Top 1200 Old Movie Quotes & Sayings - Page 2

When you make a movie, it's a movie, and things change based on who you put in the movie. And so it's, you know, obviously not exactly your life, but I feel that I did learn a lot about my parents.

I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.

Any great movie in the old days has a red herring. Hitchcock was so good at that.

The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

In the old days, all the movie songs were recorded right there on set.

You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.

When I was four years old I watched the movie every day. I was totally obsessed.

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

When I was nine years old, I was in a movie called, 'Landlord' with Pearl Bailey, Lou Gossett, and Beau Bridges.

'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.

A mother of a one-year-old boy is a movie star in a world without critics.

Suddenly I turned 65 and realized, 'Oh my goodness, I'm old.' I think it was when I got into the movie theatres cheaper.

If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

I'm more like a senior adviser so I don't like to come in here and try to take over. Just like your basic karate movie where the young guys come to the old guys with beards who have them do weird stuff to get to the other side. That's who I am, the old guy with a long beard.

My plan is to have a theatre in some small town or something and I'll be manager. Ill be the crazy old movie guy.

When I was 28 years old, I thought it would be great to have a movie about my life. I was egotistical and self-centered.

I did a movie called 'The Hole' with this kid Nathan Gamble, so when I'm old and wrinkly, he could play me. He's awesome.

When you're in a movie, they treat you like you're four years old and give you whatever you want.

That's not going to happen, because I don't want it to happen. I don't want a movie about me until I'm very, very old - when I'm very, very old, everybody that wants to play me will be middle-aged.

I've got two old Volvos, two old Subarus, and an old Ford Ranger. If you've got an old car, you've gotta have at least several old cars, 'cause one's always gonna be in the garage.

You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.

I have never made a movie that's attracted a 14-year-old boy.

The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.

I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.

People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."

Doubt is an old disease. Faith is an old medicine. Compassion is an old doctor. Concern is an old nurse.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

Watching a movie a couple of weeks ago. An American movie. I can't remember the name, but it wasn't even a sad movie. It caught me off guard. I was on an airplane.

The old school mentality has gone and paved the way for many educated women to enter the movie profession.

I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!

A movie's a movie - you know I'm a massive old film buff - but it's still something to me, music: I can still close my eyes like I was when I was a teenager, and it can still make me weep or make me angry or make me, even if it's bad music, crack up.

A lot of the old movie theaters are closing down now, which is really sad. It's still in the back of my mind.

I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.

I lived in those old movie houses as a kid. I just loved them. What total escapism for someone.

I want to do a movie, but it has to be the right movie, whether it's independent or a studio movie. I'm much more open to being a supporting actor. At the age of 60, I'll be second fiddle. Fine. I'm happy to do it.

If I told my 16-year-old self that, at 34, I'd have no kids and not be in a movie in America, I wouldn't think I was still successful.

When I was doing 'This Boy's Life' I wanted to be as old as Robert DeNiro and as experienced as him and have the same respect as he did in that movie.

Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.

Remember the good old days when the only bomb you had to worry about on a plane was the Rob Schneider movie?

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'

My first movie that came out - 'Shopping,' a British movie starring Jude Law and Sadie Frost - there were certain journalists in the U.K. who just eviscerated that movie.

It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.

There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.

It was an old, old, old, old lady, And a boy who was half-past three; And the way they played together Was beautiful to see.

I did 'Daddy' when I was 17 years old. My father, Mahesh Bhatt, directed the movie, and he cast me.

That's why I like old monster movie actors, because they transform into different characters or creatures.

To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.

I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.

Seriously, who doesn't want to slap a 27-year-old movie star?

I like all kinds of music, be it old Hindi movie songs or English classics.

Old wood best to burn, old wine to drink, old friends to trust, and old authors to read.

When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!