Top 1200 Mind Playing Quotes & Sayings - Page 15

There's a sports saying, if you aren't playing offense, you're playing defense, so if you are coming back for a sequel not be better but you have to aim higher and bring something else back in to the mix.

Knowledge is inherent in man; no knowledge comes from outside; it is all inside. We say Newton discovered gravitation. Was it sitting anywhere waiting for him? It was in his own mind; the time came and he found it out. All knowledge that the world has ever received comes from the mind; the infinite library of the universe is in our own mind. The external world is simply the suggestion, the occasion, which sets you to study your own mind.

I have talent at playing myself. I don't have a very broad range, but at playing myself I am a wizard. It's more than fun; it's the best job on Earth.

I love playing the drums - I really get a lot out of it - but I don't think I'm a good enough drummer to be playing live drums on all 10 tracks on my album.

Yoga means union of the individual mind with universal mind, so meditation is considered the essence of yoga. The transformation of the mind and body during meditation is significantly more profound than simply resting with your eyes closed.

I grew up playing basketball on the streets of New York City, and it was very, very rough, and I started playing in the NBA in the same way.

Playing with your spouse on the golf course runs almost as great a marital risk as getting caught playing with someone else's anywhere else.

I refused to let my brother down, because he sacrificed for me. And I always told him, 'As long as one of us playing football, we both playing football.'

I write music people enjoy playing and listening to, and I have a group that loves playing the music.

Playing a bad guy is always more fun than playing the good guy.

Initially, I was worried about playing Hansa, because Hansa is someone who talks a lot but does nothing. But after I started playing the character, it was such a relief.

If you're not judging what happens, then you're trusting what others are doing, what you're playing, and trusting what you're playing.And it can lead you to other ideas, to something maybe you hadn't expressed before.

I'm not playing a comedy. I want to be playing the truth of the moment, and then have the comedy come out.

The men I've played are all respectful and gentlemen towards me. I've never really had a problem. In the past a lot of people would go: 'We're playing a woman.' But now they're thinking: 'We're playing a good player.'

I started playing on a tiny table when I was 3 and then started playing properly when I was 10 or 11.

I say that creeds, dogmas, and theologies are inventions of the mind. It is the nature of the mind to make sense out of experience, to reduce the conglomerates of experience to units of comprehension which we call principles, or ideologies, or concepts. Religious experience is dynamic, fluid, effervescent, yeasty. But the mind can't handle these so it has to imprison religious experience in some way, get it bottled up. Then, when the experience quiets down, the mind draws a bead on it and extracts concepts, notions, dogmas, so that religious experience can make sense to the mind.

When I'm playing best, I'm just thinking about the music, just interacting with what my bandmates are playing.

It's to remind our lads who they're playing for, and to remind the opposition who they're playing against. (on the 'This Anfield' plaque)

On our first record, man, I didn't know what I was doing. I was just playing. I was over playing. You're as green as you can be with no experience in recording or knowing how sometimes a song can work: when it's too much, when it's not enough, when it's not right.

The self divided is precisely where the self is authentically located. . . We all have identity crises because a single identity is a delusion of the monotheistic mind. . . Authenticity is in the illusion, playing it, seeing through it from within as we play it, like an actor who sees through his mask and can only see in this way.

I understand it must be hard to realize that the playing field you are collecting all your trophies from is not a level playing field, but that doesn't mean you can just make inaccurate statements.

You're playing a role, but you're still feeling it. You can walk away from it after 'Cut,' but if you're playing a sad or mixed-up person, it's hard to stay in that place for these longish period of times. You kind of have to check out.

One may assume that playing a transgender is different, but I'm simply playing a third gender. Why should it make my acting process any different?

Nowadays you never see players playing cards. We used to sit around playing cards together all the time. But I can't fight that, I have to adapt and change.

The game of baseball is better when the Dodgers are playing well, just like when the Yankees are playing well, or the Cubs, the Phillies, the big-name teams.

A lot of the metal bands that were around when Metallica put out 'The Black Album,' now they're playing clubs, and Metallica is playing stadiums.

I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.

One way of saying that is that there is an objective reality beyond our mind. A way to think of this in a philosophic sense is to look between the two great extremes: the idealist philosophy that says mind and consciousness is the only thing and that matter is simply an illusion, or a Maya, the product of mind; and the other extreme, a strict materialist determinism, which says that mind and consciousness is a secondary phenomenon of the collision of matter.

