Top 1200 Road Movie Quotes & Sayings - Page 17

Explore popular Road Movie quotes.
Last updated on October 11, 2024.
I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.
If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.
The unique idea of [The Darkest Time] movie is because in usual if you are in darkness, you are scared. But this movie is the opposite. In darkness, you are okay.
Every movie, I find myself adrift at the beginning of the movie, and then I find my way through the dark forest. — © Brad Bird
Every movie, I find myself adrift at the beginning of the movie, and then I find my way through the dark forest.
I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.
I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it.
I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.
I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.
A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven't chosen at all.
I plainly told them, 'Be ye sincerely converted, and with your whole heart, to the Lord our God, for nothing is impossible to Him, that He may today send you food on your road, even until you are satisfied, because He has everywhere abundance.' And, with God's help, it was so done: Behold! A herd of swine appeared in the road before our eyes.
I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch. — © Bruce Campbell
I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.
I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?
I like to try to do anything active when I'm not on a movie. When I'm shooting a movie, it's really hard for me to do anything besides work.
When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.
You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'
There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.
If you are dating someone in New York City, and they invite you over to watch a movie, they don't really want to watch a movie.
'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.
The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.
i will follow it, though i know so well now the deep wounds i might find. for as long as i believe that i am walking the true road, if i am slain, then i die in the knowledge that for a brief time, at least, i was part of somethin bigger. this road has perils and i will surely die on it,but, i am not afraid to die.
I first saw Dead Man in high school, and it changed everything. That movie was like a memory to me - I would get things that occurred in that movie confused with my actual life.
Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
Sometimes events happen in one Marvel movie that mean you have to adjust what you planned to happen in a different movie, because they're interconnected.
I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.
In other words, if you - the cost of promoting movies, the advertising and promotion of a movie, the budget is almost as large as the cost of the movie.
I’m prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.
The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.
Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'
My favorite movie is Lawrence Of Arabia. But that's a long, long movie. So although I've seen it several times, it's not as fun as Jaws.
Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.
Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.
We can't make a giant sprawling movie. We're going to make a small movie. And what we got is what I could get, performance-wise.
Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons? — © Kate Nash
Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?
If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.
Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.
When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!
I was fired from a movie because I did 'Heathers!' I was cast in a movie, and the director saw an advance screening and was offended by it and fired me.
I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.
I've had tragedy in my life, and it doesn't stop comedy, so I think it's important to do both. Particularly in a superhero movie, but in any movie that accesses all people. Nobody wants to be abused for two hours.
A dozen times a day we come to a fork in the road and must decide which way we will go. It is important to get our ultimate objectives clearly in mind so that we do not become distracted at each fork in the road by the irrelevant questions: Which is the easier or more pleasant way? Or, Which way are others going?
Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'
The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.
I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like? — © Brad Pitt
I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?
I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.
I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
'The Graduate' must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn't ever get from a score.
We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.
I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.
There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.
I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.
I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.
For a movie's success, comedy must blend with the storyline. Else, comedy might click but the movie will die.
I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.
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