Top 1200 Great Fashion Quotes & Sayings - Page 6

I believe in a democratic approach to fashion: if you feel good, then great. You may not look good, but it's not the problem.

No matter how much people in fashion think we're so cool and avant-garde, for most fashion people, creativity is quite taboo.

Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.

No two days are ever the same, but usually I wake up and immediately check out what's happening online in the fashion world. Doing so inspires me to create and shape my own fashion trends.

Sadly, I don't really believe in the idea of timeless fashion. It's an oxymoron. If 'classic fashion' really never changed, we'd all still be wearing togas.

I actually used to smile a lot in pictures. I think I only stopped smiling when I got into fashion. Fashion stole my smile!

Brewer Street Car Park as the host venue is a brilliant development for London Fashion Week. With its position in Soho, it is at the heart of an area that has long been associated with fashion and creativity in general.

I think fashion is just part of my life and if it hadn't been fashion then it would have been something else.

The fashion system has killed fashion.

I like fashion but I'm not in love with fashion.

If I'm wearing jeans all day at work, it's [hard] to slip into a dress and make yourself feel like you were born in it. That sort of thing can really be the difference between a good look and a great look. You can have a great dress, but when you put it on and you feel like it's embodying who you are that day, that's not just fashion, that's style!

I really enjoy the aesthetic of building my fashion sense. I enjoy the process of going through fashion phases.

I think the 'Harpers Bazaar' woman is not a fashion victim; she understands fashion but is not a victim, you know.

We have captured a luxury and richness with our fur-free fur, which is proof to the fashion industry that killing animals for the sake of fashion is unnecessary.

Fashion embraces the weirdos. They're into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy - it brings something different.

I tell you, those old dudes who say, 'I don't care about fashion,' they're not going out in drag. Everyone cares about fashion.

You see me, I wanted to be fashion designer. I became fashion designer. So I think that everything is possible.

My thing is fashion. I love fashion.

We always try to reinterpret sport in an innovative, fashionable way, and when we do fashion, we're always trying to bring our sports heritage into the fashion world.

I'm also influenced by all the places I've traveled since then: I've been to Hollywood and great fashion shows and seen the world. I have a different perspective, and I mix that up.

Designer labels, throughout the history of fashion, have maintained an air of exclusivity around themselves. Call it hype, criticize it if you will. But fashion has used this 'exclusive' tag to make itself coveted.

Fashion week is very inspiring, and you can't look at things one dimensionally. And I think that everyone who works in this industry has a very three-dimensional view of what fashion is and what art is.

Fashion is very quick. It's very disposable. It's immediately - it tells you exactly where we are in our culture, especially women's fashion.

Growing up, I wanted to be a fashion designer, which I'm still in school for. Like, that's what I want to be: a fashion designer.

I think fashion is just part of my life and if it hadn't of been fashion then it would have been something else.

I have so many fashion mistakes, but that's part of being in fashion. I think the people that you see make the most mistakes are usually the best dressers.

Women in London are like the rich silks; they are out of fashion a great while before they wear out.

I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.

Fashion is the most intense expression of the phenomenon of neomania, which has grown ever since the birth of capitalism. Neomania assumes that purchasing the new is the same as acquiring value... If the purchase of a new garment coincides with the wearing out of an old one, then obviously there is no fashion. If a garment is worn beyond the moment of its natural replacement, there is pauperization. Fashion flourishes on surplus, when someone buys more than he or she needs.

You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best school in life is experience.

I always believed that style was more important than fashion. They are rare, those who imposed their style while fashion makers are so numerous.

If you look into the history of fashion, you'll discover that Gernreich was the leading name for years and the leading fashion designer both here in the United States and internationally.

To call a fashion wearable is the kiss of death. No new fashion worth its salt is ever wearable.

I happen to be in a line of work where I get given lots of clothes, and I definitely think it's fun, but I know that, ultimately, fashion is not that important. I use fashion, though, as a way of thinking about who I am.

I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.

I don't care about fashion at all. And I know it's kind of a dodgy thing to be a fashion photographer, a kind of pathetic occupation, but I like it, even though I question it.

The street and me is a love story. 1971 is a great date because, finally, fashion took to the street.

I love fashion as an art; I love fashion as costume, as a character. I don't like dictates and the phoniness of appearance.

I do not follow the rules of fashion, and I don't like to be considered a man of the world of fashion. I like to call it the 'style industry' because we try to work on taste.

Playing a fashion designer could be the bane of my existence because I am married to a fashion designer.

We go out of fashion but can also come back into fashion. So you've just got to hang around long enough until you are back in style.

After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.

I love modeling, and I missed fashion and my friends and family in fashion and the creativity that I'm able to express through it. I didn't feel I was getting enough of that through my acting.

Some people think fashion is frivolous but it's not... it's just that some ideas come and go quickly, and that's the nature of the language of fashion.

A fashion icon to me is somebody who has, the first person who struck you and introduced you to the world of fashion, and that person is my mom.

I am what I am. Before I was not so proud to make fashion. My family thought fashion wasn't very interesting. So I hid that.

I represent a body image that wasn't accepted in high fashion before, and I'm very lucky to be supported by the designers, stylists, and editors that I am: ones that know this is fashion; this is art. It can never stay the same. It's 2015.

The Parisienne is not in fashion, she is fashion.

I like clothes. I like fashion, particularly men's fashion. Both my father and my grandmother on my mother's side were tailors, so I think it's in my blood.

Comfort is of great importance to me. I really want to encourage girls to dress in whatever they feel comfortable in and not get bogged down by fashion trends.

Net-a-Porter offers catwalk fashion and trend-driven shopping, but for Mr Porter, while fashion is still important, style is key.

I don't try to be in fashion; I don't try to follow trends. You just end up out of fashion that way.

I've always been into fashion since I was a kid. I love fashion. I appreciate it. I just enjoy dressing up and getting all the new sneakers and all the hot exclusive clothes - I did even when I was young.

As I matured, I've always had the dream of one day either having my own clothing line or owning a fashion magazine. Most of my thesis' and projects in school were fashion and advertising based.

Heading to Paris when I was 17 and modelling exposed me to high fashion, which influenced me to dress on-trend - not extravagantly, but always in fashion.

I don't really believe in any fashion rules. I think fashion is a form of self-expression. I think you can wear whatever you want!

Whatever anybody wants to say about my sister, [Eva Braun] was always beautifully dressed with a great flair for fashion. [Adolf] Hitler was not this way.

British fashion is a serious business. The British fashion industry is worth £21bn to the U.K. economy and employs 819,000 people across the country.

I know what I am able and not able to do. Fashion? OK. Fashion... clothes in theatre, in an opera, in a concert - all that I love. To make a movie myself... no!

I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.