Top 1200 Movie Sets Quotes & Sayings - Page 3

Christmas is relentless. It's around the clock. I sit with my little ones in front of the TV screen, and we watch movie after movie after movie.

The few days that I shot with Jayalalithaaji, I got to observe her very closely. I was very impressed by her grace, beauty, and dignity. She came to the sets with her mother. So did I. She remained aloof on the sets and didn't speak much to anyone.

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.

On shipbuilding, on submarine building, warship building, coastal surveillance or small vessel building, we have both public and private sector. The capacities have really been scaled up, and the skill sets, hi-tech skill sets, have been acquired.

You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.

I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!

If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.

I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.

I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.

I want to do a movie, but it has to be the right movie, whether it's independent or a studio movie. I'm much more open to being a supporting actor. At the age of 60, I'll be second fiddle. Fine. I'm happy to do it.

I felt like I had to be conscious of myself as a girl for the first time. I had to be more feminine. I had to look a certain way. And it's something that you want to suffer in silence, but I would go onto movie sets and they would bring out bras that were basically binders, because there were continuity problems between months.

I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.

The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.

At a macro level, it's balancing the needs of consumers, advertisers and content owners. And if you talk to any one of those three customer sets in isolation, often times you won't delight the other two. So the hurdle we faced with Hulu Plus was, how can we thread this needle in a way that delights all three customer sets?

I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.

A movie is like a tip of an iceberg, in a way, because so little of what you do in connection with making a movie actually gets into the movie. Almost everything gets left behind.

'A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!'

I feel like actors, having spent a lot of time on movie sets, tend to make decent directors, because they've been there, they know what they're doing, they've seen it done right, they've seen it done wrong, and they feel comfortable. There's not a lot of chin-scratching and wondering what your next move is.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

When you make a movie, it's a movie, and things change based on who you put in the movie. And so it's, you know, obviously not exactly your life, but I feel that I did learn a lot about my parents.

With 'Love & Basketball,' I played ball my whole life and did track at UCLA. So, I'm an athlete. And it was very important for me to get it right. I started with casting: As an athlete, there's nothing worse for me than watching a sports movie and the woman that they hire can't run or can't shoot. It sets women's sports back years.

My first movie that came out - 'Shopping,' a British movie starring Jude Law and Sadie Frost - there were certain journalists in the U.K. who just eviscerated that movie.

You just make the best movie you can and hope for the best, because you don't have any control over what happens with the movie, whether the movie is misinterpreted.

If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.

What makes a mockery of a lot of these 3D conversions, where they're shot in 2D and converted to 3D. Having laid a real 3D movie, you realize that it's right in the production design. You design sets that enhance the 3D and you design interactive elements, like the rain or smoke. If you're shooting 2D, you don't know about that.

A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!

Muhammad sets the model for being a good statesman. He also sets the model for being a good warrior, for chivalry, of nobility, of all the things which the Quran and Hadith [The recorded collections of the sayings and traditions of the Prophet] says of treating your enemy with dignity and kindness.

When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!

I got a movie I'm working on. 'A Gangsta's Pain' was actually supposed to be the soundtrack to the movie, but it got a little delayed, so the movie is going to come out after the fact.

Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.

In terms of comedy, I never did five-minute sets or clubs or anything. I just started doing shows. Coming from that theater background, it never crossed my mind that I should start doing five-minute sets.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.

You put a movie star or a bunch of movie stars in a movie, it doesn't mean people are gonna go see it. It's been proven time and time again.

I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.

I guess they still show the movie in school, so around the time of movie showing, my Facebook inbox and my Instagram DM is flooded. "Are you the Quindon Tarver from the movie Romeo + Juliet? Oh my god, you did a great job."

My favourite movie is '3 Idiots'. It's a Hindi movie and I also have a great collection of Hollywood movies and my favourite movie is 'Vertical Limit.'

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

I think what's fun of making a Transformers movie is that it gets to be all of the above. I think, thematically, this movie is ... because of the third movie, you can ask questions in this movie you couldn't ask in the previous films. Like I was referring to the fact that they were abandoned by humans in the previous film; their attitude is different, so we've been able to tackle different themes.

They [Seth Rogen and Evan Goldberg] thought of this brilliant pot, or whatever, movie [Pineapple Express], an action movie and I guess they figured in a small role for a blonde. And they say that I did my part well. I added tears to the movie.

I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.

The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.

'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.

The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.

'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.

Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.

I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.

My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.

An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.

I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.

All I can tell you is 'Black Panther' sets up the MCU to go in a really wonderful new direction, sets up a new language, a new world for the MCU to play in, and that construction is then rocked to its core when Thanos enters in 'Infinity War' - get ready.

Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.

The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.

There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.

I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.

My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?