Top 1200 Make A Move Quotes & Sayings - Page 18

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Last updated on December 4, 2024.
Everyone wants to know why my top lip doesn't move... I had laser hair removal on my upper lip, oh gosh, 2009, maybe 2008, and I got a third-degree burn. And my face on the right side doesn't move the way my face on the left side moves. So, that is why.
If elected Speaker, I promise you that we will have the courage to lead the fight for our conservative principles and make our case to the American people. But we will also have the wisdom to listen to our constituents and each other so that we always move forward together.
If you can come to this nowness without sex, sex, by and by will become useless, it will disappear. It will not be a desire then. If you want to move in it you can move into it as a fun, but not as a desire. Then there is no obsession in it because you are not dependent on it.
You know with Obama being elected, we had a wonderful opportunity. I hope it's not blown, and we have forms of government that don't seem to be up to the level of the leaders who are around who will want to move this country in a proper direction. Where that goes and how that goes, I mean, we seem determined to not move ahead, to stay in the same place. And there are a lot of nuts out there as well.
OK, if he's a grappler, good for me, I know what to do. If he's a kickboxer, I gotta get in a clinch and move a certain way. If he's a karate man, he moves a different way, but I'm still going to have to clinch. So, a sumo wrestler, I have to clinch. It's just, how I get there, how I move it.
If there is a spot where you have dictatorship, where people are not free, people are not satisfied, they do not find food and shelter, they are under the poverty level, this is a dangerous spot for the whole world, because those people will move, and they will move to different places. They will be carrying bad feelings towards others.
Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.
A good friend will help you move. But best friend will help you move a dead body. — © Unknown
A good friend will help you move. But best friend will help you move a dead body.
A lot of people these days are too ambitious; their sights are set too high at the start and they end up diving in too deep, quitting their day job too soon. They move to Vegas or wherever, make an all-or-nothing commitment before they're ready, and burn out.
Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through.
I would rise, monk-like, at 6 A.M., speak to no one, make tea, and go immediately to my desk from which I didn't move until frills appeared around the edges of my eyes or I heard the sound of a wine bottle being uncorked. It would give the wrong impression to describe these as Writing Days.
I am not a vegetarian. I subscribe to my own mantra: eat less, move more, eat plenty of fruits and vegetables, don't eat too much junk food, and enjoy what you eat. Or, to summarise: eat less, eat better, move more, and get political.
If resources become scarce, people tend to fight for them. This is increasing the number of people on the move and the number of people forced to move. They're not refugees, according to the legal definition, but they represent a major humanitarian and human rights challenge, as well as a major challenge for world politics.
We might compare each day's decisions with the work of steering a boat. Our efforts will result in nebulous confusion if we make a wrong move at any point, even if it's only a small tack to the side. We absolutely cannot afford carelessness, lest we risk becoming lost ourselves.
When I today ask myself whence I got the moral courage, for it takes moral courage to make a move (or form a plan) running counter to all tradition, I think I may say in answer, that it was only my intense preoccupation with the problem of the blockade which helped me to do so.
I always found it bizarre or strange that there was this unwritten set of rules around how a woman could interact with a man in terms of starting a conversation. While a man traditionally is always expected to make the first move, he risks rejection in a real way.
To be rich be diligent; move on Like heav'ns great movers that enrich the earth; Whose moment's sloth would show the world undone; And make the spring straight bury all her birth. Rich are the diligent who can command Time--nature's stock.
Being gentle means forgiving yourself when you mess up. We should learn from our mistakes, but we shouldn't beat the tar out of ourselves over them. The past is just that, past. Learn what went wrong and why. Make amends if you need to. Then drop it and move on.
I was living at home until about 27 and decided it was time to move out and move somewhere else, so that's what I did. I wanted it to be the right thing to do. I didn't want to buy something out of my price range; I didn't want to be stupid with my money, so I decided to stay at home. Luckily, my mum and dad were amazing.
God, it's like reality's completely shifted on me. I used to think I was standing on such solid ground. If I wanted something badly enough, I just worked like hell for it. Now I can't decide what to do, which move to make. All the things I counted on aren't there for me anymore.
