Top 1200 Just Kind Quotes & Sayings - Page 16

The main idea of it was to multiply everything, to have a bigger sound and grow venue size and grow fan base. As for a lyrical theme of the album [named "X"], it's just diary entries; it's just kind of like three years of my life in songs.

We each have our own style but yeah, when you boil it down like there are certain things that human beings just are predisposed to laugh at and we're just kind of all putting our own spin on it.

In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.

I'll always be reading a good book. I don't have, like, specific genre tastes or anything or things that I kind of get hooked on, reading genre books or anything like that. It's just really anything anyone kind of recommends or is going around or I hear is good.

I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.

I don't have the desire to just keep every record and put it out. That's not what I do. I make records for people; that's why I just continue to be consistent, where a lot of the other top writers, they kind of fell off because they started focusing on their own careers as artists. That's not where my head is at.

I think there's just certain lyrics and certain forms of hip-hop that definitely rang true, again, to a lot of people's truth, but you don't necessarily want to hear someone using that as a just kind of a in-the-moment, fun, careless expression.

And on this issue of the Shia in Iraq, I think there's been a certain amount of, frankly, Terry, a kind of pop sociology in America that, you know, somehow the Shia can't get along with the Sunni and the Shia in Iraq just want to establish some kind of Islamic fundamentalist regime. There's almost no evidence of that at all. Iraq's always been very secular.

I don't really control the story. I just let it go where it wants to go. I have no idea what's going to happen in the end or who's going to live, so it's kind of like me saying, "I don't know, guys! Just wait." That's what I'm doing!

I'm kind of a chatty person and the props guys would have to handcuff me and tie me up and sometimes I'd just be chatting and they'd just pop it back in... like: "OK now, shut up!"

I was tired of just kind of being on that express train, whatever you want to call it, so to speak. It just sort of shoots forward, and you have no creative autonomy, no control over your time, and there's not much time for side projects or family and friends.

The detachment of the artist is kind of creepy. It's kind of rude, and yet really it's where art comes from. It's not the same as courage. It's closer to bad manners than to courage. If you're going to be a writer, you basically have to say, 'this is just who I am'. There's a certain indefensibility about it. It's not about loving your community and taking care of it — you're not attached to the chamber of commerce. It's a little unsafe. You have to be willing to have only four friends, not 11.

I write every day and I just love doing it. It's just... it's just a wonderful thing. Some of my stories work, some of them don't work. Some of them are wild and I love them, but they certainly don't fit into any kind of a normal system that I know about.

The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.

Does any woman really just come in and say, 'I'm a plus-size woman?' Maybe as a defense mechanism or maybe as a way to kind of cope with fitting into society but... I just think it's divisive.

I think the way comedy is represented on screen is it's either all fart jokes - and it's just laughter for the sake of laughter - or it's one of those things where it's just kind of very preachy, very heavy-handed.

I just do as many songs as I can and then I put it together when I get sort of in the middle, maybe 30 songs, that's when I start really thinking about the name of the cd and what direction all the songs are going, that kind of stuff. But I don't ever want to corner myself, I just want to be able to express whatever I can express in songs and just pick after that.

It's pretty cool just to see the support we have. It's unmatched, Kansas City and the Chiefs Kingdom, the support they have for us. For me to just kind of be in the community and see those people is always a good thing.

The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.

The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.

We're not the kind of people to just take a break and say everything's going good, you know, let's rest on our laurels, act like rock stars - we take it very seriously, and we certainly aren't just celebrating and doing a victory lap.

I kind of knew already what kind of company ROH is, and I know the platforms that they give their guys, and for me it was very important to have that kind of freedom. Obviously, I let ROH know that was the case.

My life changed completely. It's crazy now. It's kind of gone from striving and wondering and being confused and being lost to just feeling like the most blessed person in the world - just happy to wake up every day, happy to get on a plane every time. Just couldn't be happier with life, really.

As an Asian immigrant coming in, for the longest time I still had problems getting in the lot because they're just not used to seeing someone like me who's directing these films. I do think ultimately there's a point where we can kind of just shed that label and become filmmakers.

People should get married because they have finally seen the folly of being single: "Oh, this is all just kind of a bad magic trick. I just keep bending over to reach for this wallet on a string. How much longer am I gonna do that?"

We are just fans of music, we are not fans of a specific kind of music. We just happen to be a rock band. Until we explain ourselves, sometimes people don't understand why we limit ourselves to just being a rock band. It's because that is what we like doing.

I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.

I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."

We've always kind of tried to keep the mystique. We don't wanna give everybody everything. You give 'em too much, it's just white noise. When we do say something, we want it to be an event. When we go out and do things, we want it to be an event and kind of keep everything else behind closed doors.

