Top 1200 Musician Love Quotes & Sayings - Page 4

Explore popular Musician Love quotes.
Last updated on December 4, 2024.
I love playing anyone that does stuff that I don't do. The fun of playing an assassin is that I've never killed anybody. The fun of playing a brilliant musician is that I don't actually play any instruments.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
I've been a huge fan of Gaga since she first burst on the scene. I just love everything that lady represents. First and foremost, her voice is extraordinary. I love her voice. She's an accomplished musician. She plays piano really well. She's just a great songwriter. And she's a beacon of hope for a lot of people in the world.
I became a musician because I love music, and that is what has sustained me; it's not because I thought it was a great way to make a living. Music saved my life. — © David Sanborn
I became a musician because I love music, and that is what has sustained me; it's not because I thought it was a great way to make a living. Music saved my life.
I am a writer - that is what I am before being a performer or musician. I love waking up in the morning and then going to sleep that night with something that did not exist.
Most people you'd tell "I'm gonna be a musician," they'd say, "you're crazy, you're gonna starve, you're gonna be poor, a drug addict, go to jail, you'll never make it, there's too much competition, it's a terrible business," etc. But my chorus teacher in high school said, "you've got what it takes to be a really good professional musician, you should consider it." That was an epiphany for me. So I thought, well, maybe I can help somebody, too.
In classical music, love is based on bitin' -- imitation. It's not based on interpretation. A jazz musician, if he plays someone else's song, has a responsibility to make a distinct and original statement.
I just want to continue developing as a musician. I love playing. I also want to be more involved in composing, doing my own thing, I hope to continue to be in different situations that I can nurture and that will nurture me.
The human genome will not help us to understand the spiritual side of humankind, or to know who God is or what love is. The well-heeled couple who decide they want to use genetics to have a child that is a gifted musician may end up with a sullen adolescent who smokes marijuana and doesn't talk to them.
To me, art is the capacity to experience one's innocence: craft is how you get to that point. Maturity in a musician would be the point at which one is innocent at will. At that point the relationship between music and the musician is direct and reliable. The relationship with music is always mysterious: when it works, you can never tell. You can never guarantee when it's going to work. You can only to put yourself in a place where it's more likely to happen.
I've always wanted to do a cutesy little song with a guy and girl singing back and forth and thought that Regina Spektor would be kind of cool for that. I love her voice. She's an amazing musician.
Rahul Jaykar, my character in 'Aashiqui 2,' was a talented musician battling his demons, while Noor Nizami, my character in 'Fitoor,' is an artist who spends his entire life in pursuit of the love of his muse, Firdaus.
Love is infectious. You know, God is infectious-God flowing through us and us being little-baby creators and s--t. But His energy and His love and what He wants us to have as people and the way He wants us to love each other, that is infectious. Like they said in Step Brothers: Never lose your dinosaur. This is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.
I see that you are working this vampire angle with some success. And kudos. Lots of girls love that sensitive-undead thing. But I'd drop the whole musician angle if I were you. Vampire rock stars are played out, and besides, you can't possible be very good.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
I played the vina until my heart turned into the same instrument. Then I offered this instrument to the Divine Musician, the only muscian existing. Since then I have become His flute, and when He chooses He plays His music. The people give me credit for this music which, in reality, is not due to me, but to the Musician who plays his own instrument.
Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or something new or the same ol', same ol' in classical music. I'm always in dialogue with other musicians at least orally, if I can't be with them and a lot of dead musicians as well. I've learned a lot from dead people on recordings.
TLC has helped me to know that as a musician, I can talk about anything; that there are no barriers, and that you can be yourself. That's what I love about them. Left Eye in particular helped me to stay on top of my A game. She's one of the best female MCs that I've heard.
In our eyes, heroes, gods, masters do not exist. We love and respect every musician, whether from the past, the future, or... someone who doesn't yet exist... just as much as birdsong interests us.
I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.
Some shows feel very reverent - when you're in a seated theater, no one really sings. I love it when people sing! I wish people would sing all the time. Because one of my favorite things when I get to do as a musician is step away from the microphone and listen to everyone sing together.
Lenny Breau is one of the true geniuses of the guitar. I suppose he is a musician's musician. His knowledge of the instrument and the music is so vast, and I think that's what knocks people out about him. But he's such a tasty player too. I think if Chopin had played guitar, he would have sounded like Lenny Breau.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
So if you can make it through, you know you've got something good, you can handle anything. We've been blessed to grow but at the same time, the hard part is having to wear every single hat. It's exhausting, but it's entirely worth it because on the flip side, the best part about being a touring musician is being a touring musician.
I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.
My husband, Gabriele, is a musician, and I love music, so you can bet it's a really important part of our home entertaining repertoire, even if it means Gabriele making a really good playlist for a dinner party.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
I don't think of myself as "a lesbian musician." It's not one and alone. I think of myself as a musician.