When you move off a point of power, pay all your obligations on the nail, empower all your friends completely and move off with your pockets full of artillery, potential blackmail on every erstwhile rival, unlimited funds in your private account and the addresses of experienced assassins and go live in Bulgravia and bribe the police.
Committees are, by nature, timid. They are based on the premise of safety in numbers; content to survive inconspicuously, rather than take risks and move independently ahead. Without independence, without the freedom for new ideas to be tried, to fail, and to ultimately succeed, the world will not move ahead, but rather live in fear of it's own potential
My monumental netted sculptural environments move through time, animated by an ever-changing 'wind choreography,' making invisible air currents suddenly visible to the human eye. I make living, breathing pieces that respond to the forces of nature - wind, light, water.
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.
I hated the sight on TV of big, clumsy, lumbering heavyweights plodding, stalking each other like two Frankenstein monsters, clinging, slugging toe to toe. I knew I could do it better ... circle, dance, shuffle, hit and move ... make an art out of it.
Girls get screwed. Not that kind of screwed, what I mean is, they're always on the short end of things. The way things work, how guys feel great, but make girls feel cheap for doing exactly what they beg for. The way they get to play you, all the while claiming they love you and making you believe it's true. The way it's okay to gift their heart one day, a backhand the next, to move on to the apricot when the peach blushes and bruises. These things make me believe God's a man after all.
In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk.
We can stop waiting for life to become perfect and start working with what we’ve got to make it as satisfying as we can. We can accept, bless, give thanks, and get going. Today, we can begin to call forth the riches from our everyday life. Today we can move from lack to abundance.
Glass really rewards risk. A lot of times with glass, you're just waiting for the piece to cool down or for some temperature to adjust, and there's split seconds where you've got a fraction of a second where you get to make a move a particular way, and you don't get to repeat it if you do it wrong.
As people grow up and they want more freedom, it's on an individual basis, children want to have more freedom, you've got to allow that, so how do you balance it. I would say let it evolve, move as quickly or slowly as people would like to move.
As we see this work move forward and move on, I would only declare to you as I stand before you today that in those 90 and more years that I've had, as I've witnessed and felt and seen and been part of the spiritual experiences that have been mine, that this is the work of the Lord. It's just as has been revealed. I've sensed it and I feel it, and I so declare to you.
For me, appropriations bills are the glue. These are the bills that must move, no matter what, to keep the government functioning as a reliable element of our society. The Appropriations Committee shouldn't be the most political place to be; it's the place where we have to make the institution function for the country.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
I got really frustrated in jail, and I was like, 'Man, I love what I've done, and I love the mark I've made on rock n' roll history'... and I sat there, and I got really depressed, thinking, 'I gotta make a move... do something fresh and new.'
Some films are pure entertainment of course, but what interests me and what I want to do are projects that really make you think, that move you, that will bring you something that will stay with you for a while. I think films are essential to the intellectual awakening of people.
Trouble is bad to get into but fun to get out of. If you're in trouble, eighty percent of the time there's a way out. If you can see the ball, you can probably hit it; and if you can hit it, you can move it; and if you can move it, you might be able to knock it in the hole. At least it's fun to try.
I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing.
If you chance to live and move and have your being in that thin stratum in which the events that make the news transpire,--thinnerthan the paper on which it is printed,--then these things will fill the world for you; but if you soar above or dive below that plane, you cannot remember nor be reminded of them.
Nine requisites for contented living: Health enough to make work a pleasure. Wealth enough to support your needs. Strength to battle with difficulties and overcome them. Grace enough to confess your sins and forsake them. Patience enough to toil until some good is accomplished. Charity enough to see some good in your neighbor. Love enough to move you to be useful and helpful to others. Faith enough to make real the things of God. Hope enough to remove all anxious fears concerning the future.
What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”
Whenever you do a film for the wrong reasons, it may or it may not pan out. Sometimes people do it because it is a good move or the right move. I don't know; maybe one day I will do a film for the wrong reasons, and it will work for me.
