Top 1200 Make You Think Quotes & Sayings - Page 20

You can make me laugh at a thing that I think is horrific. You can make me laugh at a thing that affects me personally. But if you've done your homework and you've gone about it the right way, it will still be funny.

I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.

I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.

I think maybe 50 years ago people and businesses felt like they had to choose between maximizing profits and making customers happy or making employees happy, and I think we're actually living in a special time where everyone's hyperconnected, whether through Twitter or blogs and so on. Information travels so quickly that it's actually possible to have it all, to make customers happy through customer service, to make employees happy through strong company cultures, and have that actually drive growth and profits.

I think about and study people. I think I make people uneasy sometimes by being so curious as to why they do what they do. I find myself thinking about this fairly obsessively, and I can't stop until I've found an answer.

I think positive. I always think we're going to score. Two minutes is a lot of time if you have timeouts and you're throwing every down. You have to make the right decisions. I've always had great receivers, which helps. It's not just me doing it.

I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.

I think it is a must for young people and generations yet to come, to understand, to feel, to touch, to almost smell the drama of what happened a few short years ago [the civil rights movement of the 1950s and 1960s]. So maybe, just maybe, we will never ever repeat this unbelievable time in our history. We have to tell it all, and make it plain, and make it clear, so people will never ever forget the distance we have come, and the progress we have yet to make.

I think that one not only has to make demands on the established group, but one also has to make demands on the outsider group. One has to make clear: if you want to leave, please do so. But if you want to stay here, a degree of accommodation to the Dutch outlook, Dutch manners, and a degree of identification with the Netherlands will be expected of you. There is no reason why there cannot be Dutch Turks or Dutch Moroccans. But one can expect from them a degree of identification, some change of their own social identity.

One doesn't want fashion to look ridiculous, silly, or out of step with the times - but you do want designers that make you think, that make you look at fashion differently. That's how fashion changes. If it doesn't change, it's not looking forward. And that's important to me.

You may think you’re getting the short end of the stick, but when it’s all said and done, God will make sure that you don’t lose anything truly valuable. Moreover, He’ll make sure you get your just reward. Your responsibility is to remain calm and peaceable even when those around you are not.

I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.

I'm a huge fan of 'Heart On My Sleeve' - I think it has a 'Take That' feel to it! John Shanks and James Morrison wrote the track, and we spoke to Sony and asked if we could reference a 'Greatest Day'/'Rule The World' sound to make that epic ballad. I think it does the job.

I do think that being a sort of celebrity and being well off does give me some responsibility. I think that people who make a lot of money - and I do - should certainly give a considerable amount of it away.

I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.

It doesn't actually make any difference whether the President is Republican or Democrat. The genius of the American ruling class is that it has been able to make the people think that they have had something to do with the electing of presidents for 200 years when they've had absolutely nothing to say about the candidates or the policies or the way the country is run.

The word vegetarian, I think, does a disservice because there are a lot of people who care but maybe don't care, or can't care in an ultimate way. If you think about environmentalism, nobody would ask, "Are you an environmentalist or not?" The question doesn't make any sense.

I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.

Write every day. Make writing a part of your life, but also don't be afraid of learning from others because I think you can. I still try to think of myself as a beginner because that way I can keep on learning.

Just because I make films doesn't mean I think they're great. I just make them and then when I'm done with them I'm just a filmgoer like I always am. They're all lessons. I'm still in film school, honestly. And this one is just a dry run for whatever the next one is.

I think that cinema is a great place to make stories of loneliness. And being Norwegian, I don't want to make the film about loneliness in being out in nature on a mountaintop; it's about being in the cities.

I love a good laugh as well, I think that's so important in life, which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.

I think it's important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that's a problem. You've got to be willing to let the art of cinema take you into some darker places if you're going to make full use of it.

Nowadays, you really have to make an impression quick and I think this does give people a chance to show off what they've got. It's very difficult these days. You really have to stand out quickly. I think it's also so diverse that there's enough material for everybody.

I think, as a filmmaker, my style of filmmaking is very well-suited to 3-D anyway, so it's not like I'm having to change a huge amount of the way I shoot to work in 3-D. I think you could probably dimensionalize some of my movies and they would make very good 3-D films.

Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.

If you want to make an ordinary man happy, or think that he is happy, give him money, power, flattery, gifts, honours. If you want to make a wise man happy - improve yourself!

For Twilight, I wasn't thinking it was going to be a crazy success, or anything. It had been rejected by all the major studios. Nobody wanted to make it and they didn't think it would make any money, but I read the book and I thought, "Wow, I want to capture that feeling of just being crazy in love. I wonder if I can do that in a film." That was my challenge.

I think when you wear the brand anyway, why not go out and try to promote it and make it as cool as you can? The fact that I can continue to do what I've always done and kind of become the face of that brand is to me, kind of just makes sense. It doesn't make sense not to do it I guess.

I think we make the movies, initially, with the one movie in mind. But we do love the characters, and so we kind of miss the characters when the movie is over. But I think what happens is, every now and then you realize there's more to tell, or an idea comes up.

