Top 1200 Linear Time Quotes & Sayings

Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.

When we listen, it's not linear, it's 360, and it's in a time-space continuum, so you don't have to create a list of priorities, because it's all important. You can deal with everything at any given time. Not only that, but it happens very simply, without effort.

Public figures talk and act as if environmental change will be linear and gradual. But the Earth's systems are highly complex, and complex systems do not respond to pressure in linear ways.

Each of us can manifest the properties of a field of consciousness that transcends space, time, and linear causality.

We know that the end of any conflict is always messy. It's never a linear path when you've been at war for almost 20 years. It's never a clean, straight linear path to the end.

I think continuity is the devil. I think it's constricting and restrictive, I think it's alienating and off-putting, and it inflicts an artifact of linear time as we experience it on something that exists outside of linear time as well as keeps new readership away by keeping comics a matter of trivia and history rather than actual stories.

We do not think in a linear, sequential way, yet every body of information that is given to us is given to us in a linear manner ... we are taught to communicate in a way that is actually constricting our ability to think.

All incarnations are lived at once, and yet there does seem to be a linear sense of time when you're in the vortex of time and space, when your consciousness is fixated in a body.

Life is a series of dreams, a series of interlocking awarenesses. I don't necessarily believe in linear time. Everything happens all at once forever.

If we do overcome linear time, I would hope this means dwelling more directly in the fertility of the imagination rather than denying it, as some aspects of Buddhism seem to.

Modern humans became fixated on a collective hallucination of linear time, ignoring the fractal spirals of the surrounding universe.

Time is built entirely on consensus: humans decide that they have linear time, so they do.

The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.

Language is inherently not concerned with logic. As an expression of the psychological activities of humankind, it simply follows a linear process as it seeks actualisation. Moreover, it does not obey the objective concepts of time and space that belong to the physical world. When the discussion of time and space is imported into linguistic art from scientific aims and research methods, that linguistic art is entirely reduced to trifling pseudo-philosophical issues.

I was thinking about time, how on a movie set the shot is maintained in the same time no matter how many takes and hours pass. Reflectors and lights are added, footprints are smoothed away, so that there are no telltale clues as the day wears on. When the shot is finished and the plugs are pulled, time seems to leap forward in a matter of seconds. Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.

The eternal is omniembracing and permeative; and the temporal is linear. This opens up a very high order of generalizations of generalizations. The truth could not be more omni-important, although it is often manifestly operative only as a linear identification of a special-case experience on a specialized subject.

I think this is how life is. It's not a linear march through time; you revolve around the same old things as you age and acquire experiences.

The Severing is a catastrophe: an event that does not take place 'at' a certain 'point' in linear time, but a wave that ripples out in many dimensions, and in whose wake we are caught.

By definition, revolutions are not linear, one step at a time, event A leading to event B, and so on. Many causes operate on each other at once. Revolutions shift into place suddenly, like the pattern in a kaleidoscope. They do not so much proceed as crystallize.

I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.

My passion is to understand the non-linear dynamics of warped space-time, and the ideal venue for this is black-hole collisions.

It's a spectacular signal. It's a signal many of us have wanted to observe since the time LIGO was proposed. It shows the dynamics of objects in the strongest gravitational fields imaginable, a domain where Newton's gravity doesn't work at all, and one needs the fully non-linear Einstein field equations to explain the phenomena.

...mysticism and empiricism go together in opposition to scholasticism...they base themselves on the non-linear world of experience rather than the linear world of letters.

Anytime I've ever been involved in a non-linear story, you see it in a linear manner first, just to make sure it makes sense, and then you chop it up and move it around.

I thin many people's deviant behavior starts with dreams because dreams are so non-linear... as if there's an assumption that everything has to be linear or has to be plotted.

Time is not a linear flow, as we think it is, into past, present, and future. Time is an indivisible whole, a great pool in which all events are eternally embodied and still have their meaningful flash of supernormal or extra - sensory perception, and glimpse of something that happened long ago in our linear time.

Trajectories aren't linear. Life's just a roller coaster. If you're getting a chance to do cool stuff, and it's varied stuff, just enjoy it. I guess I'm a believer in the randomness of life rather than it being a linear trajectory or an arc, a consistent smooth arc, towards anything.

I have come to believe that energy medicine is a practice of healing that is dependent upon the energy of time. Whereas allopathic medicine uses linear time as a fundamental healing measure. Energy medicine needs to understand the dynamic of chiros time, that is the time without time.

