Top 1200 Knowing Something Quotes & Sayings - Page 16

Explore popular Knowing Something quotes.
Last updated on November 8, 2024.
I never really knew what it meant, to win, until one day I was flying on the Phoenix Suns airplane, the team plane, on the way to Chicago. I was talking to Danny Ainge on this flight, and he was talking about the concept of knowing how to win. And so he proceeded to give me from his perspective as an athlete, and now he's a coach, what the whole concept of knowing how to win is, and he said part of it is rooted in experience, the experience of winning, but it's attitudinal, it's the belief that you should, it's the belief that you can, it's the belief.
It really helps if you are doing something you love instead of something you are just spending a bunch of money on. You can become very discouraged if you're not involved in something genuine, something that you believe in, and are committed to.
He'd made sure i had something old, something new, something borrowed, and something blue. — © Abbi Glines
He'd made sure i had something old, something new, something borrowed, and something blue.
The indexing problem changes with each new book undertaken. To meet the needs of different classes of seekers and to suit various types of books, rules entirely satisfactory in one case must be varied in the next and perhaps ignored or even reversed for a third... Indexing is a highly complex intellectual process involving the use of language in a specific and somewhat artificial way, and that it is also to a considerable extent a matter of intuition, the workings of which cannot be reduced to fixed rules. It is 'knowing what but not knowing how'.
Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.
That myth--that image of the madonna-mother--has disabled us from knowing that, just as men are more than fathers, women are morethan mothers. It has kept us from hearing their voices when they try to tell us their aspirations . . . kept us from believing that they share with men the desire for achievement, mastery, competence--the desire to do something for themselves.
With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things.
I have a fear of nuclear annihilation. I'm a child of the cold war: I didn't live more than 10 miles from a major WarPac nuclear target until the Berlin Wall came down and the CW ended. Knowing you can die horribly at any moment because of decisions made by alien intelligences thousands of miles away who don't even know you exist - there's something Lovecraftian about that, isn't there?
You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.
I think just having everybody know who you are is more of a challenge. More than anything about it is just knowing people are watching. I know who I am, so it's watching things I say, what I do. Even if I'm in line at one of the rest stops or something, it's just being on my Ps and Qs at all times more than anything.
The virtual community? The word virtual does not mean "virtue." It means "not." When I go to the store and they say: The shirt that you brought in is virtually done. It means it is not done, in the same way that the virtual community is not a community. There is no commitment there. When you log off, you are not a member of it anymore. My flesh and blood community, the sense of knowing my neighbor, knowing the guy across the street, having dinner with the people down the block, getting along with each other and making compromises, that's a genuine community with a commitment.
The Spirit which is within you is a collective being and once you are awakened into the light of Spirit, you become a collective being. That means, on your finger tips you can feel the centers of others also as you can feel yourself. By knowing yourself you know the self knowledge, the inner self knowledge and by knowing others you are in collective consciousness.
When we believe we have all the answers, we are not open to mystery. To begin a mystical journey, you have to start with a sense of wonder, of not knowing where you are going or how you will travel. The initial phase of alchemy is called the nigredo-it's the phase of darkness, when it's "blacker than black." You feel this when you start something new-go off to college, start a new job, travel to a foreign land, or end a relationship that is not working.
Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realised; something which is a remote possibility, and yet the greatest of present facts; something that gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest.
You give me the feeling that the universe Was made by something more than human For something less than human. But I identify myself, as always, With something that there's something wrong with, With something human.
One was kind, out of a bounty that could hardly be exhausted, to old governesses and gardeners, who could be relied upon to give thanks with proper abjection; one performed public duties, for which one was paid in full by deference; one was chaste, refusing to run away from one's husband with other men who for the most part did not ask one to do so, and who in any case had nothing better to offer than one's own home. Knowing no difficulties one was without fortitude; knowing no criteria but one's own achievements one was without taste.
Stars in the night,' he said. 'Something something something something, some delight
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
If that god is described as being all-powerful and all-knowing and all-good, I don't see evidence for it anywhere in the world. So I remain unconvinced. If that god is all-powerful and all-good, I don't see that when a tsunami kills a quarter-million or an earthquake kills a quarter-million people. I'd like to think of good as something in the interest of your health or longevity.
