Top 1200 Foreign Culture Quotes & Sayings - Page 17

At Harman, we had to reinvent ourselves so that we can compete on a global playing field. We did it by instituting a culture where teams can take calculated risks. But to inspire such a shift in mindset requires meaningful rewards across the ranks and freedom to experiment and innovate. I like to think of it as our courage culture.

I stand before you as a writer without any ground of being out of which to write: really blown about from country to country, culture to culture till I feel - till I am - nothing. As it happens, I like it that way.

Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.

The U.S. has always understood itself to be united around political principles and not around culture, whereas the nations of Europe have a much more traditional conception of nationhood that is connected to romanticism, which thinks of religion and culture as ingredients of nationhood.

And so popular culture raises issues that are very important, actually, in the country I think. You get issues of the First Amendment rights and issues of drug use, issues of AIDS, and things like that all arise naturally out of pop culture.

Each of us has a mission . . . each of us is called to change the world, to work for a culture of life, a culture forged by love and respect for the dignity of each human person.

There is nothing puzzling ... about America's gratuitously aggressive foreign policy or about the oligarchs' successful efforts to drag the Republic into five wars. What an aggressive foreign policy accomplishes by slow degrees, a state of war accomplishes in a trice. Overnight [war] kills reform, overnight it transforms insurgents into traitors and the Republic into an imperiled realm. Overnight it strangles free politics, distracts and overawes the citizenry. Overnight it blasts public hope.

Scientists are not these guys in lab coats deep in the inner bowels of universities and hospitals with their Bunsen burners. They're the people molding the culture that we live in, the future of our culture, and the technology we rely on every day. These are the rock stars of our time right now.

But one thing that seems pretty clear when we look at human religion is that it's highly tied in with human culture. So if, as seems to be the case, culture's governing a lot of what whales do, it's perhaps not an unreasonable hypothesis to think that it's got elements of...what I guess you'd call the supernatural.

At Microsoft, we're aspiring to have a living, learning culture with a growth mindset that allows us to learn from ourselves and our customers. These are the key attributes of the new culture at Microsoft, and I feel great about how it seems to be resonating and how it's seen as empowering.

There is a certain jargon, which, in French, I should call un Persiflage d'Affaires, that a foreign Minister ought to be perfectlymaster of, and may be used very advantageously at great entertainments, in mixed companies, and in all occasions where he must speak, and should say nothing. Well turned and well spoken, it seems to mean something, though in truth it means nothing. It is a kind of political badinage, which prevents or removes a thousand difficulties, to which a foreign Minister is exposed in mixed conversations.

Often culture gets stuck in static, traditional narratives. Contemporary ideas give culture elasticity, flexibility, which is always a breath of fresh air. But these ideas shouldn't only be for people who can afford to go to a museum or a symposium in the "better part of town."

'Memorial Day' is about 'spring break' girls-gone-wild culture which is the seedy underbelly of our American Puritanism, the inverse side of the coin. It's also about how we forcefully exported that culture and then pretended to not know what we were doing.

It's the culture, not the blood. If you can go anywhere in the world and adopt these babies and put them into households that were already assimilated in America, those babies will grow up as American as any other baby with as much patriotism and love of country as any other baby. It's not about race. It's never been about race. In fact the struggles across this planet, we describe them as race, they're not race. They're culture based. It's a clash of culture, not the race. Sometimes that race is used as an identifier.

I'm just so amazed by people who are willing to share things that, in the past, no one would have ever talked about. Folks in popular culture being willing to take on issues, I think that is such a key part of having a culture shift and an institutional shift.

When culture is created in boardrooms with a panel of six or seven strategists for the masses to follow, to me that is no different than an aristocracy. It's not created from the people in the middle of the streets, so to speak. It is created from a petri dish for the sake of making money, and it is undermining the longevity of the culture.

Being 'out and proud' can feel like a real luxury of Western culture, where people are often white and see existing white gay people in their culture. That's a kind of privilege people don't know they possess.