People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint - it's more like a big ball of wibbly wobbly... time-y wimey... stuff.

We've become used to processing images that are part of the non-linear narrative theory. I think there's a thinner line between fantasy and normality. People spend much more time in their own heads now. There's so much to conform to, so many influences coming at you.

Our linear concept of time means nothing to nature.

I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.

I think what's going to happen with linear television is it's going to become more linear. It's going to become more about events and more about award shows, live sports - all those things that, really, you can't replicate.

I have a hard time making a linear-idea song, because that's not the way my thoughts work.

It is possible to transcend the usual limitations of the body, ego, space, and linear time.

The linear design of FFXIII had a great advantage in providing players with enough time to become familiarized with the new battle system and the unique world. But on the other hand, it led to players feeling like the majority of the game was a tutorial.

If we were writing what the fans wanted to see, Betty and Jughead would be the most linear, monotonous narrative of all time.

Wait a minute! Wait a minute! I figured this out. I know what's wrong with what we've done in Iraq. We've been following time as it goes forward. What a classic mistake. Linear time is so pre-9-11.

Freud, one of the grand masters of narrative, knew that the past is not fixed in the way that linear time suggests. We can return. We can pick up what we dropped. We can mend what others broke. We can talk with the dead.

Chronological time is what we measure by clocks and calendars; it is always linear, orderly, quantifiable, and mechanical. Kairotic time is organic, rhythmic, bodily, leisurely, and aperiodic; it is the inner cadence that brings fruit to ripeness, a woman to childbirth, a man to change the direction of his life.

If future history is not to be just one damned thing after another in space, then what we really have to do is in some way overcome this linear experience of time that makes all existence a quest for something that will never be found.And philosophies such as Zen seem to hint that this is possible.

Of course my family and friends are incredibly valuable to me. They keep me sane, they teach me things and I love spending time with them. I think that ranking what you value is a sort of western and linear way of looking at things.

Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.

To me, we're living in a non-linear world... But the truth is we are linear creatures. Everything unfolds one after the next. And that's the thing we've become disconnected from.

All of us are linear thinkers. We evolved in a world that was local and linear. You know, back 100,000, 200,000, millions of years ago, when we were evolving as a human species, nothing changed. You know, the life of your great-grandparents, you, your kids - it was the same. And so we are local and linear thinkers.

In documentary you sometimes see the tyranny of the linear, but what I've noticed in the last ten years in narrative film is the tyranny of the non-linear.

Your mind is the knife that cuts the continuum of space and time into neat slices of linear experience.

My brain doesn't work in a typical linear fashion: my brain is vibrant and fast and bright and on 10,000 all the time.

We are not just highly evolved animals with biological computers embedded inside our skulls; we are also fields of consciousness without limits, transcending time, space, matter, and linear causality.

Gypsy [Rose Lee] wasn't a linear person, and she didn't live life in a linear fashion. She was relentlessly self-inventing, and moved backward as often as she moved forward.

Like Thornton Wilder said, time is not a river, but rather a landscape that you step in and out of. I've always found that true of creative work, and I've heard so many songwriters and writers in general say the same thing... When you're going into the realms of your self and trying to tap into the mystery of this creative source, linear time kind of falls away.

The Lockean assumption that if we put our labor to it then it becomes our own is totally fallacious. We have to figure out how to leave things alone, and build an economic system that's not built on a linear model, but instead on a cyclical model, because that's the natural world - it's cyclical and not linear. That is going to take a lot of transformation.

It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.

I'm always thinking about time. That's one of themes I return to in my work, the way the past bears on the present, the way that time is not linear, and how that expresses itself in people's everyday lives.

Adolescence is a time of active deconstruction, construction, reconstruction--a period in which past, present, and future are rewoven and strung together on the threads of fantasies and wishes that do not necessarily follow the laws of linear chronology.

The idea that memory is linear is nonsense. What we have in our heads is a collection of frames. As to time itself-can it be linear when all these snatches of other presents exist at once in your mind? A very elusive and tricky concept, time.

Time is only linear for engineers and referees.

Hopping around time in a non-linear storytelling fashion (on 'Lost') allows you to bring back characters who are dead and, in some cases, buried. Now that time travel is the story itself, it opens up even more doors. So when an actor reads that they're getting killed off on the show, they're basically, like, 'Okay, but should I still bother to show up next week?'

You spend so much time as a writer telling straight and linear stories.

A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.