Top 1200 Public Radio Quotes & Sayings - Page 6

Public control of the political process requires public financing. The restoration of our American Democracy depends upon public financing.

Where would the Republican Party being without talk radio the last 25 years? And yet who now is enemy number one? Talk radio! I don't know what I did to Michael Gerson, but he's back again in the Washington Post blaming everything [Donald] Trump on me.

I was born and raised in the Bronx and my grandfather and my brother Garry were huge Yankees fans. One of my first memories is of them listening to a game on the radio and screaming at the radio. My brother would cry when they lost, and when I was really little, I didn't know why he was crying.

After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.

I'd always fought against presenting radio really, because my father was a radio DJ in Australia. He's just recently retired. And I kind of didn't want to follow in his footsteps. But I suppose, as we all find as we become older, to some extent we do all become our parents.

It is not necessary for the politician to be the slave of the public's group prejudices, if he can learn how to mold the mind of the voters in conformity with his own ideas of public welfare and public service. The important thing for the statesman of our age is not so much to know how to please the public, but to know how to sway the public. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country.

The radio voice, you're in the studio, there's nobody around, and you're using your personality and enunciation skills to get the message across. At the stadium, there are vendors, there are people, the fans talking to each other. It's very difficult. If you were to speak as a radio disk jockey, no one would ever understand what you're saying.

I was mugged when I was 12. I had a portable radio, and I ran into this building and these two guys came in and hit me, busted me up and took the radio. After that I was very paranoid and I started taking kung fu and karate. But I didn't want to fight.

I ... began my career as a wireless amateur. After 43 years in radio, I do not mind confessing that I am still an amateur. Despite many great achievements in the science of radio and electronics, what we know today is far less than what we have still to learn.

Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.

I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.

In 'Radio,' I play Vimesh, a 34-year-old guy who solves others' problems on the radio, while he himself undergoes turmoil in his life with his wife deciding to divorce him. I think the audience will relate to the character.

I just love doing radio. I've learned to be more vulnerable through radio than even I've been through books and writing lyrics. It's a different type of experience where, if I'm writing a lyric, I can sort of hide behind it a little bit.

I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.

I became inspired while I was listening to music on the radio. I felt the music in my head sounded better, so I turned off the radio and scribbled it down on a piece of paper. I remember that it was in May. People liked that song. They said it was beautiful. I felt overjoyed.

Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools.

I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.

I don't see politics as one or two people just making or delivering announcements - it's also about winning public support and the public enthusiasm. You've got to win public support.

Talk radio has made an enormous run around establishment media. But the Interne is making an end run around talk radio. Suddenly we're faced with an information age.

When political and business leaders tell the public - any public - 'We don't trust you to make the right decision' - they prejudice that electorate against the very proposals they want it to accept and undermine public confidence in themselves.

Formerly, a public man needed a private secretary for a barrier between himself and the public. Nowadays he has a press secretary, to keep him properly in the public eye.

You go to Miami, and you might only hear one Tyga song on the radio. You go to L.A., and you might hear six or seven on the radio. There's certain things you do for your city.

Radio killed variety and TV killed radio, and the internet will kill television and it will go on and on.

Yesterday, President Obama prank-called a Washington radio station, calling himself 'Barry from D.C.' Then, just to mess with him, Obama called Glenn Beck's radio show as 'B. Hussein from Kenya.'

A true artist does not depend on radio for success. A true fan does not let radio determine what they support

And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.

I don't understand why they call it public broadcasting. As far as I am concerned, there's nothing public about it; it's an elitist enterprise. 'Rush Limbaugh' is public broadcasting.

I am amazed at radio DJ's today. I am firmly convinced that AM on my radio stands for Absolute Moron. I will not begin to tell you what FM stands for.

When television began, it modeled itself after radio. Many early television programs were radio programs first. 'My Favorite Wife,' 'The Jack Benny Show,' 'Burns and Allen,' 'Alfred Hitchcock Presents.'

I feel like I don't hit the radio button ever - or not enough, even on the good stuff. I do shout some stuff when I'm mad at myself, but I'm pretty good about not hitting the radio button.

Radio wasn't outside our lives. It coincided with and helped to shape our childhood and adolescence. As we slogged toward maturity, it also grew up and turned into television, leaving behind, like dead skin, transistorized talk-radio and nonstop music. . . .

