Top 1200 Gangnam Style Quotes & Sayings - Page 10

I don't think I've invented anything. Henry Ford didn't invent the car, and Steve Jobs didn't invent the cell phone, and he didn't invent the digital revolution, but he could adapt, put things together in creative ways. So I think in what we do there's a lot of "let's try it and sees," whether it's a new color or a new style. But we didn't invent cosmetics or lingerie. How we market them - style, color - those are the things that we do, but it isn't pure creation. It's putting together ideas. I truly believe there's nothing really new in the world.

Institutional psychiatry is a continuation of the Inquisition. All that has really changed is the vocabulary and the social style. The vocabulary conforms to the intellectual expectations of our age: it is a pseudo-medical jargon that parodies the concepts of science. The social style conforms to the political expectations of our age: it is a pseudo-liberal social movement that parodies the ideals of freedom and rationality.

Evidently there are plenty of people in journalism who have neither got what they liked nor quite grown to like what they get. They write pieces they do not much enjoy writing, for papers they totally despise, and the sad process ends by ruining their style and disintegrating their personality, two developments which in a writer cannot be separate, since his personality and style must progress or deteriorate together, like a married couple in a country where death is the only permissible divorce.

I think in L.A. everybody has a really cool flare, trendy style here. I think I kinda adapt be it I'm a little more trendy in L.A. Somewhere in New York, I could literally sit at a café and have a cappuccino and watch people walk by and it's like a fashion show to me. Compared to somewhere like Miami where I literally wear beachwear all day and I can walk around barefoot. My style is consistent. It may bend a little bit according to cities, but that's about it.

The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.

Every life is good. This [luxury] doesn't make life. It's a lifestyle. It's a style of life. Style is what you are, but everybody has life. And everybody's life should be good. Some of the happiest people in the world have nothing. Nothing. And they find happiness in being in the world. They wear the world with a smile.

Being on the Reebok brand for eight years now, I understand where their focus is and who they cater their on-court and off-court shoes towards. Right now, it's basically the movement. There's a new retro- it's in style, it's hot and again it's all about comfort. Comfort for me is everything. I've played many and many of basketball games and so now when I'm off the court, I still want to put something on that's comfortable but still be able to have the style of a basketball-type shoe.

Fashions fade, style is eternal. - Yves Saint-LaurentThe most important thing to remember is that you can wear all the greatest clothes and all the greatest shoes, but you've got to have a good spirit on the inside. That's what's really going to make you look like you're ready to rock the world. - Alicia KeysIt's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.

Style doesn't have seasons.

I'm not a director with a style.

Style? I have no style.

I am not attracted to writers by style. What style do Dickens, Grass, and Vonnegut have in common? How silly! I am attracted to what makes them angry, what makes them passionate, what outrages them, what they applaud and find sympathetic in human beings and what they detest about human beings, too. They are writers of great emotional range.

To have a style is to be stuck.

My style is not to challenge anything.

If you don't have an idea, all you have is style.

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few...the late Theodore Sturgeon, the early Ray Bradbury...and Richard Christian Matheson. A brilliant chip off the old block.

You can't have style if you don't have substance.

I'm for comfort, not for style.

Self-plagiarism is style.

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write.

Taking ideas seriously does not fit with the rhetorical style of textbooks, which presents events so as to make them seem foreordained along a line of constant progress. Including ideas would make history contingent: things could go either way, and have on occasion. The 'right' people, armed with the 'right' ideas, have not always won. When they didn't, the authors would be in the embarrassing position of having to disapprove of an outcome in the past. Including ideas would introduce uncertainty. This is not textbook style.

My style is like no other.

The style is the man. Rather say the style is the way the man takes himself; and to be at all charming or even bearable, the way is almost rigidly prescribed. If it is with outer seriousness, it must be with inner humor. If it is with outer humor, it must be with inner seriousness. No other way will do.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

I don't know about style. I know about my personal style.