I used to spend a lotta time worryin that I was different from other people, even from other homeless folks. Then, after I met Miss Debbie and Mr. Ron, I worried that I was so different from them that we wadn't ever gon' have no kind a' future. But I found out everybody's different - the same kind of different as me. We're all just regular folks walkin down the road God done set in front of us. The truth about it is, whether we is rich or poor or somethin in between, this earth ain't no final restin place. So in a way, we is all homeless - just workin our way toward home.

I'm just very grateful that the media has been so kind to me, because there's nothing unusual about me. I'm just a mum and a granny who is teaching cookery on TV. Basically, I'm very ordinary.

There have been a few times when I've read a script and it's really cool but the girl character's just kind of pathetic. It's not going to do me any favours just being 'the girl' in a cool movie.

When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.

I just love being in the studio, and that's kind of what I do when I'm not on the road. I'm just in the studio messing with stuff, and I love playing all the instruments.

You don’t think when you play music, you just try to play and be in it. It is the same for me when the writing is going really well. It’s the same kind of feeling. I’m just in it. It’s not the words, it’s not the sentences, I’m not aware of it. Then it’s good.

When I announced my retirement, that was actually when I was trying to come back and I realized, it just wasn't viable. It passed me by. My shoulder is done. I brush my teeth with my left hand now. That's just the way it goes. I can't shoot a basketball, I can't throw any kind of ball. I was right handed.

I'm just trying to spread the word and upturn the myth that actually you should be resting after cancer treatment. You shouldn't; you should be getting out and doing any kind of exercise you can. You don't have to run a marathon, but you just have to up your activity levels.

I work in theology and Christian books all day long, when Im studying, so its just kind of nice to pick up something different. The books that have influenced me, theres not just one book that was a watershed, although Mere Christianity was as much as any.

Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.

All my friends were doing just dumb stuff that kids do, like making out with people at parties and starting to date... I didn't know any gay people growing up or any queer people growing up, and so I just really felt alone and kind of lost, and I just wasn't experiencing life.

It's kind of like when you have guests coming over to your house, and you haven't really picked up in awhile, and you look around and say, 'Wow, my place is kind of a mess, but I never noticed it because it's what I've been living in every day.' That's kind of what Supergirl is to the Red Lanterns.

Someone asked me if I would like to write a man on death row, be a pen pal, and I was like, sure. I volunteered. I had been in a place in my life - a relationship had ended; my parents were getting elderly - I was kind of adrift. The name that was given to me, just randomly, was Todd Willingham. And he wrote me a letter, and in this letter, he thanked me for writing him and [said that] if I would like to visit, he would put me on his visitor list... I was just really struck by the letter from Todd. It was very polite; it was very kind.

Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.

Many times, working is kind of like channeling, and I really don't know what's going to fall on the page. I just did this image of a fat girl and put her on a tiny mountain peak of grass that she's walking over. It just amused me.

I suppose the daily disciplines are just a reflection of the qualities of my inner world - a mixture of paralysis and terror and a lighter, freer, kind of rebellious woman. So those are just constantly pushing against each other, and that's played out in every area of my life.

In a way, I'm kind of a bystander looking at this phenomenon that is ABBA, which is still around, and that I thought would be finished in 1981 and forgotten. I'm amazed how this could happen, and I don't know why it happened. I'm just grateful and humble. I just sit back and enjoy.

I kind of connected the dots, like, 'Oh, we're just saying stuff. We're just saying things that make sense, so let's just say them like you say them in real life.' It was my first and one of my only acting lessons 'cause I never really studied acting.

Families that I lived with a little bit in junior high and quite a bit in high school and college. Just to have a safe, sane space with food and things like that. That's what I needed. And people were really kind and really generous. So I think the world kind of opened up my first years of performing arts, studying classical saxophone with Caesar DiMauro.

I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.

've had good friends who got married after they've been together for years and they've said that it was the "next step" for them. Or, they've said, "You just can't bail out anymore." And I've wondered, What made you think you could just bail out before [the wedding]? You don't invest that kind of time and energy with somebody and then just go, "All right, see you later."

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.

I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.

It just seemed that we always ended up at the Rainbow, to the point where they finally just said, why don't you guys go up into this loft where we'll kind of protect people from coming around and, you know, sitting on the tables. And we thought that was a great idea.

I drive a lot. Just for pleasure. Sometimes I'll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y'know, just see where roads lead.

It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.

Scars are just another kind of memory.

It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.

I don't know," I said. "Maybe you're right, and all that stuff I think I missed is overrated. Why should I even bother? What's the point really?" He thought for a moment. "Who says there has to be a point?" he asked. "Or a reason. Maybe it's just something you have to do." He moved down to start bagging while I just stood there, letting this sink in. Just something you have to do. No excuse or rationale necessary. I kind of like that.

I work like a dog, really. I go over scripts like a mad man and just want to make sure I have my house built, so that I can just kind of go nuts inside of it.

Going into Portland, I was just trying to not step on anybody's toes, stay quiet, and play my game. I think I was just trying to figure out the kind of sequences I was going to see as a hitter and learn from that.