Top 1017 Halloween Costume Quotes & Sayings - Page 2

Explore popular Halloween Costume quotes.
Last updated on April 16, 2025.
Our prevailing system of management has destroyed our people. People are born with intrinsic motivation, self-respect, dignity, curiosity to learn, joy in learning. The forces of destruction begin with toddlers - a prize for the best Halloween costume, grades in school, gold stars - and on up through the university. On the job people, teams, and divisions are ranked, reward for the top, punishment for the bottom. Management by Objectives, quotas, incentive pay, business plans, put together separately, division by division, cause further loss, unknown and unknowable.
Halloween is huge in my house and we really get into the 'spirits' of things. A few years back, my wife was frustrated with the same old stupid sound effects tape we would play, which ends with the theme from 'Ghostbusters' and 'Monster Mash'. I told her that Halloween is way too cool a holiday to suffer through this every year.
I have a night off on Halloween. It's Halloween for me every night. Let everybody else be Ozzy for the night. People go out dressed as me. — © Ozzy Osbourne
I have a night off on Halloween. It's Halloween for me every night. Let everybody else be Ozzy for the night. People go out dressed as me.
A lot of it came from seeing how kids responded to the character. They would dress up and some would reenact the sketch in its entirety and it got us thinking about those Halloween specials we'd see on TV as a kid, and we just thought 'David Pumpkins' would work perfect for sort of a throwback nostalgic Halloween special.
Halloween is tomorrow. A group of wine experts has actually come up with a list of the best wines to pair with Halloween candy. They say, "White wine goes great with Skittles, red wine goes great with Twix, and ... we're alcoholics, aren't we?
This is Halloween, everybody make a scene Trick or treat till the neighbors gonna die of fright It's our town, everybody scream In this town of Halloween.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
I sort of have a dark, twisted, offbeat way of writing, which I see coming up in my kids. It's funny, on Halloween, one of my daughters said, "Halloween isn't supposed to be happy, dad, it's supposed to be dark. " No smiling pumpkins at the Sixx household!
I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
I always had a hard time with fiction. It does feel like driving a car in a clown suit. You're going somewhere, but you're in costume, and you're not really fooling anybody. You're the guy in costume, and everybody's supposed to forget that and go along with you. Obviously, it can work, it works all the time - well, it doesn't always work. Still, no matter what, I'm always looking at the form and addressing it, not ignoring it.
Christians have created a holiday that has become a beast that cannot be fed. Christmas gets longer and longer and longer, and you don't care, do you? You just take more and more of the calendar for yourself. It's unbelievable. How long does it take you people to shop? It's beyond belief. It's insane. When I was a kid, Halloween was Halloween, and Santa wasn't poking his ass into it.
And all Halloween candy pales next to candy corn, if only because candy corn used to appear, like the Great Pumpkin, solely on Halloween.
There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that.
I love Halloween.
The costume designer, her name is Anne Hardinge. She's done "Shaun of the Dead" and "Hot Fuzz." She's really comedic costume designer, which was right up my alley. She was a joy to work with. She was like fabulous Geena Davis. She was just floating with her red lip and kind of fabulous.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
There is a scene in one comic from the '60s-'70s where Batman finds a film, a newsreel film, of his father. This newsreel film is from the '50s, and his father has come to this costume ball in a Zorro costume, which strangely enough looks a lot like a Batman suit in the footage.
I don't really dress up for Halloween. — © Katharine McPhee
I don't really dress up for Halloween.
If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.
I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.
Halloween is one of my favourite times of the year.
In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.
My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
Halloween. Sly does it. Tiptoe catspaws. Slide and creep. But why? What for? How? Who? When! Where did it all begin? 'You don't know, do you?' asks Carapace Clavicle Moundshroud climbing out under the pile of leaves under the Halloween Tree. 'You don't really know!'
Let's say you go to a friend's wedding, or Thanksgiving, or Halloween. It'd be great the next day to see what went on with your friends' Thanksgiving weekend, or all the costumes they wore on Halloween, and be able to look back and see what they wore the year before, and the year before that.
