Top 1200 History Of Love Quotes & Sayings

What I really love is modern political history. I love the research process, whether it's digging through old newspaper stories, artifacts from election campaigns or TV stories and being able to recreate moments in history that - when you look back at them now - you can get to that question of how did we get here.

I'm a history person; I love history. But I am conditioned by the present.

The truth is, I love history and studied it in college, with a particular focus on early American history. My love is so deep, in fact, I went to school at The College of William & Mary in Colonial Williamsburg.

I love history, so I do a lot of movies about history.

I love things that have one foot in history - I was going to be a history professor before I sold out and went into TV.

I love general history. That's all I read really. I don't read novels, I read history. I love it. I live in an area that's really rich in Civil War history. I live in Kentucky on a farm. A lot of revolution, a lot of military history I love.

The history of black people in America, it's so painful. But throughout all that history there has still been the ability of our community to find love and laughter and joy even in these very painful circumstances. That's why I think in particular black love is so powerful, because it's constantly under attack.

I'm a history geek and I love American history. It's so bizarre and so problematic and I love the many conundrums that it represents. You can go down so many black holes.

I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.

If, in schools, we keep teaching that history is divided into American history and Chinese history and Russian history and Australian history, we're teaching kids that they are divided into tribes. And we're failing to teach them that we also, as human beings, share problems that we need to work together with.

I love thinking about American history, thinking about LA history. I love brooding on crime.

I'm not a great fiction reader. I love history. I love history and philosophy.

I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.

Love is within us. It cannot be destroyed. It can be ignored. To the extent that we abandon love we will feel it has abandoned us. Denying love is our only problem, and embracing it is the only answer. Through the power of love, we can let go of past history and begin again. Love heals, forgives, and makes whole.

I love the history of the sport and I want to keep keep building my history as a player with more records.

I definitely love history. I'm not formally trained or educated in history, but you could say I did go back to college in 2008 to do Untold History of the United States. That took five years. Co-author Peter Kuznick has been teaching history for something like 35 years, at American University and other places. His group of researchers brought me into contact with a lot of books.

I devour history books. I love anything by Thomas B. Costain or George MacDonald Fraser. He writes magnificent history, and he also wrote the Flashman stories, which are irresistible.

History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.

In Rome, I particularly love the history, churches, sculptures and architecture and the fact that you can walk along a tiny cobbled street and turn the corner to find the Trevi Fountain. London is evocative of other eras and full of history.

I love places that have an incredible history. I love the Italian way of life. I love the food. I love the people. I love the attitudes of Italians.

I'm a great reader of history. I love - I have been reading history since I was a kid, and learning the lessons globally of what happened with people.

In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.

if I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society.

All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.

I love history. Everything is inspired by history, so that's why I love vintage and antiques.

History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.

I don't take lessons in art. It all comes from the heart, and sure I'd love to study art! In school I come across one thing I do and I want to study that in college. I love history, I love science, I love art, I love grammar, I love literature!

Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.

If one is going to offer children stories that underneath the story must be something that will inform, stimulate and guide, I love to be on board. I think anything that resonates with history, as does The Jungle Book and Watership Down, reflects patterns of behavior, power struggles, deprivation, migration, survival, joy, love, betrayal, and all of these things. It's tragic that children are encouraged to ignore history. We ignore history and any literature that is historically based in history. Even though both of those films involved animals, of course they reflect human behavior.

When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.

I love Greek history. I love Roman history.

My loves in life are food, history and rugby. I'd love to be a history professor or a rugby player but I prefer rugby and my career would end by the time I was 30, leaving me enough time to go and study history.

I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.

Love frees us to embrace all of our history, the history in which all things are being made new.

The history of mankind, the history of salvation, passes by way of the family... The family is placed at the center of the great struggle between good and evil, between life and death, between love and all that is opposed to love.

I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.

It is supposed to true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and love of blood.

I love people, I love studying people more than history. So whatever situation I see, then I look at, what were the people like, more than history itself.

Do not feel trapped by the facts of your history. Your history is not some set of sacred facts. History is an interpretation, and your history is yours to interpret. To know the history and then reinterpret it gives you additional depth.

If what you know and what you love are the same thing, that's great. But if not, write what you love. I love history, secrets, conspiracies, action, adventure, international settings.

All who affirm the use of violence admit it is only a means to achieve justice and peace. But peace and justice are nonviolence...the final end of history. Those who abandon nonviolence have no sense of history. Rathy they are bypassing history, freezing history, betraying history.

There's a level of shame attached to our history, and we need to replace that shame with pride and own our history. These are our superheroes. These are our people, and I would love to see us own this side of our history with pride.

Black history isn’t a separate history. This is all of our history, this is American history, and we need to understand that. It has such an impact on kids and their values and how they view black people.

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.

I'm not really smart, but I'm dedicated. I can be good at anything if I love it and dedicate myself. And I love history. I love science. I love music. I love golf. I love learning. I love life.

I love history... everything is inspired by history, so that's why I love vintage and antiques.

I love history. It was the only thing I did well at in school. I'm not ashamed to admit that I was not a good student but I was great at history.

I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.

Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.

I love places that have an incredible history. I love the Italian way of life, I love the food, I love the people, I love the attitudes of Italians.

For every poet it is always morning in the world; history a forgotten, insomniac night. The fate of poetry is to fall in love with the world in spite of history.

It is said that the history of peoples who have a history is the history of class struggle. It might be said with at least as much truthfulness, that the history of peoples without history is a history of their struggle against the state.

I want to put my name in history. I love history.

Well, I'm a history buff, anyway. I love learning about different periods, especially in American history. I'm a fan.

The book I'm working on next, which will be my fifth, returns to literary history. I really do love literary history, and I have plenty more ideas on it.

I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?

I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.

I do enjoy history. That's one of the things that I love about acting is you get a chance to really dive into history and develop a real personal opinion about it.

Just like I am obsessed with the history of fashion, I love reading about the history of makeup.

I love history, and I thought I knew history well, but I was shocked by how little I knew about it.