I think that designers and architects need to educate the people who don't quite know what they do and make a strong case for why it's valuable and why it changes the game. I think waiting for people to come around to it just won't do.

I started in the late 70s, beginning of the 80s, and I think I started to sing and make music as a therapy for myself; I never planned to be an artist; sometimes when I think about it it's crazy that I'm here, and I'm touring, and I'm doing what I'm doing.

I think that the essence of being an artist is to break rules. You have to learn rules, and you have to break them, because if you make art only by the rules, then you make very boring art.

I think we are faced in medicine with the reality that we have to be willing to talk about our failures and think hard about them, even despite the malpractice system. I mean, there are things that we can do to make that system better.

Sometimes you feel amazing about life and other times you just feel fat and depressed, so I think it's good to be honest about that and to make light of it, I think humour is important, nobody's perfect.

I don't think writers really choose their subjects. I think the subjects, the topics, the themes, choose us, and then we make the most of what we have. For Trollope, society; for Roth, Jews. For me, apparently, love. Why hide it?

Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."

Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.

In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.

I think something for us that we're always interested in is how people interpret the music or the band for themselves, and that sort of level of interactivity for us specifically is really awesome, but I can imagine for some bands the ability to make your sound and make your identity known could be challenging.

I think the difference between me and some people is that I'm content to do my little bit. Sometimes people think they have to do big things in order to make change. But if each one would light a candle we'd have a tremendous light.

When people have hearing loss, I think they often take that burden and pass it on to their friends and family, and we make them scream and yell at us so we can hear! But I think it's better to take responsibility and wear hearing aids!

Every time I make, I've made a piece of work, I've wanted to get rid of it, obliterate it and do the next thing, because it was never quite what I wanted. I think the moment you think you've arrived is the moment that you should stop.

I want to be able to look back someday and say, "I did make a difference." Whether is was to open the minds of people to think that a woman can do a good job, or whether it's the fact that so many kids out there think that they could be like me.

I think that anybody that stays in school, gets good grades, pays the price, I think we are wealthy enough in the public and the private sector in America to make sure that every child in America that wants to continue their education, they should be able to do that.

If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.

They made a mistake. And it was an easy mistake to make. I don't regard setting incentives aggressively as a mistake. I think the mistake was, when the bad news came, they didn't recognize it directly. I don't think that impairs the future of Wells Fargo. They'll be better for it.

You make a film to distract people, to interest them, perhaps to make them think, perhaps to help them be a little less naive, a little better than they were.

I think that there have definitely been points when I've had to fight to move my career in a different direction. I think, 2012, I did a few movies that touched on a darker side, and those are movies I'd been wanting to make and stories I'd been wanting to tell for a while. So I think it definitely takes work to move genres.

I think it's handy for a dramatist of any sort, if I can call myself that, to make use of weddings and wakes, to make use of those moments and those rituals that cause us to pause and look back or look forward and understand that life has changed.

I think the Iraqis themselves will have to make a determination as to what type of government they ultimately come up with and what kind of nation they ultimately come up with. But they can continually use America's troops presence. The problem is not going to change until they are confronted with the reality that they have to make decisions and they have to make them themselves. They have to decide whether they want a country, whether they're willing to put their lives on the line and sacrifice for a national interest as opposed to a regional or sectarian interest.

I will not accept a new wave of fiscal retrenchment, of belt-tightening, without asking people at the top to make their contribution, to make an additional contribution. I don't think you can ask people on middle and low incomes, who, after all, are the vast majority of the British population, to bear the brunt of this adjustment.

I work out hard, and I do things that I feel make me better throughout the race and after the race. And I feel better mentally because of working out, being prepared and being in great shape. Driving the car, I think with reflexes and things throw at your so quickly, you have to make adjustments - the feeling of your car, the heat. Some tracks can be tough on your neck and arms, and other tracks, not so much. I think there's a lot there that definitely takes some athletic ability, and I think that helps being athletic and being prepared like that. It helps me for sure.

I think most of my lessons come from sports. That's why I always emphasise to young kids to get involved in sports because it's where you learn about discipline. It's where you learn to keep going, where if you think you can't make it, you can.

We make a product here in America and - they copy it in China and they couldn't care less about infringement or anything else. We talk about the environmentalists. You know, they all want us to make our plan so that nothing can go into the air. Do you think China's doing that? They laugh at us.

People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.

Back in the day, when I started, you were still allowed to make mistakes. You got to make your mistakes in public, in a way. I think the world was a more forgiving place when I started my career, in the sense that we got time and space to develop as a writer.

I think a lot of things are at play when children enjoy a grisly old fairytale. I don't think many children take it literally, or rather it's quite clear to them that it's only a story, only make believe.

I'm not against marriage, but I think it is not as important to me as it is for other people, for example. I think getting married would not change the way I feel about my girlfriend... And I don't know if that would make me happier.

I think that I had a very clear vision when I started writing cookbooks what I wanted it to be, and that you would open the book, that you would look at the photograph and go, that looks delicious. And then you would look at the recipe and say, I can actually make that and I can make it with ingredients I can find in the grocery store.