But the best way I learn is getting out there and playing.

Golf has always been a part of my life. My parents have footage of me in a walker swinging a plastic club. If I didn't play golf, I would have been a baseball player. I could sit and watch baseball all day.

It has always been my aim to find that sort of passion and figure out how to transform it into cinema.Timothy Treadwell's footage was almost like a diary, and he had always dreamt of becoming the movie star in his own gigantic production.

I'm not exactly watching my back. Most people, there's a twinkle when they admonish me. And I've watched a lot of footage on YouTube of people's reactions to watching me.

1925's 'The Lost World' is... really, everything a dinosaur movie should be. Like a dinosaur, this classic was once extinct too, existing as mere fragmentary footage and stills, but cinemaphile fossil-hunters have painstakingly excavated bits and pieces from obscure archives and assembled them into a nearly-complete animal.

While yes we can both agree the sudden recovery of this footage smells not a little, and that we appear to be bits of tinfoil-on-string to some malevolent government kitten, yes yes yes but, Borlu, however they've come by this evidence, this is the correct decision.

The naked mole is, like, the ugliest freakin' creature in the world. It is so radically, unbelievably disgusting. And the star-nosed mole is also. It looks like it snorted a firecracker. They live way underground, and to get footage of them is basically impossible.

I sat down with my agent and went through my youth-team video footage. I saw that when I started, I'd get on the ball and within two touches would turn straight away and look to attack my opponent, but when I got into the first team, I would go for the safer option.

Jay-Z called me onstage during my song that I produced for 'Watch the Throne?' That was surreal, man. One of those situations I'll never forget. I'll be able to show my kids the footage of when Jay-Z brought me onstage.

If anyone has seen the horrific and unwatchable footage of the Chinese cat and dog trade - animals skinned alive - then they could not possibly argue in favour of China as a caring nation. There are no animal protection laws in China and this results in the worst animal abuse and cruelty on the planet. It is indefensible.

You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.

Pele featured in the Brazilophile imaginary as the a figure of non-utile excess, a carefree artist in the Nietzschean sense, indifferent to the narrow teleology of winning matches... check the way that most of the endlessly replayed footage we see of Pele is not of him scoring goals, but audaciously missing chances contrived by force of wit.

Donald Trump's interest in Russia dates back to Soviet times. In fact, there's extraordinary footage of him shaking hands with Mikhail Gorbachev. It comes from 1988, the peak of perestroika and Gorbachev's efforts to charm the American public.

I get very, very anxious on the set. I have a thousand ideas and I don't censor myself. I wind up cutting some of them out in the editing room... I shoot [needless footage] and then don't use later on in the process.

The image we have of bin Laden in his final years in Abbottabad is of an aging man with a graying beard watching old footage of himself; just another suburban dad flipping though the channels with his remote.

When I see footage of Guns N' Roses, I see that fu**ing hunger and attitude. You could not f**k with those five guys. It was just raw. It was this lean, hungry thing on its way up. It was as sincere as any rock 'n' roll that I've ever heard, and I'm proud of that.

There are some directors who don't like the set much. They like post-production, where you have all the ingredients in the can - you've got all the footage, all the music, the various effects - and then you have to do the alchemy necessary to make it all good, a long and very key process of putting everything together and making it into the cogent thing that you want.

I started by studying Kiswahili to learn the dialect. Then, I studied tapes, documentaries, footage, and audio cassettes of Idi Amin's speeches. And I met with his brothers, his sisters, his ministers, his generals' all kinds of people, in order to try to understand him.

It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."

When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'

I had a van that I customized so I could basically live out of that while I traveled and then I graduated to an Airstream. I've got three Airstreams now and they're all customized different ways. The good thing about those is there's not enough square footage to blow all your money.

'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.

I find it vulgar that people are so fascinated by natural disasters, and we allow footage of young people that are looting because they have no choice because of natural disaster.

My mother tried really hard to protect us, but occasionally, after afternoon cartoons of whatever was on... the nightly news would come on, and I'd see footage from the war zone, and I would hear the word 'Vietnam,' and I would know my dad was over there, and it was a very frightening experience for me.

The energy is still similar because I saw some old footage of us when we were in France that they'd dredged up out of God knows where and I was like, the energy is still there.

In war films, even more than in other kinds of documentary, we've come to think that shaky, poor-quality footage is somehow more authentic than something classically 'well shot.'

I'm not sure that I could give notes to someone that I revere. That's a general challenge of directing, giving notes to someone you revere. The other big contribution to this, which most people I show footage to take note of is Mauro Fiore's cinematography is unbelievable.

I don't want to be one of these guys who sits in a room watching old footage of himself, reliving old glory. It's just not me. I want to create new adventures. I'm not trying to live vicariously through my own past.

I would love to shoot on film, but you can't really shoot a lot of footage on film, and you can't print a lot of it.