He spoke of human solitude, about the intrinsic loneliness of a sophisticated mind, one that is capable of reason and poetry but which grasps at straws when it comes to understanding another, a mind aware of the impossibility of absolute understanding. The difficulty of having a mind that understands that it will always be misunderstood.

High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.

I have never had a secret hero in my mind but I have kept a lot of mentors in my mind that are heroes. Gandhi, Jesus, Moses, Martin Luther King they were all secret heroes in my mind because they stood for what they wanted, what they believed in.

I started when I was really young. I was playing with my dad when I was 8 or 9, and I started playing shows then. I had a short stint in a DIY all-girl punk cover band.

When I was 14, I started playing in the bigger clubs in Holland and when I was 17, I started playing all of the festivals there.

We've got a lot of guys in here that are playing for pride and contracts and different things. Now that we are out of the race, guys are playing looser and you can see it in our play.

I don't plan on writing biographies of great sports stars who are still playing ball. But I did write one on Jackie Robinson, who was playing ball in the 20th century.

I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?" They throw it away and keep on playing.

Consumers don't give a damn about what device they're playing on. They just want to play it everywhere. They want to be playing on the console and then take it off to the bus.

Playing for Boston Bulldogs in front of 700 to 800 fans was obviously different from playing for Liverpool in front of the Kop and 40,000 passionate Reds.

When you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.

I spent the first 10 years of my career playing psychotic Scotsman. I'm still playing psychotic Scotsmen really, they've just become a bit funnier.

There have always been people making music. On their porches, playing folk songs. Playing piano in quiet salons. You don't have to listen to every MySpace page, so what's the difference? It's just noise that you filter out.

The Meters are, I think, the most influential group in our time to come out of New Orleans, to have changed and introduced us all to a way of playing, and to a groove and a level of feel in playing funk-jazz.

It's going to be tough but I think I was more nervous about playing NRL than I will be playing this match simply because I've got Billy Slater in front of me and there were a lot of expectations.

I thought 'How can I stop playing or give myself an excuse to stop playing? So I snapped my cue on Friday. It was quite fun doing it. It's gone.

I guess I was a child actor. Acting was one of the things I did alongside going to school: I'd be playing guitar, I'd be playing soccer, and I would be acting in movies.

A lot of people know me from my character that I play on 'Superstore,' Mateo, and I'm not interested in playing straight roles. I'm all about playing queer roles.

I think that's the difference in my game compared to some other guys. I just believe in playing in the flow of the game, playing the right way with ball movement.

These guys are playing checkers. I'm out here playing chess. When they figure it out, it's too late.

There's a difference between playing and playing games. The former is an act of joy, the latter — an act.

It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of his instrument with an internal sense of rightness - it is not merely mechanical, it is not only spiritual; it is something of both, on a different plane and a more remote one.

I should just stop trying to control what's coming out of my mouth. I'm always going to keep what's important to me in mind and I completely understand considering that we're playing characters that are so coveted by so many people so I get why they want to know more about us. I just sort of have to not think about it.

One of the first lessons a necromancer learns is the art of playing dumb. Of course, one problem with playing dumb is that is seeps into your everyday life. ~Jaime Vegas

There's more depth to Lionel. What I am finding so interesting about playing him is there's all these different layers. I prefer playing Lionel because he's a human being.

When I first came on tour, I was playing for money. Now I'm playing to win golf tournaments and the money is more than I ever dreamed I could make.

First of all, if it's on your mind, your mind isn't clear. Anything you consider unfinished in any way must be captured in a trusted system outside your mind, or what I call a collection bucket, that you know you'll come back to regularly and sort through.

I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.

Playing in Norway allowed me to get back out onto the pitch and get game time, it was great to be playing regularly again.

Playing Sgt, Trotter in 'The Mousetrap' is the same as playing Scripps in 'The History Boys,' in the sense that they're dream roles that I've always wanted to do. The fact they're letting me do this professionally and I'm getting paid for it, I find astonishing.

Your mind makes out the orange by seeing it, hearing it, touching it, smelling it, tasting it and thinking about it but without this mind, you call it, the orange would not be seen or heard or smelled or tasted or even mentally noticed, it's actually, that orange, depending on your mind to exist! Don't you see that? By itself it's a no-thing, it's really mental, it's seen only of your mind. In other words it's empty and awake.

A player playing with confidence is better than a player playing with doubt in his head.