My role models came in my imagination, from what I'd heard on the radio or on record... Vera Lynn I loved, but I'd only ever heard her on the radio. Gospel singers, Bessie Smith, Mahalia Jackson. So it was in my head that I visualised the emotion but no way to see how people do it.

I'm opposed to any policy that would deny in our country any human being from access to public safety, public education, or public health, period.

I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'

I love radio! I think radio, done right, can have more influence and have a greater connection with people and be more deeply meaningful than another medium like TV, which is on all the time and you're paying attention to it half the time.

Talk radio has made an enormous run around establishment media. But the Internet is making an end run around talk radio. Suddenly we're faced with an information age.

But the thought leaders on talk radio and Fox do more than shape opinion. Backed by their own wing of the book-publishing industry and supported by think tanks that increasingly function as public-relations agencies, conservatives have built a whole alternative knowledge system, with its own facts, its own history, its own laws of economics.

In 1957, I was studying the Pleiades star cluster at Harvard University's radio observatory. On one occasion, we saw an added feature in the data. It turned out to be an amateur radio enthusiast near the observatory, but at the time, I thought we had detected clear evidence of another civilisation.

The reporting I did was mostly entertainment or lifestyle. I took a very different approach than most reporters. I approached it more casually than you would think a reporter would. Now I'm a morning radio personality, and radio is really casual.

When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.

Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.

My family's still loves my music. Every time they hear me on the radio they call my phone - my grandma even called me: "I hear you on the radio!" I'm like, "Grandma, you listen to that and you be in church?"

It's one thing when you're driving to go play at a radio station and you hear it on that station. It's another thing when you're just out in the middle of nowhere, and the song just comes on the radio, and you're like "Oh my God!"

Policy is largely set by economic elites and organized groups representing business interests with little concern for public attitudes or public safety, as long as the public remains passive and obedient.

The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.

I've always wanted to have a radio show. It has been a dream of mine for a long time. With a radio show I can sit in a studio, or ultimately even sit in my own living room, and talk to hundreds of thousands of people.

As an elected official, I live a very public life. That elected figures live under something of a microscope is perhaps a necessary condition for an informed public, and yet, even as a public official, I maintain very personal documents that are not intended for public view.

VMWare, as you know, remains a public company, and Secure Works is also a public company. And it's possible in the future that within the group, we could have other public companies.

About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.

A few people have asked me about the women agenda on country radio. I can only speak for myself on this, and all I have to say is that I'm very grateful, and thankful, that country radio has been so automatically accepting, and supportive, of me and my music.

The thing about radio is that it's got an intimate feel. What I like is that you don't have to give it your full attention - you can still do something else that the same time, whereas TV is all-enveloping: you have to sit there and pay attention to it, and give yourself over to it. You have to surrender to it, but you don't with radio.

I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. But a lot of effective and interesting radio is based on one character who reacts to the world.

I think it is important that the public record of anyone being considered for key public appointments is scrutinised. That is the role of the media and key public institutions.

We didn't get television until quite late, the late fifties, but we had radio, and I can remember listening to the Korean War news on the radio with my family and sensing the anxiety of the adults although not understanding it myself, not understanding exactly what was going on.

Television is likely to do more to revolutionize politics than sound broadcasting did. Political candidates may have to adopt new techniques to benefit from visual radio: their dress, their smiles and gestures, all will be important. How they look, as well as what they say, may determine to an appreciable extent their popularity. The eyes of the public will be upon them.

Radio was, in a way, a very philosophical medium. You could make an argument on the radio, and people listened to it. Television is already harder because people's attention span becomes shorter with television. Cut to a commercial and all that.

Being covered in white paint, you demonstrate behaviour intended to create a public nuisance, which did in fact cause offence to members of the public, and created a breach of the peace and public order.

If I were a star kid, I wouldn't have tried so many things. I would have done theatre and directly joined movies. I did radio and TV shows because I had to carve my own way. Outsiders like me have to reach Bollywood through modelling, theatre, or radio.

The propagandist must utilize all of the technical means at his disposal - the press, radio, TV, movies, posters, meetings, door-to-door canvassing...There is no propaganda as long as one makes use, in a sporadic fashion and at random, of a newspaper article here, a poster or radio program there.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.