We're evolving as a culture as well and as more equality gets supplanted in society, well, in the U.S. anyway, it's only helping women. We do have much more work to do though, in spreading awareness about where we fall short in our culture and in other cultures.

Almost by definition, secularism cannot be a future: it's a present-tense culture that over time disconnects a society from cross-generational purpose. Which is why there are no examples of sustained atheist civilizations. "Atheistic humanism" became inhumanism in the hands of the Fascists and Communists and, in its less malign form in today's European Union, a kind of dehumamism in which a present-tense culture amuses itself to extinction. Post-Christian European culture is already post-cultural and, with its surging Muslim populations, will soon be post-European.

We don't want this globalised economic system which does us so much harm. Men and women have to be at the centre (of an economic system) as God wants, not money. The world has become an idolator of this god called money. To defend this economic culture, a throwaway culture has been installed. We throw away grandparents, and we throw away young people. We have to say no to his throwaway culture. We want a just system that helps everyone.

Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.

Confidence is not just in people's heads; it comes from the culture of the organization. It's easier to expect success when working in an organization that has a culture of accountability, collaboration, and initiative. Without this, it's easier - and more self-protective - to assume failure so the person is not disappointed and instead pleasantly surprised.

If the time comes when our culture tires of the endless homicidal feuds, despairs of the use of force and war as a means of bringing peace, becomes discontent with the half-lives that its members are living - only then will our culture seriously look for alternatives.

This is a culture of female display. And the reason it's a culture of female display is that on the Upper East Side women far outnumber men, if you do the sex ratios. I can't say exactly what they are, but you could google it. People have said two to one. So, it's a female display culture because sex ratios are skewed toward men, and they sort of have their choice, even if they're married.... Also, women are economically dependent on men, and so there's that aspect of needing to perform your beauty and your scarcity.

Theres something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.

I'm sorry - you know, culture is elitist. Culture has to be elitist: it's about seeing and knowing and about knowledge.

Now, when you look at somebody, it's not simply, 'Are you like me or unlike me? Has your culture produced great artists? What are your rituals?' It's: 'Is your culture safe or not? Will it produce terrorists?'

Wrestling has grown so big... it's almost a culture. And it's a culture of all types of vibes, just like hip-hop has all kinds of vibes and rap has all kinds of vibes.

In so far as the culture industry arouses a feeling of well-being that the world is precisely in that order suggested by the culture industry, the substitute gratification which it prepares for human beings cheats them out of the same happiness which it deceitfully projects.

I grew up in Jerusalem and went to school here. I studied at the Hebrew University - mostly Islam and Arabic: Arab literature, Arab poetry and culture, because I felt like we are living in this region, in the Middle East, and we are not alone: There are nations here whose culture is Arab.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

Good design is a visual statement that maximizes the life goals of the people in a given culture (or, more realistically, the goals of a certain subset of people in the culture) that draws on a shared symbolic expression for the ordering of such goals.

Apple Music is trying to create an entire pop culture experience that includes audio and video. If South Park walks into my office, I'm not going to say, 'You're not musicians.' We're going to do whatever hits pop culture smack on the nose.

The great achievement of Western culture since the Enlightenment is to make many of us peer over the wall and grant some respect to people outside it; the great failure of Western Culture is to deny that walls are inevitable or important.

I think the problem with John Bolton is he disagrees with President Trump's foreign policy. He would be closer to John McCain's foreign policy. John Bolton still believes the Iraq war was a good idea. He still believes that regime change is a good idea. He still believes that nation-building is a good idea.

Our society offers little in the way of reeducation for those who have been torn away from their traditional culture and suddenly exposed to all the blandishments of mass culture-even the churches which follow the hillbillies to the city often make use of the same "hard sell" that the advertisers and politicians do.

Classical music is at odds with contemporary culture precisely because of its insistence on the tension between the bodily and intellectual, the material and the spiritual, the thinglike and its transcendence in thought. A culture that is merely sensuous and that denies the activity of the mind within sensuous materials risks becoming pornographic.