I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.

I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate".

The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.

Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.

It's not a company of exponents of my style.

Writing style is something is a consequence of who you are. I think that I had a certain propensity for a style that I recognize in my early work, but that doesn't mean I didn't have to learn certain basics and the longer you write the better you get. The rhythms come from you. If the rhythm seem to echo the music, then that's delightful if people see that, but it's certainly not something that's intentional on my part. I'm trying to be as clear and precise as I can be and at the same time, I'm trying to be eloquent and witty and entertaining. I mean, writing should be a pleasure.

To win countrywide victory is only the first step in a long march of ten thousand li.... The Chinese revolution is great, but the road after the revolution will be longer, the work greater and more arduous. This must be made clear now in the Party. The comrades must be helped to remain modest, prudent and free from arrogance and rashness in their style of work. The comrades must be helped to preserve the style of plain living and hard struggle.

Grappling is my style.

Style is about the choices you make to create the aspects of civilization that you wish to uphold. I will buy a chair for my house. What style of chair are you gonna buy? Everything we look at and choose is some way of expressing how we want to be perceived. I mean, why bother choosing a chair because it looks a certain way? Because there's gonna be something about that chair that says something about you.

I fell in love with Bruce Lee after I watched his movies, and I wanted to become a kung-fu practicer, and I would like to be someone like Bruce Lee. That's why I learned kung-fu, and that's why I picked the wing chun style, because it's his style. That's why I decided to be an actor, to go into show business, because of him.

My style has evolved a lot.

My style is that I have no style.

I have no one style.

I don't have any style.

Style is not fashion.

You can't try to be somebody you're not; that's not style.

London style is individual.

I'm a tomboy, and my style is punk.

It's a different style of golf; that stands out for sure when you come over to America. The style of play and the golf courses in America. Most golf courses in America either stretch your game, and test different elements of your game and the margins for error are smaller.

I want to master every style of music. I want to master every way of performing. I want to master every artsy music video style and just be the greatest of all-time.

It hardly needs explaining at length, I think, how much authority or beauty is added to style by the timely use of proverbs. In the first place who does not see what dignity they confer on style by their antiquity alone?... And so to interweave adages deftly and appropriately is to make the language as a whole glitter with sparkles from Antiquity, please us with the colours of the art of rhetoric, gleam with jewel-like words of wisdom, and charm us with titbits of wit and humour.

I personally do not believe in the word style. Why? Because, unless there are human beings with three arms and four legs, unless we have another group of beings on earth that are structurally different from us, there can be no different style of fighting. Why is that? Because we have two hands and two legs. ... because of styles, people are separated. They are not united together because styles become law.

I have my style and I stick to it.

My style is all to myself.

In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.

I don't change my style for anybody.

Style is character.

You've got to be a good reader. So whatever genre that you're interested in, read a lot of books about it and it's better than any kind of writing class you'll ever take. You will absorb techniques and then in a lot of cases you can just start writing using the style of the book or the author that you admire and then your own style will emerge out of that. Be a diligent reader and then try to write seriously, professionally and approach everything in writing in a professional way.

I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.

Style is something you either have or don't have.

No news conferences? Interviews now only with friendly journalists? You can't be president or vice president and govern in that style, as a sequestered figure. This has been Mr. Bush's style the past few years, and see where it got us. You must address America in its entirety, not as a sliver or a series of slivers but as a full and whole entity, a great nation trying to hold together. When you don't, when you play only to your little piece, you contribute to its fracturing.

Style is how you see the world and how the world sees you. It isn't today and it isn't tomorrow; it isn't a dress or a car or a shoe or a comment-it's the cut of your sail as you cross this crazy, uncharted sea. Far ahead, legions of boats have already made the crossing-some grander, some more sleek-and still newer boats are always coming up behind you. Style is the manner in which you navigate your one remarkable voyage.

My mum is one of my style icons!

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

I have horrible style.