Once He created the Big Bang... He could have envisioned it going in billions of directions as it evolved, including billions of life-forms and billions of kinds of intelligent beings. As a theologian, I would say that the proposed search for extraterrestrial intelligence (SETI) is also a search of knowing and understanding God through his works - especially those works that most reflect Him. Finding others than ourselves would mean knowing Him better.
My kids will grow up in a house knowing that it's perfectly normal for two men to be in love, it's perfectly normal for two women to be in love. My kids will grow up knowing it's all about love. It doesn't matter who you're with and everyone should have that experience.
I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
This story is about the Baudelaires. And they are the sort of people who know that there’s always something. Something to invent, something to read, something to bite, and something to do, to make a sanctuary, no matter how small. And for this reason, I am happy to say, the Baudelaires were very fortunate indeed.
Don't you just want to make something that lives forever? Something that's phenomenal, something that's great, something that's undeniable? That touches the core of every person that hears it?
What are you?" I whispered. He shrugged again. "Something," he said. "Something like you, something like a beast, something like a bird, something like an angel." He laughed. "Something like that.
When you're trying to create something and you need to hang out, in not knowing, in all the cracks and spaces where you feel lost, and you need to endure them, and have new ideas come out of that emptiness, well, the Internet is what we do when we feel lost, you know? Like, you go online or you check your email when you don't know what to do next, and so it's not helpful, in that sense.
Inspiration is not inside of us. Inspiration comes from outside. It comes from our spiritual guides and from different energies that are in the universe. If we keep in touch with god and our spiritual guides, just knowing that they exist and they are there for us, gives us the strength to say well this is a bad phase but it's going to end and when it ends I'm going to do something good.
People know there is a difference between what you do and what you accept. There is a difference between me knowing that people swear, me hearing people swear and me swearing, and everyone accepting that this is something you can do as much as you like.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
Every day the Daniels [Kwan and Scheinert] would come up with some amazing solution and [make it easy] to put yourself in their hands. There's something really lovely about knowing you're working with directors who know exactly what they want and exactly what they're looking for, and they're not going to move on until they have it. That, as an actor, frees you up a lot because you can [try different approaches] and they'll only use what's appropriate.
Cool is not just one type of cool. Cool is confidence and knowing, i guess, what you are and being fine with it. Some people can be what people call “nerds” and they're cool because they know they're needs. They know what they are and they're so confident in knowing what they are that that makes them cool, and somebody aspires to be like them because they're fine with it. it's confidence, you know.
Understanding human nature is the highest knowledge, and only by knowing it can we know God. It is also a fact that the knowledge of God is the highest knowledge, and only by knowing God can we understand human nature.
My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
We may have created this projection of what God should be, as this judge or test, but the fact is, the only way we know about God is by knowing ourselves in some way. So God must be in ourselves-you can't deny that. If you say that God is somewhere else, which is what a lot of religions say, I just can't deal with it. I guess it's the difference between Buddhism, Christianity, and Judaism, or something.
Have you ever been at sea in a dense fog, when it seemed as if a tangible white darkness shut you in, and the great ship, tense and anxious, groped her way toward the shore with plummet and sounding-line, and you waited with beating heart for something to happen? I was like that ship before my education began, only I was without compass or sounding-line, and had no way of knowing how near the harbour was.
Your life is a learning process - you can only become wiser from learning. Sometimes you might have to attract making a painful mistake to learn something important, but after the mistake you have far greater wisdom. Wisdom cannot be bought with money - it can only be acquired through living life. With wisdom comes strength, courage, knowing, and an ever-increasing peace.
I wanted to say sorry, I wanted to tell her I could not forget the roundup, the camp, Michel's death, and the direct train to Auschwitz that had taken her parents away forever. Sorry for what? he had retaliated, why should I, an American, feel sorry, hadn't my fellow countrymen freed France in June 1944? I had nothing to be sorry for, he laughed. I had looked at him straight in the eyes. Sorry for not knowing. Sorry for being forty-five years old and not knowing.
There are 6 billion people in the world and every single one is a diamond in some stage of being polished. Life is either going to polish you up or grind you down. And the difference between the two lies in how much hope you have, how much faith you have in the fact that you do carry something special on the inside that's waiting to get out. Many give up, not knowing they were only 10 minutes from triumph.