My whole shtick is that I want to contribute to New York's culture via restaurants, nightlife, whatever... but to be more conscious, more aware, more sustainable. It's more than just 'being responsible as a culture.' It's having an ethical chain of production.

To propel our Louisiana culture into the future seems to be quite a task, but if one lives for the music as Cedric does, the path seems effortless. These songs may well be early brushstrokes of a life's worth of possibilities, not only for himself, but also for the identity survival of a culture.

Some people think the Federal Reserve Banks are US government institutions. They are not... they are private credit monopolies which prey upon the people of the US for the benefit of themselves and their foreign and domestic swindlers, and rich and predatory money lenders. The sack of the United States by the Fed is the greatest crime in history. Every effort has been made by the Fed to conceal its powers, but the truth is the Fed has usurped the government. It controls everything here and it controls all our foreign relations. It makes and breaks governments at will.

In Scotland over many years we have cultivated through our justice system what I hope can be described as a 'culture of compassion.' On the other hand, there still exists in many parts of the U.S., if not nationally, an attitude towards the concept of justice which can only be described as a 'culture of vengeance.'

There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.

Our laws are a reflection of our culture. Our culture does not condone the torture of innocent and defenseless creatures. And we as a society believe all God's creatures should be treated humanely.

I'd love to go somewhere warm, somewhere near the beach and somewhere with a cool culture. It could be Hawaii, Cuba, South America - anywhere that has a cool culture and a beautiful climate.

There's something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

People ask a lot about how I can be a believer in a culture that perhaps is counter cultural to what you believe in. I've come to the conclusion that I'm able to be in this culture and in this industry and fruitful because I don't look to my circumstances to determine what I believe to be true about God.

I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture.

When I was training in medicine for example, there was a culture in medicine that strong people didn't need sleep, that the less you slept, the more you just powered through a tough call not on no sleep, the stronger you were. That is not helpful to have a culture that supports healthy practices like that.

They who seek religion for culture's sake are aesthetic, not religious, and will never gain that grace which religion adds to culture, because they never can have the religion.

When I speak of artistic universals, I am not denying the enormous role played by culture. Obviously culture plays a tremendous role, otherwise you wouldn't have different artistic styles - but it doesn't follow that art is completely idiosyncratic and arbitrary, either, or that there are no universal laws.

In the French culture, they talk politics. I didn't find it was part of our culture to have political arguments at the table. My husband's family will get into major politics, and it's not an aggressive thing. It's so interesting and you learn so much, whether it's Right or Left, and that to me has been really great.

The thing that should most concern us is a shift in American foreign policy. We have had a bipartisan belief in American foreign policy based on the post-World War II institutions that believed in democratic global world, which Russia and the Soviet Union was often seen as hostile to. And most Republicans and Democrats have always basically believed in this world order. Donald Trump and Vladimir Putin and maybe Marine Le Pen do not agree with this basic structure of the world.

I'm finding out what part of punk culture or white indie culture I actually still want to hold onto - What are the values? What are the contributions that I actually like? - and it not coming from a place of desperation or wanting to be embraced or wanting approval, essentially.

Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.

I see,... and with the deepest affliction, the rapid strides with which the federal branch of our government is advancing towards the usurpation of all the rights reserved to the States, and the consolidation in itself of all powers, foreign and domestic; and that, too, by constructions which, if legitimate, leave no limits to their power... It is but too evident that the three ruling branches of [the Federal government] are in combination to strip their colleagues, the State authorities, of the powers reserved by them, and to exercise themselves all functions foreign and domestic.

Country town to the city heart, in every corner of the globe you'll find a Chinatown, a Chinese restaurant or an Asian grocer. From this vast and ancient culture, we credit noodles, dumplings, rice, countless spices and cooking techniques to have enriched every culture that they've landed in.

It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.

There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.

In 'Losing My Cool,' I argue repeatedly that it is a terrible lie, which has been foisted on us and sold to us for decades now, that hip-hop culture equals black culture, that being authentically black means keeping it real.