Top 270 Guessing Quotes & Sayings - Page 5

The coast is an edgy place. Living on the coast presents certain stark realities and a wild, rare beauty. Continent confronts ocean. Weather intensifies. It's a place of tide and tantrum; of flirtations among fresh- and saltwaters, forests and shores; of tense negotiations with an ocean that gives much but demands more. Every year the raw rim that is this coast gets hammered and reshaped like molten bronze. This place roils with power and a sometimes terrible beauty. The coast remains youthful, daring, uncertain about tomorrow. The guessing, the risk; in a way, we're all thrill seekers here.

We look for medicine to be an orderly field of knowledge and procedure. But it is not. It is an imperfect science, an enterprise of constantly changing knowledge, uncertain information, fallible individuals, and at the same time lives on the line. There is science in what we do, yes, but also habit, intuition, and sometimes plain old guessing. The gap between what we know and what we aim for persists. And this gap complicates everything we do.

I'm no prophet, but I'm guessing that comic books will always be strong. I don't think anything can really beat the pure fun and pleasure of holding a magazine in your hand, reading the story on paper, being able to roll it up and put it in your pocket, reread again later, show it to a friend, carry it with you, toss it on a shelf, collect them, have a lot of magazines lined up and read them again as a series. I think young people have always loved that. I think they always will.

One of the weird things about being a designer is guessing what the world will want about a year in advance of when they will want it. It becomes almost a psychological test in a way - how do I feel now and how do I want to feel then.

What's going on?" Kynan asked Luc smiled, which was little more than a baring of his teeth. "She's a warg. She knows I know, but I'm guessing her human buddies don't know. She's afraid I'll tell." "Are you going to?" "That depends." "On what?" Luc's voice dropped an octave. "Whether or not she gives me what I want." "And that is?" "Fifteen minutes. Naked." "That's blackmail." Luc snorted. "Wargs call it negotiation." "So you want fifteen minutes...what will she want?" "With me?" Luc winked. "Two hours.

Have any of you taken a look out at Greece in the last, say, hour or so? (Hermes) What? Are they reacting to the fact I cursed the Apollites? (Apollo) I don’t think that bothers them nearly as much as the fact the island of Atlantis is now gone and the Atlantean goddess Apollymi is cutting a swathe through our country, laying waste to everyone and everything she comes into contact with. And in case you’re curious, she’s headed straight for us. I could be really wrong here, but I’m guessing the woman’s extremely pissed. (Hermes)

So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun. "You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis." Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages. "Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.

You will never experience less reality than when you are watching a reality show. You're watching people who aren't actors, put into situations created by people who aren't writers and they're second guessing how they think you would like to see them behave if this were a real situation, which it's not. And you are passively observing this; watching an amateur production of nothing. It's like a photo of a drawing of a hologram.

There are some advantages to being a writer: you do generally get better as you get older. I think I understand things better. When I was a kid, I was kind of guessing at the emotion. Now I'm interested in writing more difficult books, books that confront the facts of life, of death and dying and failure - the majority of life. You write outwardly imaginative books when you're younger. When you're older you apply imagination to internal experience.

Right now, I've really started to just go out there and showcase my full ability, but it's going to be a surprise. That's why you don't see me on social media right now posting videos of me shooting and everything: because I want it to be special when I come back. I want to have people guessing, so it's going to be good.

I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.

Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast. I made a concerted effort, last year and this year, to get a range of characters, just to show people the range that I have, and for them to be able to see the artistry beyond the color.

I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.

I have to remind myself, Stop thinking about the future. Stop thinking about what happened at work today, or another choice you could have made. Just be with your kids. Just be with your friends. Enjoy your victories. Stop second-guessing things that have already happened.

Quickness and momentum. You take the whole last generation of sports, listening to them, even reading about them, watching the games, analyzing them, arguing about them, instant-replaying them, second-guessing them, and all you'll distill from them is quickness and momentum.

I'm surrounded by a lot of live-action movie professionals, and I'm just taking their lead, as far as what to schedule to do next. I'm guessing the challenge is going to be not having two characters together, and shooting the live-action without having the animation. In animation, you get to get in between every frame and you work it all out together.

I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.

He knew by heart every last minute crack on its surface. He had made maps of the ceiling and gone exploring on them; rivers, islands, and continents. He had made guessing games of it and discovered hidden objects; faces, birds, and fishes. He made mathematical calculations of it and rediscovered his childhood; theorems, angles, and triangles. There was practically nothing else he could do but look at it. He hated the sight of it.

Speculators are obsessed with predicting: guessing the direction of stock prices. Every morning on cable television, every afternoon on the stock market report, every weekend in Barron's, every week in dozens of market newsletters, and whenever business people get together. In reality, no one knows what the market will do; trying to predict it is a waste of time, and investing based upon that prediction is a purely speculative undertaking.

With a character like a Captain Jack, who can essentially set up these verbal land mines around him, and just keep passing the "absurdity ball" around and the "irreverence ball" around, and keep people guessing and keep people confused, there's great safety in that. Me, myself, personally, I learn from it. It's a real pleasure, and I do need him.

Forever this time," he said as Sawyer strode toward them. Tara sighed blissfully. "You know what this means, right?" "I'm done guessing," he said. "Tell me." "It means you're mine," she said. "And I'm yours. No more walking away. We are going to get it right this time." His smile was slow and easy, and just for her. "Well, finally.

The most common mistake you'll make is forgetting to keep your own scorecard. Very little at work reinforces your ability to do this, so you will have to be vigilant. When evaluators give you an assessment, they are just guessing at who you are; they certainly are not the ones who know your potential. They can rate you and influence you, but they don't get to define you. That's your most honorable assignment: to define, every day through the way you deliver your work, the scope and nature of your inherent abilities.

The skill of the politician consists in guessing what people can be brought to think advantageous to themselves; the skill of the expert consists in calculating what really is advantageous, provided people can be brought to think so.

I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.

I was having an epiphany. A moment of supreme clarity, leading to what I dubbed a “realization of solitude” that goes like this: I’m lonely. But when I left that girl in the window I was sure I’d never felt more godforsaken in my life. There’s a big difference between being alone and being lonely. And I’m guessing that once you’ve discovered this distinction you can’t go back to solitary confinement without serious emotional repercussions.

I spent a great deal of my career willingly ignoring the fact that people are participating in it, because it allows me to function without second-guessing it, without thinking, 'Oh, I wonder what people are gonna think of this,' or, 'I wonder what people aren't gonna think of this.'

Doubt is my boon companion, the faithful St. Bernard ever at my side. Whether writing essays or just going about daily life, I am constantly second-guessing myself. My mind is filled with 'yes, buts,' 'so whats?' and other skeptical rejoinders. I am forever monitoring myself for traces of folly, insensitivity, arrogance, false humility, cruelty, stupidity, immaturity and, guess what, I keep finding examples. Age has not made me wiser, except maybe in retrospect.

I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.

Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.

I live up in the hills, and I don't have any cable, and I have really slow satellite, so that does it - because being on the Internet is okay, but it takes a long time. I have a prediction that at some point, there will be a backlash. Like at the end of the '60s, there was that back-to-the-land movement, and I'm guessing that people will start consciously saying, "I'm not taking the phone with me," or "I'm only checking email x number of times a day," or "I'm not ever gonna self-Google," for example.