I want longevity; I love music, being a musician is the greatest gift in the world to me, and if I were to get signed to a label, my family and team around me are always gonna be there to make sure they want the very best for me. My fans are what it's all about.
I wanted to be an artist, but at age 11, somehow all this musical knowledge and information and love for music that I had came out, and then suddenly it was very clear that I wanted to be a musician of some sort.
I'm not a deaf musician. I'm a musician who happens to be deaf.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
I want to be just a musician and songwriter, and hopefully known as a very good one. I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
I don't know about being an icon yet but I definitely do love fashion; it's really important for me to resemble my music. I definitely look like I sound. Creating an image is an art form in itself, it's a really fun part of being a musician.
Love. How do we define this word? We love our family. We love food. We love the weather. We love our shoes. Love that music. Love someone's work. Love a movie. Love a celebrity. Love that time in life. Love love love!
I'm a guitar player, really - I mean, first and foremost - I grew up with all that great 1960s music, in terms of growing up, becoming a musician, so it's like first-love stuff; I'm always going to go back to it.
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
I did, I was in Europe a lot. I would say, mid 20s to late 30s. Less so in the last ten or twelve years. Based on some political stuff and other things, I think I'm not the only musician, the only American jazz musician that's not going to Europe quite as much. I think we're seen a little differently in the world, unfortunately, than we were pre-Iraq invasion and things like that.
Collaborations work when both or however many parties are the right people to be working together for whatever reason - whether it's two musicians or a musician and a filmmaker or a musician and a choreographer, if the combination is right, the possibility exists to make something greater than the individuals could make. But if the combination is wrong than you generally end up with a compromised piece is probably less than the individuals could make.
Your body is merely a machine made to express the thoughts that flow through you and nothing more. It is but an instrument for you to express your imagings just as a piano is an instrument for a musician to express his imagings. Just as the piano is not the musician, so, likewise, your body is not you.
Comedy is the drug, when they laugh it's like I'm a jazz musician and they hear it, and they get it. It's power to take the crowd wherever I want them to go. I love it when they laugh, especially when they relate through laughter. It's a beautiful thing. It also means I'm going to get paid, which is nice.
We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor. — © Lance Bass
We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.
Jimmy Slyde was more a musician than a dancer; Greg Hines was more musician than dancer.
I always wanted to be a musician, 100 percent, my whole life. I went to school, I did music theory, I did voice training and piano lessons, and while I was a decent musician, it didn't seem like enough for me. I felt like I wanted to make more than just music.
Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.
If someone decides to be a musician now, it means because there is no hope of money at the end of it, it means they really want to be a musician. And if someone is writing now, there is no hope for money at the end of it.
I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.
I think Jerry Lee is sad. As a musician, he was far more talented than Elvis Presley. Everybody down in Memphis knows that. Elvis became a movie star because he was beautiful. Not that Elvis wasn't talented, but Jerry Lee Lewis was incomprehensibly talented as a musician.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
Many jazz musicians affect a misunderstood-genius air when they play, which alienates the audience and breaks down the communications of the music. A musician's responsibility is to get as much of his art across as possible. Musicians used to be kept when only the rich could afford art, but now practically everyone can afford radios, stereo equipment, concert tickets, etc. A musician must learn to communicate to survive.
I think it's quite tricky for actors to release albums. It's difficult, because I'm an actor, you know, I'm not a musician. I love singing, but I don't have a big repertoire of songs that I've written; I mean, I've got a few, but nothing that I could fill an album with, and I don't want to do it just for the sake of it.
Jazz has always been my first love. It has this timeless effect on me. It's pretty odd that I didn't become a jazz musician. I went another way because I needed to earn a good living to support my large family.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I'd love to be able to take a 8-months off on the coast somewhere, like some of my musician friends, and create an album but instead I have to create what I do in the midst of chaos.
A jazz musician is not a jazz musician when he or she is eating dinner or when he or she is with his parents or spouse or neighbors. He's above all a human being . . . the true artform is being a human being.
I once had a young musician come to me and say that he wanted to be a professional musician. I asked him to write his list. When he came back to me, the three things in his life he most wanted were: to be paid for his music; to travel around the world; to meet new people. We came to the decision, after thinking really creatively, that if he got a job on a cruise ship, he would fulfill those goals.
When I was seven-years-old I discovered the Spice Girls. I fell in love immediately, and I decided I wanted to be a musician myself. This became my goal and my biggest passion to strive for. And so I dressed up as a pop star at Halloween 1996.
I am a muso, and I love doing it. I assumed that would be my career for a long time. I always wanted to be a writer, but I didn't think that anyone could actually be that full-time, so I always go back to conducting and arranging and playing. If you scratch me, I'm a musician.
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