Top 1200 Gangster Movie Quotes & Sayings - Page 14

Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.

There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.

I think Alone in the Dark was too much an action creature movie than a horror creature movie.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

I always say the movie came out good if they want another one. That always tells me that people really liked the movie.

It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?

It's harder to maintain that internet kind of fame. It requires daily work, as opposed to a movie star who can make a movie once every two years and stay in the public eye. I respect it.

I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.

Our kids seldom even get to see a movie. When we go to a movie, it's an event - and we make it an event.

We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.

I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.

I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.

If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal.

I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."

Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.

Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.

I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.

I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

I thought I'd have time to become a movie star. And it didn't happen, did it? We're still waiting. And they're saying, 'Don't hold your breath, kid.' Even movie stars can't get movies, you know what I mean?

A movie is the product of the chemistry of the people that make it. Whatever that core group of people is, that becomes the DNA of the movie.

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.

I think the location is almost as important as casting the leads of the movie. The location on 'The Purge' was crucial to that movie working.

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.

When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

'Twin Peaks' is like a movie; 'China Beach' is like a movie. These are two of the most cinematic shows on television, and they belong together.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.

I was raised by my aunt and we bonded over the eight-o-clock movie on TV. We'd watch everything from James Cagney in 'White Heat' to Lon Chaney in 'The Wolf Man' and every Bogart movie.

I think as an author you have to allow a movie to be separate from the book. It's an entirely different animal. I almost never mind when a movie changes or cuts something - as long as it helps the film work better.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.

If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

Whether it's a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they're all influenced by the social climate that we're living in.

There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you'll know I've lost all my money.

The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.

If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.

I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.

'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.