Top 1200 Road Movie Quotes & Sayings - Page 19

The moment that you start to read a script, you're watching the movie in your mind, and that's the one moment that you have. Then, you go off to make the movie and you become so lost in it.

Sometimes things work out, sometimes they don't. I never know how successful a movie is going to be - when you make a movie you're always hoping for the best.

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?

I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.

A movie moment in a theatre would never be comparable to the same movie moment elsewhere no matter how cheap the big TV becomes.

I haven't done a movie without a member of the original cast of 'Zombieland' - they've all been in every movie I've done.

Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.

It is the idea that it's a movie in a movie. So I did it.

If I hadn't gone on the road with Patti LaBelle, then I wouldn't have brought Jay-Z on the road with me. When I saw her leave the stage to change clothes and allow the background singers to keep the show going, I said, 'That's something I wanna do.' So in the middle of my show, I would leave the stage and Jay-Z would come out and rhyme.

My mother-in-law Vickie is an amazing person and has been nothing but helpful and supportive. She helps with the little things, dealing with being on the road and being away from home and how to keep up communication and little things like where the best hotels are, how to find a gym, little things on the road.

The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'

You don't make a movie, the movie makes you.

I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.

I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.

I might have speculated on my chances of going to Heaven; but candidly I did not care. I could not have wept if I had tried. I had no wish to review the evils of my past. But the past did seem to have been a bit wasted. The road to Hell may be paved with good intentions: the road to Heaven is paved with lost opportunities.

There is no road towards peace; peace is the road

Because, we assume, these days, you just get in a car, you turn the key, and woosh, you're up the road. Or even now, dare I say, you don't turn a key; you get in a car and you're up the road. And yet with this particular car, it was a five-step process to start it. So how do I let the reader know that?

When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.

So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.

I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.

I've never tried to make a movie to pay an overhead. We're in a very creative business, and I want to make movies because I enjoy that movie or that material.

In the future, I want to do an action movie! I'm going to get in shape, get ripped, and have my Chris Pratt transformation. And then become a movie star like that.

I go where I think I can enjoy myself. Sometimes it's on a big movie, and sometimes it's even on a silly movie.

When you make a movie independently, you raise the money beforehand, and then you make the movie kind of by yourself.

I don't think of myself as a movie star. I'm a movie worker. I come from a railroad family. I come from the corn.

I think when you get all the money and all the freedom, rarely do you get a good movie out of it or a movie that you're proud of.

That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.

Evil can be got very easily and exists in quantity: the road to her is very smooth, and she lives near by. But between us and virtue the gods have placed the sweat of our brows; the road to her is long and steep, and it is rough at first; but when a man has reached the top, then she is easy to attain, although before she was hard.

"You, who are on the road, must have a code that you can live by-"* You'll find universal agreement on the value of a behavior code, on the need for some sort of ethical system. Even the crooks count on "honor among thieves," and countries actually wage war according to certain rules. On the job and in the rest of our day-to-day living, we each need a "code for the road."

The world record is like you we went to the theater to see this movie, and it was really good, and it had an unexpected ending, and you left the theater saying, 'Wow, that was such a great movie.'

You have a soft spot in your heart for each movie, and you're doing certain things. You're learning as you're going, as a director, and each movie is its own entity.

Mystery makes movie stars! If you see someone on the cover of the weeklies all the time, why would you want to pay to see them in a movie?

Along this road, we won't stop moving forward Not even if we become separated from one another. For us, most of all, there was never a time, never a place where you could just stand still But even so, if there were times when we were afraid, when we'd look back on it all and wonder We'd just say that is was our destiny, wouldn't we? So we started off, all walking down the same road

'V for Vendetta' is an amazing movie, and it had an obvious message, but it was done so perfectly. I got out of the movie, and I wanted to march so hard. I wanted to be an activist.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

Anybody who understands how a movie gets made understands that a deep-pockets player is not going to make a movie that has anything defamatory in it without protections.

Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.

I loved Tolkien and I loved 'Star Wars,' which was the first memory that I have being in a movie theater. And, of course, that was the defining movie for me as a kid.

A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.

Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.

The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene... The movie is vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.

I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.

I found Jumpy on YouTube. I wrote a movie about a guy with a dog and was like, "What have I done? This is going to be a nightmare. We're a small movie and we're never going to be able to do this."

I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.

If somebody is smoking a joint in a movie, I say it's a cigarette - a big cigarette if it's a Cheech and Chong movie.

I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.

My very first acting gig was in a movie for Russ Parr. He did this movie called 'Love for Sale,' and that was my first role in any film.

There's a big difference between trolling and just attacking guys to attack guys, to get under people's skin, and to genuinely express how you felt about something. Like if I go to a movie for example, and I watch a movie, and I wasn't a fan of it. I don't mind turning to my family or some buddies I'm with and saying "oh man, I really didn't like that movie." But I've never acted or directed in my life. But I'm able to voice my opinion about whether or not I enjoyed it or not.

You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.

I find music the the clearest and easiest way in to what a movie will feel like - more so than visual references or other movies or dense dossiers of research material. Every now and then I'll send a piece of music or two to people I'm working with - actors or heads of department - when I think it'll help them get a sense of the kind of movie I'm proposing. Often those pieces will end up in the movie - sometimes they won't.

There is a difference between movie actors and TV acting, especially with movie stars, which is they know their face is 20 feet high on the screen. They know they don't have to do much.

The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.

The attraction of watching a movie called 'Alien vs. Predator' is you're anticipating - and the movie has to deliver - battle scenes and fight scenes between the two creatures.

My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.

We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'

When thoughts arise, as soon as you sense them heading on the road of desire, bring them right back onto the road of reason. Once they arise, notice them, once you notice them, you can change them. This is the key to turning calamity into fortune, rising from death and returning to life.

'Rust' really started with the passing of my dad, and me really looking back inward to my self about where I stand with all things on a faith/religious/spiritual level. And it's really put me on this interesting road and very educational, I might add, road back to understanding the role of faith in God and Christ in my life.

Me and Lucas Black are actually starring in that movie 'Fast and the Furious 3: Tokyo.' It's gonna be hot and different. My first action movie, so it's gonna be great.

Music plays a huge role in the movie. The music in Star Wars, I can't imagine what the movie would have been like without it. It made the film.

'Red Planet' was a tough movie to make, and I learned a lot about myself. To me, that's a lot more interesting than how a movie does.