I think if human beings had genuine courage, they'd wear their costumes every day of the year, not just on Halloween. Wouldn't life be more interesting that way? And now that I think about it, why the heck don't they? Who made the rule that everybody has to dress like sheep 364 days of the year? Think of all the people you'd meet if they were in costume every day. People would be so much easier to talk to - like talking to dogs.
I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
Where Halloween is concerned, I peaked in 2007.
If I were to remake a movie, I'd love to remake Halloween 3 Season of the Witch because even though it's a very flawed film, at its core is a brilliant idea: An evil toymaker is set to kill all the children of the world on Halloween night - and I think that's absolutely fantastic. So whoever has the rights can give me a call.
Nobody beats Superman. Everybody else needs a costume - Superman needs a costume to be normal.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
For about 30 years, Halloween was taken over by pranksters. By the '30s, pranks were causing cities millions of dollars of damage. They considered banning Halloween in many cities, but instead, parents got together and came up with party ideas for kids, and a lot of them involved dressing up and costuming.
The worst costume is when you don't have a costume.
I am anti-Halloween.
I found myself trying to appeal to the 'Half Baked' crowd and I wasn't that guy. It's like dressing up as Batman every day. It's not Halloween every day. It's fun on Halloween, but I can't dress up in that outfit every day when I'm not that anymore or never was that guy.
My favorite time of year is October, Halloween is my favorite holiday, and I know that watching horror movies was such a special thing to me as a child and my only dream is that I get to make it feel like Halloween all year round for other kids, for other weirdos like me.
So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.
I love Halloween! — © Emily Osment
I love Halloween!
In San Francisco, Halloween is redundant.
I like the original 'Halloween.'
What we think of as Halloween is really the product of media barons, city mayors, and candy-makers. You know, before the 1920s, Halloween was really a terrible, terrible night.
One year, I was a go-go girl for Halloween, and I got all this glitter eye shadow, my hair was poufy with braids, I was wearing all these different colors and fake eyelashes that went all the way up to my eyebrows. I totally enjoy the whole Halloween feel.
I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.
People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.
Halloween is my husband's favorite holiday. That is his absolute favorite holiday. He loves Halloween. I'm not gonna say I don't like it, I just don't like being scared.
People assume, because I'm Hef's girlfriend, that I'm a Bunny and I'm a Playmate and I'm a centerfold, but they're different things. If you're a Playmate or a centerfold, which is the same thing, you pose for the magazine, you are one particular month, and not every Playmate is a Bunny. A Bunny is a girl who used to work at the Playboy Club, she had the Bunny costume, and now that we don't have Playboy Clubs, it's just Playmates who work special promotions and are fitted for a Bunny costume.
He wove those three threads into a talk ranging from annually spending a week at Halloween as a child collecting candy to giving candy to hundreds of children at Halloween as an adult; from childhood assistance he received from adults, particularly after his parents divorced, to saying I challenge you to be a caring adult in someone's life ... Great times call forth great leaders.
Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.
The great thing about candy is that it can't be spoiled by the adult world. Candy is innocent. And all Halloween candy pales next to candy corn, if only because candy corn used to appear, like the Great Pumpkin, solely on Halloween.
Cody and I had a connection pretty quickly. We were engaged pretty quickly, but my moment where I knew this was definitely the person for me was when Cody asked me on a date to Halloween Horror Night at Universal Studios. Nobody had ever asked me on a date to Halloween Horror Night, and I had never been even though I am a horror fanatic.
I love Halloween. It reminds me of my happy childhood days as a student at Wampus Elementary School in Armonk, N.Y., when we youngsters used to celebrate Halloween by making decorations out of construction paper and that white paste that you could eat.
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. — © Colleen Atwood
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."
Unlike the people you see in Mathew Brady's photographs from the Civil War, the men and women of the Revolution seem more like characters in a costume pageant. And it's a pageant in which the performers are all handsome as stage actors, with uniforms and dress that are always costume perfect.
For a while they wore suits or pants suits, and pants suits are kind of a women's appropriation of male costume, work costume. For me, it wasn't Western feminism or the Western workspace. It was my growing up in a house with a bunch of boys, so that male costuming just became my mode of appropriation way before, you know, Betty Friedan came along.
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