Top 1200 Old Movie Quotes & Sayings - Page 4

I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.

I love it in a movie when they throw a guy off a cliff. I love it even when it's not a movie. No, especially when it's not a movie.

The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

I am a Gobot junkie, and I pitched the Gobots movie as an animated movie a few years ago, and we're trying to work something out now that the rights are cleared. But that's my dream project, besides 'The Goldbergs' - doing a Gobots movie.

Sometimes, when I watch a movie where teenagers are played by actors that are 26 years old and look perfect, it makes you wonder what story is actually being told.

I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.

I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.

When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.

You ever talk about a movie with someone that read the book? They're always so condescending. 'Ah, the book was much better than the movie.' Oh really? What I enjoyed about the movie: no reading.

I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."

There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!

Some movie I was in, I forget which one, some awful little movie, a reviewer said, What is Jessica Walter doing in this movie? And I said, Hello? Trying to make a living?

What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.

For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.

I went to see a children's matinee at the movie theatre one summer, but at some point they had changed to the grown up movie in the late afternoon, and I ended up seeing this movie called 'The Bad Seed.' It just terrified me.

I think that, oftentimes, what people say is, 'We need an actress who'll be able to greenlight a movie,' and my counterargument to that is always that, when it comes to a teen movie, you have very few people who can greenlight a movie.

Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.

As wild and anarchistic as 'Deadpool''s marketing was in using the Internet, its viral pieces and billboards, 'Logan' was the opposite. We went really analog and old-fashioned, much like the movie itself.

Old friends, like old shoes, are comfortable. But old shoes, unlike old friends, tend not to be supportive: it is easier to stumble and sprain an ankle while wearing a pair of old shoes than it is in new shoes, with their less yielding leather.

I showed my mom the movie then I told her the movie got bought and that it was gonna be shown in theatres and be on video. Everyone was really psyched about it. Everyone in my little town of hounds started to call me movie star.

I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.

I own one movie by fellow Swede Ingmar Bergman, because I have to. You can't be a movie critic with a collection of six or seven hundred DVDs that includes everything from 'Tokyo Story' to 'Poison Ivy: The New Seduction' and not have a Bergman movie.

I'm really into acquiring film paraphernalia - that's my hobby. I love old movie posters, cameras and film reels.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end, I'll go to a French movie. That's a betrayal of trust to me. A movie has to be complete within itself; it can't just build off the first one or play variations.

'Monty Python And The Holy Grail' is a hugely important movie to me. I remember watching it for the first time on cable when I was about 13 years old.

If you're producing a movie you're involved in every aspect of the movie and that can be daunting and then going and doing a movie where you're just an actor for hire, and you can kind of sit back and giggle where you can see somebody sitting over there wasting time and wasting money.

Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read.

'Star Wars' is my favorite movie series ever. I like the old ones better than the new ones, but I like all of them.

I often compare putting a hotel together to old-time movie production. You come up with a story line, you hire the writer, the director, the stars, the set designer.

Night Watch itself is a very Russian movie. Its impossible to imagine this kind of movie somewhere else: a movie with a depressing ending, a lot of inexplicable storylines, strange characters. Its a Russian reflection of American film culture.

Me and Fred Wolf wrote the movie [ Grown Ups]. The whole idea was about putting together old friends that get to hang out for a weekend.

I had the opportunity to do a movie with Roger Daltrey of The Who. In the movie, I played a guitar student. Since I had to learn how to play somewhat for the movie, I was introduced to the guitar.

When I was eight years old I went to visit my brother who was working on a movie of the week with my mother and I saw how much fun he was having and I decided I wanted to try it too.

'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they are old enough to understand. It's a movie that I cannot forget.

Reading is my passion and my escape since I was 5 years old. Overall, children don't realize the magic that can live inside their own heads. Better even then any movie.

In the sense that Watchmen references movies, comic books, pop culture in general. It knows it's a movie. I really do like movies that ride that fine line, the razor's edge between parody and supporting the fake movie part of the movie.

The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.

I saw 'Alien' when I was 8 years old. To me, it was like a combination of Jaws and Star Wars, and that's the movie that made me want to be a director.

If I've got a script, you think I'll go to Hollywood to get money? I was bored with the people around me, so I just created my own movie, my own character. I'm the story of my own movie, and you know what? My movie is going to be better.

'Game Of Thrones' was too big a canvas for a movie, but 'Dirty White Boys' is like a great old Western: there's so much compression, and it's so pressurized, it demands to be told in one sitting.

'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.

Normally you're 21 years old and you look like Tom Cruise and you do a couple underwear commercials first and then you're a movie star. That didn't happen for me. So it was all quite overwhelming.

The first movie I ever saw in the cinema was Walt Disney's 'Pinocchio,' upon its 1984 re-release, which would have put me at three years old.

I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.

It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.

When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.

I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.

I'm no longer dependent on the movie business to make a living. So if I want to make movies as other old guys would play golf, I can.

There's nothing really original. Alien was a B-movie. Five directors passed on it before me. Because I was into Heavy Metal, I read it, and thought, "Wow, I want to do this." I was on a plane to Hollywood in 22 hours. It was a B-movie and was elevated to an A-plus movie by sheer good taste.

I saw Alien when I was 8 years old. To me, it was like a combination of Jaws and Star Wars and that's the movie that made me want to be a director.

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.

You ignorant little rodent! This isn't just an old book. This is the book of Everafter." "Sorry, I haven't read it. I'm waiting for the movie," Puck said.

This never gets old, and when it does, I'll go do a movie. I like the fact that I can get into other projects because everything feels fresh when I come back to music.

I got into history when I was 11 years old, and it all started with the Titanic. I'd read books in the library about it. Of course I've seen the movie, too - I don't think I've ever cried that much.

When I was 8 years old, I saw 'Raiders of the Lost Ark' in Charlotte, North Carolina. I walked out of there and was so inspired. I loved the movie, and I knew I wanted to be that guy.

With Dawn I was afraid people would just think it's a B-movie and I didn't know what I was doing. That's really what I was afraid of. Like the subtlety of the movie they would miss. If the movie succeeds, it's that people understand the subtlety. That they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.

Making a movie is like a stagecoach ride through the Old West: at first you wish for a pleasant trip, and after a while you just hope you reach your destination.

So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.

I simply went down there to catch up with an old mate of mine, who owns the place. He's the one who wrote the book on the place, but no, no movie, just a beer.