When someone is in a state of flow, that person's brain is not thinking about anything - it's just processing things through chunks at a total instinct level. Athletes in a state of flow describe knowing what will happen just before it does - knowing how a defender will react to a certain move an instant before doing it. Of course, if you know what will happen, you can succeed at doing it, so an athlete in flow has a stand-out game.
[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.
There are things that I would like to do, but I make a big distinction between liking to do something and wanting to do something. If there's something that I want to do I've done it. If there's something that comes up that I want to do I will do it.
I think knowing you're not alone is important. This generation is already better at standing up for themselves, saying, "No! You're not going to treat me like that. My standards are higher." But we can provide more education through stories. Just because someone who is older or with more authority says you have to do something, there's no reason you need to. One good thing is that there are new rules about how old you can be on set - more regulations. I think those are good.
Some of us pray demands. Some of us pray complaints. Some of us pray knowing, and some of us pray not knowing. But prayer is the attitude that you hold in your heart. — © Iyanla Vanzant
Some of us pray demands. Some of us pray complaints. Some of us pray knowing, and some of us pray not knowing. But prayer is the attitude that you hold in your heart.
Any sizeable Portuguese town looks like a superstitious bride's finery - something old, something new, something borrowed, and something blue.
The angry men know that this golden age (of fossil fuels) has gone; but they cannot find the words for the constraints they hate. Clutching their copies of Atlas Shrugged, they flail around, accusing those who would impede them of communism, fascism, religiosity, misanthropy, but knowing at heart that these restrictions are driven by something far more repulsive to the unrestrained man: the decencies we owe to other human beings.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
I knew that this was something that was going to be an intense experience, just from the way I typically approach my work. I did not take the fact that I was going to portray a soldier lightly. It was so very important to me that I came across as believable and honest and truthful. I wanted to be able to convey the psychology behind the choice of leaving home for an extended period of time, knowing that you may never come back while still being a devoted parent.
Stop trying to find something in food that will make you feel better. I used to have eating disorders; I'd binge and purge all the time: fried oysters, po' boys, muffulettas, beignets, coffee and doughnuts. I tried to medicate myself with food when people made fun of me or hit me with a bat in school. I'd always turn to food. Knowing what I now know, I'd turn to me.
I am always searching for something different or something fresh, something hasn't been done. But the truth is, at the end of the day, we're all sort of retelling something. We're doing a version of something that's already been done.
I know that a lot of songwriters write about a break up. It's a really popular topic. I think heartbreak is the number one thing people write about. I could say that's narcissistic somehow because they want everybody to admire how pained they are. But I actually do think there's something beautiful and uplifting about knowing that you're not the only one who is experiencing or has experienced that kind of devastating loss. Everyone's experienced that.
Whether advanced driver training helps drivers in the long term is one of those controversial and unresolved mysteries of the road, but my eye-opening experience at Bondurant raises the curious idea that we buy cars—for most people one of the most costly things they will ever own—with an underdeveloped sense of how to use them. This is true for many things, arguably, but not knowing what the F9 key does in Microsoft Word is less life-threatening than not knowing how to properly operate antilock brakes.
People take pride in being Irish-American and Italian-American. They have a particular culture that infuses the whole culture and makes it richer and more interesting. I think if we can expand that attitude to embrace African-Americans and Latino-Americans and Asian-Americans, then we will be in a position where all our kids can feel comfortable with the worlds they are coming out of, knowing they are part of something larger.
Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.
I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.
Perhaps everything lies in knowing what words to speak, what actions to perform, and in what order and rhythm; or else someone's gaze, answer, gesture is enough; it is enough for someone to do something for the sheer pleasure of doing it, and for his pleasure to become the pleasure of others: at that moment, all spaces change, all heights, distances; the city is transfigured, becomes crystalline, transparent as a dragonfly.
Glamour is not something you possess but something you perceive, not something you have but something you feel. It is a subjective response to a stimulus.
There is something wrong with using faith - belief without evidence - as a political weapon. I wouldn't say there is something similar about using science. Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.
There’s something beautiful and very circular about passing by something that was important to the person you loved, or touching something that once meant something to him — that brings me some peace.
Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.
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