It's your time for a breakthrough! Make up your mind to leave the past and the old you behind. Focus on giving birth to a new you....the real you. It is your time to create a turning point for the better in your life. It is your destiny to be healthy, happy and successful.Your future is open, full of possibility and promise! Buckle down and do whatever is required to create a life that you are proud of and a life that you deserve! Don't look back!! Look ahead, move forward and make this your best year ever! You have the something special. You have GREATNESS within you!
Trump has got to, I think, move to a new level. This is no longer the primaries. He's no longer an interesting contender. He is now the potential leader of the United States and he's got to move his game up to the level of being a potential leader.
There was a whole batch of mc's that came out with me and a lot of them got more exposure than me but now a lot of them are out of the game, I'm still here, I'm a survivor so that's what makes me move the way I move.
Ye know what me Sean used to say, God rest his soul? He said, 'A friend will help ye move, Katie, but a really good friend will help ye move a body. — © Kevin Hearne
Ye know what me Sean used to say, God rest his soul? He said, 'A friend will help ye move, Katie, but a really good friend will help ye move a body.
The truly great players have this advantage over the rest of the international elite, gifted though those others are: they have the ability to slow down a ball travelling at 90mph, to move before others can, to make the world adjust to their rhythm rather than the other way round.
You must make a decision that you are going to move on. It wont happen automatically. You will have to rise up and say, ‘I don’t care how hard this is, I don’t care how disappointed I am, I’m not going to let this get the best of me. I’m moving on with my life.
Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. Hell or High Water's a good example: I don't tell you why the brothers are robbing the bank.
If you decide to move to L.A. like, 'I'm just gonna see if it works, and if nothing works I'm gonna go back in a year, two years' - very, very few people with that attitude are successful. You need to make a commitment to this and say, 'This is who I am, and this is what I do.'
Most amateurs are so worried about mis-hitting the shot or hitting it off line, they don't make an aggressive move. You'd be surprised how much better your swing will get if you let your natural athletic ability shine. So go after it.
Never make a move until you find yourself making it, because it might be too soon. It's always better to wait. Whenever you're not sure, wait, and in time you'll find yourself doing it. To act before then would be a mistake.
Motion is always a relative thing. I move in relation to something else. Any particle in this universe can change in relation to any other particle; but take the whole universe as one, and in relation to what can it move? There is nothing besides it. So this infinite Unit is unchangeable, immovable, absolute, and this is the Real Man.
From one week to the next, everything changes from who you're playing to the defense's scheme. You just try to build on the things that you did well and correct the things that you did poorly in the game; then, move forward from there and hopefully continue to get better and better and better as you move forward.
If you own a toll road, you don't care how many passengers are in each car or what kind of car it is. You just want as many cars to move down the road as possible, and you make damn certain they pay their tolls, okay?
The best thing is to go public only when you're absolutely sure that's the right move for the company. And in order to make sure that is the case, you need to have as much control over the company as possible, which means not giving up control early on.
I've been criticized by many anarchists as believing that anarchism is impossible without affluence. On the contrary, I think affluence is very destructive to anarchism. If you are absorbed by that commodity world then you're not going to move toward any radical positions, you're going to move toward a stance of protectiveness.
Art doesn't want to be familiar. It wants to astonish us. Or, in some cases, to enrage us. It wants to move us. To touch us. Not accommodate us, make us comfortable.
Stories have always been the things that entertain me and make me feel happy and sad and move me and give me the experience of being able to live many lives in one lifetime. It's the best thing about being alive.
The thing about physicists is that they tend to think that everything is physics. I don't. That's not what music is to me. You can explain aspects of it in physical terms, including the physics of anatomy: how our bodies move, the torsional moment of inertia, the way you move your body to a beat, the inherent periodicities of the heartbeat, the gait. That's physics, too, I guess - maybe they'd call it biophysics.
To make riot grrrl move into the future in a new way with a bunch of new names and a bunch of new energy, younger people have to learn about it and apply it to their own lives and own modern conversation. And they are.
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